Posted in: Disc Reviews by Gino Sassani on March 18th, 2010
It's back to the 1950's with its telltale alien invasion science fiction matinees. There's Doo Wop coming out of the radio. The cars have tail fins and plenty of color and chrome. That's right. This is 1950's Americana. Well ... almost. You see, the alien invaders are humaniacs. They turn the helpless population into mind-controlled zombies, and they eat brains for breakfast. Those sure are the classic cars, all right. But they're rounded, and instead of wheels they ride on a cushion of air. And then there's the "people". They're green. They have tentacles for hair. And they have only 4 fingers and toes on each hand or foot. Can anyone say, "Give me a high four"?
Meet Lem (Long). He's your typical 1950's teen. His biggest worry is how will he impress Neera (Biel), the girl of his dreams? He holds down a job proudly at the local museum and planetarium, where he teaches that the universe is nearly 500 miles across, containing 1000 stars. Wow! He doesn't have time for the fantastic movies and comics that depict humaniac invasions. His friend Skiff (Scott), on the other hand, reads and watches them all. He's quite well versed in the topic of alien invasion. He's convinced that "they" are coming, if they're not already here, that is. For these innocent and peaceful folks, the nightmare scenario that they've feared their entire lives is about to come true. An alien has invaded!
Posted in: Disc Reviews by Archive Authors on March 17th, 2010
In 1952 pioneering animator Osamu Tezuka’s manga series ignited a cultural phenomenon in Japan that has now reached worldwide acclaim: anime. Astro is a beloved pop culture figure that is finally getting wider recognition with younger audiences thanks to 2009’s feature film Astro Boy. Set in a future where Earth has endured years of abuse and pollution, one city decided to improve their quality of life. Metro City hovers far above Earth’s surface, but shares little similarities. Robots have been designed to take over the menial, mundane jobs they can’t be bothered to do themselves.
The father of those creations is scientist Dr. Tenma, voiced by Nicolas Cage. His brilliance in the field of robotics doesn’t make up for his shortcomings as a parent to his son Toby. Despite being a mature and remarkable student, Toby never quite receives the warm encouragement from his dad he craves. When a meeting with President Stone, a no-nonsense military man desperately seeking re-election, goes horribly awry, Toby is killed, leaving nothing but a red ball cap behind. Dr. Tenma attempts to resurrect the spirit of his departed son through a new life-like robot: Astro Boy.
Posted in: Disc Reviews by Archive Authors on March 17th, 2010
“In an old house in Paris that was covered in vines lived twelve little girls in two straight lines.” That simple opening rhyme has wooed children around the world for more than 70 years. Author Ludwig Bemelmans’ Madeline books have been reincarnated as Academy Award-nominated animated shorts, syndicated cartoons, soundtracks and a live-action film. Madeline: Lost in Paris celebrated its 10th anniversary in 2009 and continues the party with a Shout! Factory DVD release.
Our story begins when a letter for Madeline from a stranger named Henri Horst (Jason Alexander) arrives at the boarding school. The man claims to be her only surviving relative and announces his intention on visiting his orphaned niece. Horst is, of course, a fraud only interested in kidnapping Madeline so he and the decrepit Madame Lacroque (Lauren Bacall) can collect her inheritance. Before Madeline can figure out the truth, it’s too late—she’s whisked away onto the Metro to a sketchy neighborhood harboring a child-labor camp masquerading as a lace shop. When Miss Clavel (Louise Vallance) catches wind that something’s up, she enlists the help of the police—and all of Madeline’s friends—to find her.
Posted in: Disc Reviews by Gino Sassani on March 16th, 2010
If any studio out there knows princesses, it has to be Disney. Uncle Walt has brought us so many memorably magical moments in the realms of fairy godmothers and the rags to riches tradition. A list of such Disney characters would serve as a rather complete roll call of such familiar animated ladies: Snow White, Cinderella, Ariel, Sleeping Beauty, Jasmine, and now you can add yet another name to the growing list. The studio that invented the animated fairy tale returns to its hand-drawn animation roots with The Princess And The Frog.
When Pixar finally landed permanently at Disney, no one was more excited than I was. It seemed somehow quite fitting that the studio that invented the animation feature should now take the lead with the company that invented the computer animated feature. It was a match made in heaven, or at least Neverland. But, I was as shocked and dismayed as many fans of the medium when Disney made a rather abrupt decision to close down its hand-drawn animation studios. There was plenty of rancor from the move and more than a few talented artists suddenly without jobs. It appeared that the Mouse House had traded one legacy in to acquire another. And so it looked as if we would never again see the wonderful marvels of a hand-drawn Walt Disney creation. Ah, but we all forgot. Disney is in the fairy tale business, after all. And like every good story, just as it looks like the villain has triumphed and all hope is gone, a white horse bearing a hero can never be far behind.
Posted in: Disc Reviews by Gino Sassani on March 15th, 2010
I’ve been a fan of South Park ever since a friend introduced me to the internet Christmas card that started it all. It was Santa versus Jesus and these short potty-mouthed kids that somehow wormed their way under your skin. Pretty soon I was downloading the episodes and watching them on my computer. For some reason I can’t quite explain, I’ve very rarely watched an episode on Comedy Central. By the time things were getting tighter and riskier downloading the shorts, the single disc, 4 episode DVDs began to arrive in stores. So my South Park viewing moved from the PC to the DVD player. In a short time season sets began to arrive, and I looked forward to them with much anticipation, still watching it infrequently on television. After all, who needs the commercials and those silly network bugs that distract you on the screen? The series itself evolved in that time. The show was once achieved through a stop motion process using construction paper cutouts. The animation was crude. After the Christmas card, the characters were significantly redesigned. They had a very evil look on that short. The first couple of episodes brought us an evolution toward the characters we know and love today. After a while the animation went to a computer process. The look remained the same, but gone were the paper cuts and stop motion photography. As the show progressed there were less and less bleeps. It’s not that the language got any tamer. Standards got a little looser. Finally the bleeps would disappear from at least the DVD releases. And now South Park has crossed another milestone. Welcome to Blu-ray and high definition, South Park.
I often have trouble believing that South Park has been around for as long as it has. It’s not just the passing of 13 years, but the sheer brilliance in the face of an increasingly politically correct society. It’s like watching old episodes of All In The Family. Who believes that Archie Bunker would have any chance of survival in the 21st Century? It’s no wonder that Norman Lear has become involved in the series. It’s the last remaining vestige of a once great freedom to be ridiculous and offend. Eric Cartman’s a lot worse than Archie ever was. We always knew that, in his heart, Archie had a soul. Cartman’s a psychopath without a conscience, and in a civilized society we would be terrified of the existence of such a demon spawn…except he’s just so dang funny. Trey Parker and Matt Stone have been walking a tightrope for over 13 years now, and it just doesn’t get old. One of the reasons the show doesn’t grow stale is their ability to make such a quick turnaround on current events. Because the show takes literally days to write and produce, they are quite often always the first to address an issue. They had an election night episode on literally the next day in last season. That means the ideas stay as fresh as the headlines. Finally, you have to credit the expanding universe of good characters. The core group of Cartman, Stan, Kyle, and Kenny were great for a lot of years. But, watching this 13th season you have to admire how much Butters has infused himself into that core. We also have such great semi-regulars as Timmy, Jimmy, and Token. These characters allow the stories to expand in ways the core group could not. I’ve honestly come to think of Butters as one of the core now.
Posted in: Disc Reviews by Gino Sassani on February 23rd, 2010
So what's the Scooby Gang up to this time, you might ask. We meet Velma's younger sister for the first time here. Young Madelyn has been off studying magic at the Whirlin Merlin Magic Academy. It seems a giant mythological griffin has been stalking the halls of the old school. So who ya gonna call? Scooby and the gang conduct the usual investigation, uncovering the usual suspects.
Scooby Doo has spanned generations and over 40 years. Since the 1960’s the name and conventions have become a part of the pop culture. The original cartoon series had a series of conventions. The Scooby Gang would drive around in their green Mystery Machine van and solve ghostly mysteries. Fans of the show quickly grew to learn that these spirits and goblins were usually just normal people using scare tactics to get revenge or make a profit. The cartoon classic spawned music albums, live action movies, and several new shows and animated features.
Posted in: Disc Reviews by Michael Durr on February 21st, 2010
Greetings here from your favorite neighborhood reviewer and Spidey-expert: the infamous Kedrix. I certainly have a habit of appearing whenever there is a Marvel or DC superhero involved, especially if the source material happens to be animated. Needless to say, when the opportunity to review Spectacular Spider-Man both volumes 6 & 7 came available, I jumped to the task. Somehow, we missed Volume 5 (I have seen the first four), but I'm sure we can pick right back up and get to the spectacular action. (one paragraph in and we are already using bad puns, tsk tsk)
Volume Six of Spectacular Spider-Man is something short of a breather for Spidey as he is recovering from some run-ins at the hands of Mysterio & Kraven the Hunter. He even had yet another altercation with Dr. Octopus. Things are also looking up for the web slinger as he even gets invited to Flash Thompson's birthday party. Little does he know he is about to run into the Sandman who is still looking for his big score.
Posted in: Disc Reviews by Gino Sassani on February 16th, 2010
Anyone who has come here long enough to get to know my likes and dislikes probably knows what a Walt Disney and Mickey Mouse fan I am. The man and the character opened the road for so much of what we have today, from Pixar to Tom and Jerry. But, if you're looking for the kind of cartoons you and I have grown to expect, this one is bound to disappoint you. It's an episode of the current television series Mickey Mouse Clubhouse. It's an animated Sesame Street, however, and not really a cartoon adventure.
While I use the term Sesame Street, I don't mean it literally. You'll find the traditional Disney characters, to be sure. There's Donald Duck, Minnie Mouse, Goofy, Pluto, and even Professor Von Drake. You won't find a Cookie Monster or a Big Bird anywhere. What you will find is that strictly educational style. The characters talk directly to the children watching. They ask questions geared toward teaching such basic concepts as identifying colors and shapes to basic math problems. There's a great deal of shouting encouragement as well. You should be prepared for your young one to answer Mickey's questions and join him in some hollering. There's a particularly annoying repetition as the gang calls for a character named Toodles. Toodles carries objects that the characters need to accomplish various tasks. Whenever they find they are in the need of one of these tools Mickey encourages everyone, including your child, to yell “Oh Toodles”, to bring the character to them with the needed item.
Posted in: Disc Reviews by Gino Sassani on February 9th, 2010
In the 1930’s and 40’s MGM was trying to get in on the lucrative animation game. The field was dominated at the time by Warner Brothers with their Loony Tunes shorts, and of course, the iconic cast of animated characters coming out of the Walt Disney Studio. For years they had failed to find the right property to take advantage of the market. It wasn’t until the team of William Hanna and Joseph Barbera approached the studio with their first project that the times did change, at least a little, for the fledgling animation department at MGM. The project was far from an original one even for the time. It was a very basic cat and mouse adventure featuring a cat named Tom and a mouse named Jerry. There would be almost no dialog on the shorts. It certainly didn’t look like much of a hit to the studio brass, but with no better ideas on the way, they went ahead with the new shorts of Tom And Jerry. There’s a reason why the cat and mouse pair is such a classic. It’s because it works. If you can make your characters entertaining and endearing enough, you can have a hit. MGM finally entered the major leagues, and the team of Hanna and Barbera would become one of the most successful animation teams in history. They would go on to create such cherished characters as The Flintstones, Yogi Bear, The Jetsons, and, of course, Scooby Doo.
These were the days of the Golden Age in Hollywood. These shorts were not being produced for television, which hadn’t been invented when they began; rather, they were intended for theater goers. In those days going to the movies was much more of an inclusive experience. You always got a cartoon short along with an adventure serial, the likes of Buck Rogers, Flash Gordon, and The Lone Ranger. These multi-chaptered serials were the forerunners to the modern television series. It kept you coming back to the movies to see what would happen next. Each chapter ended in a cliffhanger. These early serials were the inspiration for such film franchises as Star Wars and Indiana Jones. Finally you got one, sometimes two movies, all for the price of a single admission.
Posted in: Disc Reviews by Michael Durr on February 3rd, 2010
Planet Hulk started out as a storyline from Incredible Hulk #88-#95 (2006). The Hulk was too strong for the planet Earth and so the Illuminati under the direction of Iron Man and Doctor Strange sent him to a planet where he can cause harm to nobody except himself. Of course, things don’t go exactly as the Illuminati probably hoped for. The direct to video movie deals with Hulk’s stay on planet known as Sakaar.
Hulk is simply too strong. He is a danger to the earth and in such the New Avengers has sent him away to an abandoned planet. The Hulk wakes up and finds himself in the rocket. He listens to the words of Iron Man with Doctor Strange and what appears to be Reed Richards and the Black Bolt close by. The team thinks that they are sending him to an isolated planet devoid of life. However, the rocket actually passes through a portal and somehow Hulk ends up on the planet known as Sakaar.
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