Posted in: Disc Reviews by William O'Donnell on June 10th, 2010
It's a story we have seen many times before. A man is down on his luck with love, largely due to his irresponsible ways, until he finds redemption by coaching a little league team. Sound familiar? Got a good idea of how this movie will progress? Good, that will save me some time.
Posted in: Disc Reviews by David Annandale on June 8th, 2010
A spin-off from Diff'rent Strokes, The Facts of Life centered around four residents of the Eastland Academy for Girls and their headmistress, Mrs. Garrett (Charlotte Rae). The four girls were characterized in strokes as broad as they way their physical types were presented: Blair (Lisa Welchel), rich, spoiled and blonde; Jo (Nancy McKeon), tomboy and brunette; Tootie, nosy and African-American; Natalie (Mindy Cohn), fun-loving and overweight.
The actual humour in the series is pretty pitiful – in other words, standard sitcom quips that might pass for wit if you're about five. However, like its parent show, it would consistently tackle difficult subjects. In this season, that means the likes of abortion, drunk driving, and hearing loss. Nothing subtle, and much that is painfully earnest here, but at least there is also a little bit of ambition in the stories, so credit where credit is due. The lead-in to the season was the TV movie, The Facts of Life Goes to Paris. While the dire nature of the humour is even more apparent here, now that the laugh track has been stripped away, the shooting was actually done on location, which is, frankly, more than I was expecting.
Posted in: Disc Reviews by Michael Durr on May 28th, 2010
One of the most basic pleasures in my soul is received from a great stand-up comedian. I grew up with the likes of Richard Pryor, George Carlin and Robin Williams. As a result, I listen to many stand-up specialists whenever I can, some are funny, some are not so funny and some I don't know if I'm listening to comedy or amateur hour at 1 in the morning. Today's special is David Cross, experienced to the stand-up scene in a brand new special. Let's see how it goes.
A little bit of history on David Cross, he's 46 and even though you might struggle to remember what he has been in, most likely you have seen his face before. He's been in the Ben Stiller Show, Arrested Development, and Mr. Show. More recently, he has been a part of the Alvin and the Chipmunk movies and even did voices for a few video games. In his personal life, he's a proclaimed atheist and is dating Amber Tamblyn who is well smoking hot and about twenty years younger.
Posted in: Disc Reviews by Gino Sassani on May 26th, 2010
I've seen a lot of shows come and go on Comedy Central over the years. The network really found gold when it began to air the crude animated adventures of Eric Cartman and his pals of South Park. It appears that ever since that day, the network has been searching high and low, mostly low, to catch that kind of lightening in a bottle again. Let's face it. The South Park boys aren't going to last forever. Comedy Central must certainly understand that someday they'll need another solid anchor for their network. One of the most recent attempts has been the Jeff Dunham Show. From what I've seen of this release, Comedy Central had best keep on looking. Of course, the ratings and the audience have already convinced them of that fact. The show is already gone after only 7 episodes. You can find them all on this single disc release.
From the description, it actually sounded like a pretty good idea. It's certainly an original one. The idea of having a ventriloquist act as the centerpiece for a comedy show really sounded like a great idea. I hadn't really heard of Jeff Dunham before this, so I had no idea what kind of show to expect. I only know I expected to laugh. After the first couple of episodes, I hadn't laughed yet. That's okay. I just have to warm up to the unique series. Give the guy time to settle into the format. Now I've watched all 7 episodes, and I'm still waiting.
Posted in: Disc Reviews by Gino Sassani on May 24th, 2010
Mel Brooks has often been called the Master of Comedy. The moniker might be a bit too grandiose, but he was certainly the master of the parody. In recent years that has become more evident than ever. Too often I've been forced to sit through something called a comedy. Not only can I do so without ever actually laughing, but there are far too many titles of late that don't even give me the chance to crack a smile. It's not that I've seen so much that it's hard to find anything original. I can still laugh like crazy when I watch a Sanford and Son episode I've seen at least 50 times or an Abbott & Costello routine that was old before they even got their hands on the material. There is a famous quote that states, "Dying is easy. Comedy is hard." Then why does Mel Brooks make it look so dang easy?
While we're on the subject of masters, you really can't avoid the Master of Suspense, Alfred Hitchcock. Perhaps no one understood his audience more than Hitch did. He's influenced a great many of today's filmmaking geniuses. He's been admired by almost anyone who has ever really studied film. Mel Brooks can be counted among his students. On more than one occasion I have seen an interview where Brooks can't say enough flattering things about Alfred Hitchcock. It would have only been a matter of time before Brooks turned his creative mind to one of his own idols. The result is enough to give anyone High Anxiety.
Posted in: Disc Reviews by Gino Sassani on May 19th, 2010
"It doesn't look like they have chicken tenders here."
How can you not like Jackie Chan? If there has been a more versatile action or martial arts star, I haven't heard from him. The man made a name for himself in China's film industry as a remarkable martial arts performer. For decades he's been the closest thing the film industry has seen to Bruce Lee. But, unlike Lee, Chan wasn't content with being the best in a single genre. When he finally came to Hollywood, he decided it was a good idea to work a bit more lightheartedness into his films, something he had already begun to do in his homeland, China. The result made him a unique personality on film. It didn't matter if it was straight-out comedy like the Rush Hour or Shanghai films or more serious action adventures like his Police Story outings. Chan is first and foremost ... Chan, not just an action hero. Not afraid to poke fun at himself, he's become a reliable property at the box office.
Posted in: Disc Reviews by Gino Sassani on May 19th, 2010
"Even in the most primitive man, the need to create was part of his nature. This need, this talent, clearly separated early man from animals who would never know this gift. And here, in a cave somewhere in the North American Continent, about two million years ago, the first artist was born. And, of course, with the birth of the artist came the inevitable afterbirth ... the critic."
That's me. Afterbirth here. Brooks always did love to poke fun at the critics. And why not? Unfortunately, this was not one of his better films and likely received a lot of poking from the brethren. It was one of his worst films at the box office, pulling in only $31 million. Compared to many of his hits, it must have been a disappointing take for Mel at the time. Now out, along with some other of his films, on Blu-ray, this rather forgettable film looks even more dated and overindulgent than ever. Certainly, there are some classic moments. Mel, is, after all, Mel. But he never could string enough of them together to meet expectations. Too bad, really. It was a grand idea.
Posted in: Disc Reviews by Gino Sassani on May 18th, 2010
"You, sir, are guilty of disseminating disbelief. Killing dreams. Committing first-degree murder of fantasy, which by Fairy Law, in order to pay your debt to humanity, you are hereby ordered to serve time as a Tooth Fairy. The normal sentence is one week, but because you have the nerve, the unmitigated gall, to actually call yourself a Tooth Fairy, thus making a mockery of everything we stand for, I'm sentencing you to two weeks Tooth Fairy duty."
Dwayne (once The Rock) Johnson has made a bit of a new career move over the last few years. When he left the wrestling ring to "go Hollywood" the expectation was always that he would become an action hero. It's what his fans expected. It's what Johnson wanted, at the time. Movies like The Scorpion King were created completely as vehicles for Johnson to show off his physique and join the ranks of the big strong action heroes. It didn't exactly work out as well as everyone involved expected. He wasn't a flop, but he wasn't setting the movie industry on fire either. But with movies like The Game Plan and Race To Witch Mountain, Johnson appears to have a knack for working with kids in films targeted primarily at kids. He's become a big teddy bear, and it's paying off quite handsomely. While he still hasn't given up the wrestling gigs and an action role here and there, his biggest success so far in Hollywood has been with the kids.
Posted in: Disc Reviews by Gino Sassani on May 18th, 2010
"The Legend Had It Coming."
It seems that pretty much every decade has had its screen version of Robin Hood; sometimes it's on television. Robin Hood is one of the most popular characters in film, and there have been plenty of versions, each with their own particular take on the multiple legends that have made up the character over the centuries. Currently Ridley Scott has just released his own epic version of the tale with perfectly-cast Russell Crowe in the title role. In the early 1990's there were two films on the subject released. The first was the disaster that stared Kevin Costner, so abysmally cast as the titular hero. It was only inevitable that following one of the worst attempts to portray Robin Hood, Mel Brooks would see his chance to lampoon the legend. After Costner's film, the legend truly did have it coming.
Posted in: Disc Reviews by Gino Sassani on May 12th, 2010
"Step 1: Reconnaissance. First you need to identify your target."
If you are a regular reader here, you likely know that I have a fondness for Andy Griffith. I recently watched and reviewed in these pages one of his earlier comedy films, and rather enjoyed the old simple rural comedy. That's what makes this one so painful to write about. I think that Andy Griffith missed the boat when he was targeting the audience for his latest comedy, the sexually charged Play The Game. I'm going to just admit up front that this movie made me feel very uncomfortable. I think that many of Griffith’s fans might have the same problem. There are just some actors, particularly ones in their 80's, that I don't want to hear talking about their sexual function, let alone watch having sex. Andy Griffith would be at the top of that list, and I suspect I'm not alone there. But, that's exactly what you're getting into if you decide to pop this one into your DVD player. This will not be like anything else you've ever seen this particular actor do before, and hopefully I never will again. This is strictly for the adults. I'd say the over 95 crowd.
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