Posted in: Disc Reviews by Archive Authors on November 10th, 2009
The names of the characters are hardly consequential, as they are used to further storylines more than develop character. But Pacino plays a cop who is tracking a group of robbers, among them Val Kilmer (Wonderland) and Tom Sizemore (Saving Private Ryan), a group headed by DeNiro. The group receives offers for work from Jon Voight (Runaway Train), and they rob anything from gold, to coins, to bearer bonds. They are all ex-cons, and know all the ropes. They are a highly professional crew, which you see in the opening moments of the movie, despite the addition of a new man to the crew.
Posted in: Disc Reviews by Gino Sassani on November 10th, 2009
Finally, this show has really gotten to me. I don’t know what it is about this 8th season, but I was far more interested in the show than I had ever been. Maybe I’ve spent so long with these characters that they started to come alive for me. Maybe I was resistant to a slightly different way of telling stories. Maybe it was that the stories became less about who was with who that I was finally able to enjoy the great courtroom drama and investigation elements of the series. Whatever it was, I am finally a fan.
Posted in: Disc Reviews by Gino Sassani on November 10th, 2009
It’s been some years since I had seen an episode of Nash Bridges. I had almost forgotten everything about the show except for two things. I remembered how great Johnson and Marin were together and, of course, that ugly-colored Cuda. I watched these episodes and found that my perspective hadn’t changed. Who cares what the story is about? Who remembers any of the cases? I remember the characters and the car, and 10 years later it feels exactly the same way. In many ways Nash Bridges was the last of its kind. The cycle of buddy cop and car chases was pretty much over. What started with James Rockford
Posted in: Disc Reviews by Gino Sassani on November 10th, 2009
I was entirely too young to remember even the syndicated run that my mother was watching in the late 1960’s. Under more normal circumstances that would not matter as I could introduce myself to this world with the DVD release. That was before 1987, and the release of Brian De Palma’s classic film. Honestly, I simply can’t watch these episodes without thinking of that movie. For an entire generation that film has defined these characters and that time. It’s unfortunate, really, because this 1960 series had a lot going for it
Posted in: Disc Reviews by Gino Sassani on November 6th, 2009
This new version of The Taking Of Pelham 123 falls under the category of unnecessary remakes, reimaginings, reboots, or retellings. That’s not to say that it’s a bad movie. In fact, it’s a pretty good movie. I guess my big problem is that this latest trend to redo so many things that have come before suggests a lack of originality in today’s artists. I don’t believe there is a lack of creativity in this generation. I do, however, think there is a laziness that pervades almost every aspect of our society, and this endless chain of copies is a symptom of that disease. Don’t get me wrong here. I’m not one of these critics who believes that films and television shows can’t or should not occasionally be redone.
Posted in: Disc Reviews by Gino Sassani on November 5th, 2009
Sam Fuller lived quite a life before he ever even thought about working in the film industry. He was a crime beat reporter at 17 years old. He served in the infantry in World War II, turning down a cushy press corps assignment. Both of these experiences would shape the man, writer, and filmmaker he was to become. His newspaper experience gave him access to a lifetime of stories, an understanding of the newspaper business, and a honed writing skill. That ability would serve him most. Fuller was a writer more than a filmmaker, and it was with his typewriter that he most excelled.
Posted in: Disc Reviews by Gino Sassani on November 4th, 2009
Simon Baker is riding high these days. Last year his new series, The Mentalist, was the highest ranked new drama of the year. That accomplishment got the show paired with CSI in that enviable Thursday night time slot. I’m amazed when I hear folks tell me how the actor appeared to come out of nowhere. A few film roles and he’s Mr. Television. Well, count me in with the small group that isn’t so surprised and saw him coming as far away as 2001 with a sleeper CBS series called The Guardian.
Posted in: Disc Reviews by Gino Sassani on November 2nd, 2009
With so many cast changes, it didn’t really come as too much of a surprise to fans that the series was winding down. Only one more season would follow, and this year never clicked in quite the same way previous seasons had. By now the team was so significantly different that there was little of the cast chemistry that made this one such a winner. With its glory years behind and only one more struggling year to come, we reach the end of our journey with the IM Force.
Posted in: Disc Reviews by David Annandale on November 2nd, 2009
John Krasinski and Maya Rudolph are a pair of 30-somethings who are expecting their first child. They have been counting on Krasinski's parents to step in and help, but when these two suddenly announce that they're moving to Belgium, our “heroic” couple embarks on a road trip to find the perfect place to settle down and have their baby. Numerous encounters with eccentric characters is the order of the day.
Posted in: Disc Reviews by Gino Sassani on October 28th, 2009
By 1978 the television detective model had been nearly complete and possibly already a cliché. Dan Tanna might have well been the complete model as far as the formula goes. It was almost as if you could go down a checklist and, like Dr. Frankenstein creating a monster, you would check off the necessary elements. The scripts could then almost write themselves, and you let the show fly on autopilot for three seasons or so until someone decides to look behind the curtain.
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