Drama

When last I reviewed a season of JAG, a couple of the show’s fans had a few problems which I will attempt to address here. The first was about knocking a show I wasn’t extremely fluent in. Unfortunately, when I’m called upon to review a season of any series there is no time, or money for that matter, to go back and watch several years of the show to get acquainted. Secondly, I believe that a series season needs to be able to stand on its own if I am to recommend it as something you should buy. If you’re already a big fan of the show, who knows all of the story threads, you have likely already decided to buy the set and don’t need my advice at all. While I do feel that the action sequences and courtroom drama are often compelling, I believe much of the personal lives of these characters muddles up the overall show, leaving guys like me feeling a bit left out. The second comment informed me that in later seasons the show spent more and more time in the courtroom and less on the soap opera elements of the show. That may well be true, but I don’t see evidence of it yet in year 6. Also, I am not reviewing those seasons, yet, so can’t really talk to how they will eventually play out. Of course, if you’re a fan, these stories have already run their course and you have, I freely admit, an entirely different perspective on the series as a whole. For those who have not read the season 5 review, I will repeat my unchanged observations of the series in general, followed by some specific season 6 information. Still, keep those comments coming, because agree or disagree, it’s good to hear what you have to say.

 

There’s probably a reason why there’s a surprising and varied cast of characters in the independent film The Good Night, and that’s because a familiar last name is involved with the project. Jake Paltrow, son of Bruce and Blythe Danner, and sister of Gwyneth wrote and directed the piece which at first glance might be a pretentious and audacious film, but is a little more interesting than it seems.

Dora (Gwyneth) and her boyfriend Gary (Martin Freeman, The Office) are living in New York, and Gary is working as a musician who does work on commercials, even after he was a one-hit wonder in a band with his friend Paul (Simon Pegg, Shaun of the Dead). Gary’s relationship with Dora appears to be flailing, and he starts to dream of a mysterious woman (played by Penelope Cruz of Volver lore) that he develops an intense kinship with. He then starts to sleep longer in order to spend as much time with her as possible and seeks out a specialist (Danny DeVito, Hoffa) in order to find out how to sleep longer.

Just in time for the release of one of the most eagerly awaited films in years comes a new box set of the Indiana Jones Adventures. The problem is that these transfers are not upgrades so, aside from squeezing out a few extra bucks, what’s the point? I’m sure that The Kingdom Of The Crystal Skull will add hundreds of millions to the Paramount coffers, so this just looks like greed to me.

 

12 Angry Men is one of those rare films that appears to defy all the Hollywood constants and yet become one of the best films of its kind ever made. The setting is entirely too claustrophobic. With the exception of two bookend scenes the entire film takes place in the tight quarters of a jury deliberation room. The story had only a couple of years earlier been the subject of a live television drama, so the story was far from a fresh idea. The director was a complete unknown who had not at that point directed a major picture. Enter Henry Fonda, the only member of the cast who was a strong A list name. He was also the driving force behind getting the film made. He produced the film and was involved with most of the major decisions. With all of these elements going against it, you would expect the film to fail miserably, and that’s exactly what it did. During its premier run the film only lasted a week and was a complete financial failure. It happens all the time, and we would expect the story to end there, but it didn’t.

 

Jim Phelps (Graves) led his team in a fourth season of Mission Impossible starting in 1969. The show continued its trademark traditions. Jim would receive a mission from the “self destructing” tape and would gather his IMF (Impossible Mission Force) team. The team was necessarily eclectic in nature, and it changed significantly in the fourth season. Gone were Martin Landau in his signature role of Rollin Hand and Barbara Bain as Cinnamon Carter, model and the team’s chief seductress  Still in the team we had Barney Collier, the gadget man, played by Greg Morris. The muscle was still supplied by Willy Armitage, played by brute Peter Lupus. Leonard Nimoy joined the team in season four as Paris, who also had a skill for disguise. He was a magician, so his sleight of hand skills came in … well, handy. Together they took on missions that the government could not be officially a part of. They were always admonished that should they be caught “the secretary would disavow any knowledge” of them.  Usually they were sent somewhere to put some evil mastermind out of business. Their tactics ranged from scams to outright theft. Sometimes they were a rescue team, while other times they would infiltrate a group of bad guys. There were certainly cold war elements to the whole thing. Each week the team concocted some convoluted con to play on their mark, walking away at the end of each episode often without getting any credit or congratulations.

 

A couple of years ago, I was out a trip to New Jersey on business with my boss. When we got there, he wasn’t feeling well, so I had him sit down while I went to the clinic down the hall to see if some medical attention could be given to him. As I turned the corner with an attendant, that’s when I saw him hit the floor. After a few moments of stabilization he was taken to the hospital, where it was determined that he had a stroke. A co-worker and I stayed with him for the duration of the next couple of days until his family could get there, and over that time, he suffered several smaller strokes in the process. One minute he could talk rather lucidly, and like flipping a switch his facial muscles would sag and be nonresponsive. Once his family came, we managed to get the chance to come home, and he spent several more days in the hospital, remarkably without any repercussions from this incident, and came back to work, where we still talk (I’ve moved to another company) and share the occasional gallow humor about what happened.

He was lucky, though there are others that have experienced far worse situations. The Diving Bell and the Butterfly is a look at the life of Jean-Dominique Dauby. The editor of the French version of Elle magazine led a somewhat glamorous life,and one day had a severe cerebrovascular incident, whereby he was left paralyzed, but responsive in his left eye, which allowed him to communicate solely by blinking. With the help of speech therapists, he was able to state his thoughts in his book by the same title, as a metaphor of his useless body, labeled as the “diving bell,” ironically clashing with his free spirit, your “butterfly,” if you will.

It’s hard to peg a movie like Things We Lost in the Fire. While people want to slam it and say that it’s not an uplifting movie, I think that upon further review, they might want to examine those behind it, and see that it’s another solid effort from them.

Written by Allan Loeb in his writing debut and directed by Susanne Bier, the talented Danish director behind the film Brothers, the film centers on a recent widow named Audrey, played by Halle Berry (X2), who lost her husband Brian (David Duchovny, The X-Files) to a murder in tragic circumstances. After notifying Brian’s friend Jerry (Benicio Del Toro, Traffic) about the murder, Jerry doesn’t seem to take it so well. Brian and Jerry have been friends since they were kids, and while Brian went onto a life as a successful architect, Jerry was a lawyer before becoming addicted to cocaine and heroin, and was spending his days at a sleazy dive apartment getting high. Yet Brian would come and visit Jerry, to catch up and talk about his family. When Audrey would be skeptical of how Jerry might be exploiting Brian, Brian stuck by him. So what Audrey winds up doing is inviting Jerry to live with them. In the process, Jerry helps Audrey and her kids cope with their loss, while trying to strike the delicate balance of sobriety.

Retelling of classic tales has been a fodder for movie scripts for years. Take something that has worked for ages, spin it just so and you got a movie that might be gold. They have been doing this with Romeo & Juliet for years. The results can be great or sometimes they are one step of having the creator roll around in his grave with pain and anguish. Take Hamlet for example, the classic Shakespearian tale about a prince who takes revenge on his uncle Claudius who has murdered his father the King and taken the throne and the king's wife too. It has treachery, corruption and a little good ole fashioned incest to wet the palette. Now take that piece of journalistic tragedy and set it after the fall of the Tang Dynasty in China. Insert popular Asian actors like Ziyi Zhang & Daniel Wu and you might just have something.

Emperor Li (played by You Ge) has taken over the throne from his brother by murdering him. In the process, he has also taken the brother's wife Empress Wan (played by Ziyi Zhang) as his own for the good of the kingdom (and cause she's hot). An attack is also staged on the Prince, Wu Lan (played by Daniel Wu) who has devoted his life to the arts and is found at a nearby village of actors. After an elaborate fighting scene, he escapes with his life and makes his way to the castle to confront his step mother, the Empress (which we find out they shared romantic feelings toward each other) and expose his father's murderer, the Emperor.

So here we are again with a third collection of episodes from The Young Indiana Jones Chronicles television series. This final series is called Years Of Change. Most of the episodes and features deal with the span of years between the World Wars. The 20’s were indeed an inventive time when people like Thomas Edison were at their peak. Peace was at hand, and no one really knew for how little time it would last. Most people had extra money and life was one big party. From our 21st Century hindsight, we know it was all doomed to come crashing down before the decade ended, but for most people at that moment life was good. Indy gets himself in some rather unlikely positions in this set. I can’t imagine him getting involved in a film production, but there it is. This set completes the trilogy of releases, and you now have every Young Indy adventure filmed. This is also the set you’ve been waiting for, as it features Harrison Ford’s single appearance in the show as Indy at 50 years old. It’s a bookend type of appearance, but it sure is nice to see old Harrison Ford as Indiana Jones for what we expected back then was the final time.

 

If you’re a fan of Perry Mason you need to approach this 50th Anniversary collection with mixed feelings. With no new announcements of future season or half season releases, this set does have the look of finality to it. The last set was the second half of season 2 released November of 2007. With this commorative release you get 12 episodes spread out from the remaining seasons starting with the third. While Paramount has made no such announcement, I get the feeling the powers that be are at least pondering the idea of stopping the run. I hope that is not the case, because this show deserves to be released in its entirety including the over 30 television films that followed.