Posted in: Disc Reviews by Gino Sassani on April 25th, 2008
If you’re a fan of Perry Mason you need to approach this 50th Anniversary collection with mixed feelings. With no new announcements of future season or half season releases, this set does have the look of finality to it. The last set was the second half of season 2 released November of 2007. With this commorative release you get 12 episodes spread out from the remaining seasons starting with the third. While
Posted in: Disc Reviews by Gino Sassani on April 21st, 2008
Imagine Sheriff Andy Taylor older and now an attorney, and you pretty much have the set up for Matlock. Forget for a second that both characters were played by Andy Griffith. That’s not all they have in common. Matlock is every bit the “southern gentleman” that
Posted in: Disc Reviews by Michael Durr on April 18th, 2008
Dance movies can be interesting especially when it involves hot sweaty bodies and bodacious moves along a club floor. Did I just say bodacious? "Pauly Shore is on line one, please pick up the white courtesy phone". I'll ignore that for now. Dirty Dancing or Footloose are great examples. Some should be drag into the street and shot. I knew that Feel the Noise looked bad the minute I looked at the cover. What was that clue on the cover you might ask? Produced by Jennifer Lopez would be a very good start.
Posted in: Disc Reviews by Gino Sassani on April 15th, 2008
I couldn’t find her name anywhere on the credits, but I simply cannot believe that Rosie O’Donnell didn’t have anything at all to do with the film Conspiracy. The film is a thinly veiled pot shot at the current administration, or at least Dick Cheney. Gary Cole plays a guy named
Posted in: Disc Reviews by Gino Sassani on April 9th, 2008
He might not have been “shootin’ at some food” but for Daniel Plainville it’s all about that “bubblin’ crude. Oil that is. Black Gold.
Posted in: Disc Reviews by Archive Authors on April 3rd, 2008
So what did we all learn with the Joel and Ethan Coen’s latest opus, an adaptation of the Cormac McCarthy novel No Country For Old Men? Well, suffice to say, along with the creative resurgence of the brothers, we get a film that’s part modern-day Western, part action, part comedy and even perhaps part-horror, but in the adoration and adulation, to want to pin the film down as something is to forget that above all else, the film is a tale about changing times, told by someone who’s seen better days and is nostalgic for them. It’s that story that seems to be ignored to a certain degree by people, which oddly enough is ironic considering the title of the film.
Posted in: Disc Reviews by Gino Sassani on April 2nd, 2008
In 1973 Elton John had his best selling album to that time in the double release
Posted in: Disc Reviews by David Annandale on March 28th, 2008
Three female friends are there for each other’s personal storms. One is a coke-addled sensation addict, one aspires to be an artist (and does her share of powder too) and the third is taking refuge from an unhappy marriage and questioning her sexual identity. Many scenes of heightened emotion are the order of the day.
Posted in: Disc Reviews by Archive Authors on March 28th, 2008
Tyler Perry burst on the scene in 2005 with Diary of a Mad Black Woman. It was one of the worst reviewed movies of the year, but when it raked in over $50 million dollars at the box office, Tyler Perry silenced critics and became a force to be reckoned with in Hollywood.
Before his movie-making career, Perry was already a huge success in the African-American community, having written several Christian and family oriented plays upon which many of his movies are based.
After Diary, Perry went on to star in and direct the sequel, Madea’s Family Reunion, which did even better at the box office. And since then, he’s created his own studio, released three more movies, is set to release a few more, and currently produces a sitcom, Tyler Perry’s House of Payne, on TBS.
Posted in: Disc Reviews by Gino Sassani on March 27th, 2008
The Kite Runner is one of those films that is extremely hard to pin down. On the surface it’s a moving story about friendship and redemption, but I have to wonder if that is really the collection of themes intended by either the original novel’s writer Khaled Hosseini or the film’s director, Marc Foster. The story begins with two young Afghan children who appear to be friends, but they are from different worlds.
