Posted in: Disc Reviews by Archive Authors on September 30th, 2006
Synopsis
The film opens with the Senate pornography hearings of the 1950s, which cracked down on bondage-movie purveyor Irving Klaw. As Bettie Page (Gretchen Mol) waits to be called to testify, she flashes back to the events that brought her to this point. After an abusive childhood in Tennessee, a failed marriage and a gang rape, she flees to New York, where she becomes first a glamour model, and eventually the most highly sought-after bondage queen.
Posted in: Disc Reviews by Archive Authors on September 25th, 2006
Steven Soderbergh’s Traffic tells so many stories intertwined into one unique story that one can’t help but be drawn into what we’re viewing. The story involves many different characters including, Javier and Manolo (Benicio Del Toro and Jacob Vargas), newly appointed Presidential Drug Czar Bob Wakefield (Michael Douglas), daughter Caroline (Erika Christensen), Drug Enforcement agents Castro (Luiz Guzman) and Gordeon (Don Cheadle), drug kingpin Carlos Ayala (Steven Bauer) and his wife (Catherina Zeta-Jones). < ...p>
Traffic deals with the issue of drug trafficking, and drugs in general. Soderbergh presents all the aforementioned characters in this drug world giving each character their own story resulting in each story containing a purpose and a point that makes us get involved. What we eventually learn is that the film isn’t necessarily about drug lords like Carlos Ayala trafficking drugs, but rather trafficking a part that belongs in everyone’s life, as we find out in the film.
Posted in: Disc Reviews by Gino Sassani on September 22nd, 2006
Fortunately, American Gun does not appear to be about the debate on owning guns. It’s a trap, and I doubt there will be much movement on either side of the issue. The film instead mostly deals with members of a community where three years earlier a Columbine-like school shooting occurred. The story slowly plods through the lives of several families, most notably the mother and brother of one of the deceased gunmen. This is where the title and its advertised premise confuse me. The story is more about the emotional toll any tragedy takes on a small town. Except for a paranoid obsession of a principal trying to keep the school free of guns, the weapons have less to do with the stories than one would expect. The most confusing factor in the film is the B story of a girl who works in her grandfather’s gun shop. This sidetrack takes place across the country and seems unrelated to the main plot. We never get a satisfying answer as to the connection. She has supposedly moved there from the West coast, and while it is never explained, one might guess she was at the school during the shooting. The film tries to stay away from the hit you over the head emotional plea to ditch all guns… that is, until a shocking and quite unnecessary convenience mart scene at the film’s end.
There are a ton of speaking parts in the film. It’s estimated at over 50 in the making of feature. The cast is quite good. I don’t only mean the obvious heavy hitters in Forest Whitaker and Donald Sutherland. Chris Warren, Jr. is marvelous as a kid who doesn’t really like guns but feels forced to carry because of his neighborhood. He considers walking around without a gun as being “naked”. Chris Marquette also has a strong role as the brother of one of the killers. I can’t even imagine what it must be like to be forced to attend a school where your brother killed students and teachers three years prior.
Posted in: Disc Reviews by Archive Authors on September 20th, 2006
Rap movies have com a long way. They have begun to evolve, from glorified music videos, to black cinema (which has come a long way in its own right), on up to a new level of art. Hustle and Flow brought the new style of black film into the limelight, and ATL follows right behind. I was really surprised how much I liked this film. In my line of work, you see a lot of bad films, and you can usually spot them from a mile away. I admit that I was fooled by this one. I was expecting to find another tired tale of a young hustla' making it big in the hood, but instead I found a genuinely touching film about what happens to four friends when High School is over and the next stage of life has not yet begun.
Now, that's not to say that the film is perfect. There are still some cliches here, and the scenes at the skating rink are probably a bit too flashy for their own good, but all told, this is an ambitious film that succeeds in much of what it is trying to accomplish.
Posted in: Disc Reviews by Archive Authors on September 19th, 2006
Tom Hanks is sometimes called this generation's Jimmy Stewart. In an odd sort of way, that is sort of a compliment to both men. Both are extraordinary actors who have secured a place in film history as the best of their time at playing the everyman. While such a role would doom other actors to being typecast as the all-time greatest supporting actor, both Hanks and Stewart have been able to pull off the role with amazing versatility.
Clearly, this is not the definitive set of Stewart's work as an actor. For t...at, you would have to include his roles in Alfred Hitchcock's Rear Window and one of my all time favorite films, Vertigo. Of course, Frank Capra's It's a Wonderful Life would also have to receive special treatment. The Spirit of St. Louis, which is in this set, would also be there. But what about The Philadelphia Story or Mr. Smith Goes to Washington, you might ask? Yes, those would have to be there too. We are now approaching the problem with putting together a set of Stewart's best movies. If you were to truly include his greatest films, you still might be left with a 20-disc box set. It's best to look at this release for what it is, and not try to play the “but where is...” game. That is a dead end road.
Posted in: Disc Reviews by Archive Authors on September 13th, 2006
Seabiscuit tells the true tale of three men and one legendary racehorse. The story takes place right after the Great Depression has hit leaving many feeling the after effects. John Pollard (Tobey Maguire) is a young man who wants nothing more than to race his horse. Tom Smith (Chris Cooper) is his ‘horse whisper’ in that he seems to be able to communicate with his horses. Charles Howard (Jeff Bridges) is your standard businessman at this time, completely broke. Looking for a way to get out of his hole, he dec...des to band together with these other two men after a horse named Seabiscuit gives them the idea of a lifetime. Take this relatively unknown horse to the to the extreme top. Seems rather unlikely right? If you’ve ever read the history books, you’ll know the outcome of the story and hence the film at hand.
What makes a film like this high enjoyable (more so then I expected) is not only the characters but also the story which tugs at the heart strings. This was a time when everyone was, well, depressed and didn’t know what to do. A story about three unknown men and a horse is not only moving and inspirational, but also a sign of what anyone can really do if they have faith in themselves and those around them. Consider the film is definition of the ‘American Dream’, as the film’s main message tells us that events like this can occur.
Posted in: Disc Reviews by Archive Authors on September 13th, 2006
Synopsis
Andy Garcia plays Rick... er... I mean Fico, who runs a lavish nightclub in Batista-era Havana. The revolution is brewing, and two of his brothers are drawn to the cause. Fico is apolitical, putting family above all, but the revolution will transform his life whether he wants it or not, and then there’s the problem of falling in love with his brother’s wife.
Posted in: Disc Reviews by Gino Sassani on September 8th, 2006
Helen Hunt is horribly miscast as a 1930’s infamous seductress on the prowl for vulnerable rich husbands. There’s not a moment in the film she doesn’t look and sound completely out of character for the role. Fortunately Scarlett Johansson is better suited for her performance. Still, most of the cast seems ill-placed. The film is based on the Oscar Wilde play “Lady Windermere’s Fan” which I have never seen. Of course, things are never what they appear to be throughout the film. While the dialogue contains the tradem...rk Wilde flair for wit, the plot simply doesn’t go anywhere. It’s a shame, really. The film had potential. The cinematography is very appealing. The period costumes and Italian locations make for a rich atmosphere that unfortunately nothing of import happens within. Even the stylized Wilde twist falls flat in the end.
Video
Posted in: Disc Reviews by Gino Sassani on September 7th, 2006
Jean Harris made international headlines in 1980 for killing her on again off again lover and fiancée. Of course, such crimes are rather commonplace and would hardly merit all the attention let alone a feature film. The victim, however, in this case, was the famous Dr. Herman “Hi” Tarnower, better known to you and me as the “Scarsdale Diet Doctor”. The film claims to base its script on actual testimony from the well publicized trial. While this may in principle be true, the tale is obviously intended as a satire. T...e style very much lends itself to camp and black comedy. The murder is really the punch line to a very long joke. The testimonials are more like short theatrical vignettes. The feel is more like a staged production than a film. Even if the accuracy claims can be believed at all, they are most certainly exaggerated liberally. The story is obviously slanted heavily toward Jean Harris’ version of events. Given the title, I suppose this might be somewhat appropriate, if the filmmakers didn’t make her into some kind of a hero in the supplemental feature.
Mrs. Harris would quite honestly be a total loss if not for the performances of its two stars, Ben Kingsley and Annette Bening. Both deliver marvelous over the top performances that don’t feel so over the top. Kingsley in particular is devilishly great in his self absorbed role. Bening plays a convincing victim. Unfortunately even these performances can’t bring this film to anything more than camp. Harris contended she planned on killing herself and not Dr. Tarnower. Her explanation that the shots were the result of a struggle form the premise of the film as unrealistic as four shots from a struggle can be. Another unreal moment occurs when the detective allows Harris to wash her blouse in the cell sink after her arrest. I guess Nagey hasn’t watched too many episodes of CSI.
Posted in: Disc Reviews by Archive Authors on September 5th, 2006
Synopsis
Maybe it’s because of their funny accents, or maybe it’s because of the natural desire to see ancient history relived, but the British sure have a knack for their period piece dramas and making everyone want to watch. And when Elizabeth I aired on HBO over a two-part miniseries during the spring of 2006, it won a truckload of Emmy awards, not only for the production, but also for the title character, played by Helen Mirren (Excalibur) and one of the supporting actors (Jeremy Irons, <b ...Reversal of Fortune).