Posted in: Disc Reviews by Archive Authors on December 6th, 2006
I remember that this film was all the rage when I was a kid growing up in the early 80's. I always assumed that the reason that I didn't care for the film at the time was that I was just too young to fully appreciate it. Turns out, it's just not a very good movie. I certainly appreciate where it is trying to go, it's just that it takes the hokiest path possible to get there. The film tells the story of a military academy that is slated to be shut down and turned into condominiums. The cadets, who apparently enjoy the fact that they are in military school, are so proud of the institution that they use their minimal combat training to hold off the developers. It this a dramatic film that wishes to be taken seriously, or The Goonies? By the time the situation escalates to the point where the cadets are involved in a full-fledged skirmish with the real US military, audiences will likely be too bored to care. Part of what makes Dog Day Afternoon such a fantastic film is that the standoff in that film comes at about the 5-minute mark. This thing is more like an 80's sitcom for the first hour or so.
The acting, however, is surprisingly good under the circumstances. This film marks the first real film efforts from both Tom Cruise and Sean Penn. Even with such hokey source material, these two fine actors give it their all, and it is occasionally possible to believe that they really care about the academy here and there. George C. Scott is also here as the school's Dean, which was an excellent casting decision for anyone who remembers him best as General George Patton. In the end, though, the mixture of great young actors and seasoned veterans just isn't enough to elevate this film beyond being a second-rate After School Special version of The Lord of the Flies.
Posted in: Disc Reviews by Archive Authors on December 5th, 2006
I don�t recall when I first saw Rocky, and I haven�t kept track of how many times I�ve seen it since. The answers are probably �15 years ago� and �more than 10 times�, but accuracy isn�t important. What is important for you to know, is that Sylvester Stallone�s masterpiece is one of my favourite films of all time.
In other words, I love this movie, so don�t expect any criticism until at least the �video� section of this review. I don�t deny that there may be aspects of Rocky that merit denigration, I just refuse to let anything distract me from what I consider to be the ultimate inspirational story.
Posted in: Disc Reviews by Archive Authors on November 27th, 2006
I�m never up on the film festival scene, so it�s no surprise to me that I�ve only just discovered Tom Zuber�s Little Athens, even though it was an official selection of the Toronto Film Festival back in 2005.
My three favourite things about this movie are its strong cast, solid story and the unique cinematography. Actually, make it four things, because the soundtrack is also pretty excellent.
Posted in: Disc Reviews by Archive Authors on November 24th, 2006
Synopsis
John Steinbeck, looking and sounding remarkably like James Ellroy, and coming across as surprisingly two-fisted given the overall tone of the movie, introduces a quintet of stories by O. Henry. “The Cop and the Anthem” features Charles Laughton as a dignified bum trying unsuccessfully to get himself arrested so he can spend the winter in a nice, warm prison (Marilyn Monroe is one of the top-billed, but she has only one brief scene here). “The Clarion Call” has Dale Robertson as a detective w...o realizes that a wanted murderer is, in fact, a childhood friend to whom he owes a huge debt. The friend is played by Richard Widmark, who shamelessly recycles his psycho act from Kiss of Death, right down to the hyena laugh. In “The Last Leaf,” Anne Baxter struggles to convince her pneumonic sister (Jean Peters) that life is worth living. “The Ransom of Red Chief” is the tale of two con-men (Fred Allen and Oscar Levant) who kidnap a young boy and very quickly wish they’d never clapped eyes on the holy terror. And “The Gift of the Magi,” the most famous story of the bunch, is the Christmas tale of a young couple (Jeanne Crain and Farley Granger) who give up their most treasured possessions in order to buy each other a special gift.
Posted in: Disc Reviews by Archive Authors on November 21st, 2006
Humphrey Bogart, screen legend. Before I got my hands on this collection, I�d never seen a Bogart picture in its entirety. And yet, I knew his name as well as anyone, and was aware of his status as one of classic Hollywood�s biggest stars.
Humphrey Bogart � The Signature Collection, Volume 1 presents four Bogart films: Casablanca � 2-disc Special Edition, The Treasure of the Sierra Madre � 2-disc Special Edition, High Sierra and They Drive By Night. I�d always meant to wat...h these films, but I just never got around to it, partly because I can barely keep up with all of the new ones released every year, and partly because of � I admit it � a slight prejudice toward �old� movies. I have no idea why I avoid the classics, especially since each time I do sit down to experience one I�m always pleasantly surprised.
Posted in: Disc Reviews by Archive Authors on November 15th, 2006
The Shawshank Redemption is a film that didn't do much at the box office. However, home video, word of mouth and countless airings on TNT have made it an enormously popular film in the time since. Director Frank Darabont returned to prison with The Green Mile, another film based on a story by acclaimed writer Steven King. One could almost look at these two films as companion pieces. Whereas the central theme of Shawshank was the importance of never giving up hope, The Green Mile was more about the changing power of love. Granted, a 1930's prison death row cell block isn't the most obvious place to set a love story. Then again, we've all seen the obvious love stories countless times before. King has always had a knack for the original, and this film is most certainly that.
The film is a thorough examination of the guards and guests at this inn without a door. The guards are mostly cynical and worn down by the long line of murderers that have come through their walls, the inmates are deserving of their fate, and the warden benevolently looks over the whole affair, with his own demons patiently waiting for him at home. The guards and the inmates have something of a kinship, as they all spend every day together. Though there is a clear distinction between the haves and the have nots, the two sides still spend the majority of their days talking and working together.
Posted in: Disc Reviews by Archive Authors on November 15th, 2006
Yes I will admit that I probably was the only person who had never seen Casablanca. A movie so highly regarded by critics and fans alike, I don’t think it needs an introduction. With A List stars of its time, and seemingly endless amounts of quotable phrases it is quite a surprise I haven’t seen it yet.
Set during World War II in Casablanca (current day a city Morocco) the story’s main focus is the love affair of Rick (Humphrey Bogart) and Ilsa (Ingrid Bergman). They had met in France just before Nazi...occupation with a promise of running away together. Rick is let down upon receiving a note from Ilsa at the train station stating that she will not be joining him. Heartbroken life goes on for a now cynical and bitter Rick the owner of an upscale club in Casablanca. Until one-day fait would have it Ilsa enters the club with her husband Laszlo (Paul Henreid) a famous Czech resistance leader. Rick is furious with her and wants nothing to do with her, until later on when she tells him the story behind it all. Ilsa was under the assumption that her husband had been killed in action when she met and fell in love with Rick, when she soon found out he was alive she abandoned Rick. Whether Rick likes it on not, he believes what she has to say and wants to help her and Laszlo to get to America.
Posted in: Disc Reviews by Archive Authors on November 13th, 2006
Angel Rodriguez is a realist film that covers a 36-hour snapshot of the lives of two people: a troubled young man and his guidance counsellor.
I have to admit right off the top that this type of film is not my bag � realism to me pretty much means boring. While there may great artistic merit to writer-director Jim McKay�s little film, it�s not particularly entertaining. Interesting, maybe.
Posted in: Disc Reviews by Archive Authors on November 10th, 2006
Warren Beatty attempts directing for the second time in Reds, a film based on the life of John Reed during the Russian Revolution. I didn’t know what to expect from this film, as I had never heard of it prior to its release on HD DVD. I have never seen a movie based on this subject matter, so the movie covered all new grounds for me. Upon investigation I discovered the movie was nominated for twelve Academy Awards and won three, including Best Director for Warren Beatty. Boasting an impressive cast including W...rren Beatty, Diane Keaton, Jack Nicholson, Paul Sorvino, and Gene Hackman, this movie seemed to have a lot of potential.
John Reed was an American journalist and communist activist best known for writing Ten Days that Shook the World. He was married to writer Louise Bryant; they had a hot and cold relationship, which is one of the main themes portrayed in this movie. Of course the others being John Reed’s quest to document the Russian Revolution, and the years beyond it. We learn about things such as communism, the insecurities of the main characters, and observe their somewhat repetitive back and forth bickering. Interestingly, Beatty decided to tie in actual interviews with people who knew John Reed throughout the movie, which gave us real life perspectives about Reed as well as tying together different parts of the story. I enjoyed those parts, as they didn’t interrupt the flow of the movie and it added an insightful sense of realism to it.
Posted in: Disc Reviews by Gino Sassani on November 9th, 2006
William Keane (Lewis) has apparently lost his daughter, abducted from a New York Subway station. The film opens with a frantic Keane searching for anyone who might have seen her. But did any of it really happen? At first Damian Lewis’s performance completely sells the abduction. Every nuance of his acting tugs at our heartstrings for his horrible loss. His incessant searching and constant probing of his own memory draws us deeper and deeper emotionally into the set-up. It doesn’t take us very long at all to questio... the event and Keane’s sanity. In short time the story begins to unravel along with Keane’s mind. Again, it is a superb performance by Lewis that makes it all so real. It is this compelling performance that makes any of this interesting to us at all.
Keane, both the film and the man, is a detailed character study into the mind of a seriously troubled man. His troubles run far deeper than the possible missing child. Barely surviving in a hotel room with no job, we soon learn he is on some kind of disability. We are pretty sure what that’s all about. Keane spends a great deal of his time either drunk or high on coke. While it is almost impossible to have any kind of sympathy for this man, we are hooked into caring what happens to him, and more importantly what he might do next. Perhaps it’s the same concept as watching a train wreck, because we never believe this story’s going to end well for Keane or the young mother and daughter he befriends at the hotel. With this relationship our suspicious nature is aroused. Now we’re never really sure if Kean’e state of mind is a result of the substance abuse, or rather the reverse. A meltdown in a bar and a growing paranoia starts to scare the hell out of us, yet we simply can’t look away. Again, credit Lewis and his amazing performance.
![Casablanca [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/casablanca-hd-dvd-large.jpg)
![Reds (25th Anniversary Edition) [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/reds-25th-anniversary-edition-hd-large.jpg)
