Foreign

Typically, I avoid World War II period films like the plague.  I literally see the word Nazi or German occupation and usually find a reason not to see the movie.  I have nothing against the pictures; the problem is that so many of these films are surrounded in clichés that it feels like an old hat with nothing new to offer.  However, when I saw The Day and the Hour in my review pile, I was intrigued by the notion of it being in France with a female lead and something of a romance.  Far different from the usual pow pow, war is heck, or a film that's going to have buckets and buckets of tears and worrying about the human condition.  Though from the looks of things, this one might have some waterworks too.  Let's take a look.

I think all of us want to be on stage, at least in theory.  For me, it started with some plays in high school.  But from there, those aspirations were cut short due to my father telling me that I needed a real job (which was his favorite thing to tell me in high school and college).  I don't think the decade I spent in karaoke bars (and actually singing) really counts for anything either.  So I've always been fascinated with theater, particularly when it comes to comedy.  When I saw King of Laughter as a possible review title, I took a peek at the trailer and decided to give it a shot.  After all, what's not to like about a story featuring the famous actor/playwright Eduardo Scarpetta in a battle with the courts over the concept of parody?  Let's take a look.

Films about World War II and Nazism are hard for me to watch.  No matter how well-intentioned they may be, I can barely make it through Schindler's List or Dunkirk or even something like Inglorious Bastards (I do, however, find The Producers to be hilarious).  Most of the time, it hits a little too close to home.  For you see, my Polish grandfather (may he rest in peace), his parents were taken away to a concentration camp.  So anytime I watch a film set in that time period, I think, well, what if he had been taken away.  It's not like those horrible people showed any sort of restraint on children, and then where would my grandfather be?  Or my mother?  Or myself?  Anyway, I got lured into Chess Story by the promise of a thriller with the game of chess as the backdrop.  Unfortunately, by the end I was reminded of the horror, but also that there is still great modern moviemaking even with Nazis.  Let's take a look.

Even though I consider myself to be well-rounded when it comes to films, I admit my personal viewing history of French film to be a little lacking.  Go Google any top 20 list of French films, and I've probably seen maybe two or three of the films.  This is very contradictory to say Chinese, Japanese, English (UK), Australian, etc. where I've seen hundreds of films.  But I'm always willing to expand my repertoire, so I jumped when I saw there was a French crime thriller named L'Homme Du Train or The Man on the Train available for review.  Let's see how it plays out.

Most anime fans, particularly those in the west, would probably consider Cowboy Bebop one of the greatest series of all time.  Before it got bastardized in a clueless live-action remake, it was a wonderful story of a bounty hunter crew down on their luck who never made any money but always had one hell of an adventure.  Set to some wonderful jazz numbers.  So naturally, when I heard about a new anime movie about an once powerful god who is now down on his luck as a penniless bounty hunter, my curiosity was certainly piqued.  Let's check out New Gods: Yang Jian.

Many people will agree to disagree on the existence of ghosts.  It is probably easier to agree on the point that if those ghosts do exist, they were wronged in some fashion, or there is something left to their story that is unsolved.  That mystery is what makes the concept of ghosts so fascinating.  Today, we have another GKids anime production, this time by the genius loundraw.  It's called Summer Ghost.  Let's take a trip into the paranormal.

The people of Taiwan have been searching for an identity for a long time.  When martial law was lifted over the People's Republic of China in the 1980's and shifted to a more democratic form, the people have increasingly wanted their own identity and no longer to be known as a part of China.  Sure, they might maintain the status quo and appear to work with China (which hasn't been exactly the case lately), but they strive to be known as Taiwanese, separate from the mainland influence.  Our film today, Vive L'Amour, takes place in the 1990's Taiwan, where life was extremely hard for the average young adult.   So hard that many of them didn't even have a permanent residence.

My fascination with tennis has come in spots throughout the early part of my life.  In the 1980's, I was fascinated by John McEnroe with his brilliant play and fiery emotion.  In the 1990's I was smitten with Jennifer Capriati, but also impressed by her tenacity at such a young age.  I still remembering listening to the broadcast of Goran Ivanisevic finally winning at Wimbledon in the early 2000's.  And that's where I stopped watching, really, still eager to see the amazing game play, but no longer finding the characters I so desperately wanted to look for.  Today's film is Final Set, which follows an aging tennis player who has one final shot at becoming the player he always learned to be.

A good erotic movie is actually harder than it sounds.  Sure, you have to have skin, word play, arousal, and yes, that other kind of play.  But the good erotic films like Basic Instinct, 9 1/2 Weeks, and Embrace of the Vampire (You thought I was going to say Fatal Attraction, didn't you?) are very entertaining and have a story that draws you in to keep you there even when the spicy bits aren't on the screen.  Today's erotic film is Curiosa, which certainly hits all of the skin elements, but does it have a story that I would want to watch again and again?  Let's check it out.

Mamoru Hosoda's directing career basically started with the world of Digimon where he directed a few shorts, episodes and even the original Digimon movie.  But where he really started to show off his directing chops was Samurai Champloo which has been often cited as one of the greatest anime shows right up there with Cowboy Bebop.  It would then continue with the first film that he could truly call his own in the Girl Who Leapt Through Time.  From there, Hosoda could have been content at that point but he would go on to direct more and more animated classics.  Today, we take a look at Hosoda's latest film, Belle and I don't think any fan would be disappointed with this one.

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