Posted in: Disc Reviews by David Annandale on March 8th, 2012
A group of high school girls heads off into the woods to make a movie for their film club. What only the two organizers know is that they are heading for the site of a previous film club’s massacre. Their shoot descended into madness, with a participant in a deigan mask killing all the others, and the whole thing was recorded on tape. It isn’t long after the girls arrive that things start to go wrong, and it seems that history might be repeating itself.
I do like the footage we see of the earlier film – it has a genuinely disturbing quality, and when it arrives, it raises one’s hopes that the perhaps the terminally pedestrian set-up is going to give way to something livelier. No such luck. Much in the way of squabbling, wandering around on one’s own, and off-screen murders transpires. The characters are caricatures when they can be distinguished at all, the cinematography is dishwater dull, and the plot, by the end, makes little sense, though it is very unlikely that most viewers will care one way or the other by then.
Posted in: Disc Reviews by J C on February 16th, 2012
Despite their pop culture ubiquity these days, zombies are getting somewhat of a raw deal. To be clear, I'm talking about the old-school, George Romero-style creatures that slowly lumbered toward their victims and whose only ambition in life was to snack on human flesh. Nowadays, a lot of filmmakers seem to be more interested in making zombie movies that don't technically have "zombies" in them ("infected" is a popular alternative term) and who are almost fast enough to earn a spot on their country's track and field squad for this summer's Olympic games. Even The Walking Dead — fresh off setting a new ratings record for basic cable viewership earlier this week — has conspicuously avoided having any of its characters refer to the living dead as "zombies" over its two seasons. (Instead, they're "walkers" or, most recently, "lame-brains.")
The Dead strives to be a return to Romero-esque horror. Billing itself as “the first zombie road movie set against the spectacular scenery of Africa,” the film follows American Air Force Engineer Brian Murphy (Rob Freeman), who survives a plane crash in war-torn, zombie-infested West Africa only to find himself in a brutal, unforgiving landscape that is completely barren...except for the undead shuffling in his direction. Murphy eventually crosses path with Sgt. Daniel Dembele (Prince David Osei, a poor man's Djimon Hounsou), whose village has been ravaged by the reanimated dead and who is determined to find his missing son.
Posted in: Disc Reviews by Archive Authors on February 2nd, 2012
Written by Joe Gause
Here we go again! It’s another movie about something dangerous in the water. I’m not gonna lie here, folks, I wasn’t expecting to much out of this one, but to my surprise I enjoyed it quite a bit. So here’s the short and skinny. A bunch of college kids set off to a lake house to enjoy a much-needed vacation. There is a fair amount of drinking and flirting and tomfoolery (always wanted to use that word). Early in the film we discover that Sara (Sara Paxton) has a dark secret with one of the town locals. As the party gets under way, trouble starts to brew in paradise when one of the partygoers gets his arm ripped off by a shark! In a panic to get him to the hospital they call the town sheriff (Donal Logue) only to find out that he and the locals have been releasing sharks into the saltwater lake and filming the shark attacks to sell to the folks at the Discovery channel! So, as you might guess, there is a fair amount of suspense-filled scenes with our heroes trying to not only escape the sharks, but also escape the crazy sheriff and the locals. It all comes to and end in a way that doesn’t leave you wanting to smack the director (which is rare in Hollywood these days).
Posted in: Disc Reviews by David Annandale on January 20th, 2012
The Paranormal Activity franchise steps back in time for this third entry, revealing how and why sisters Katie and Kristi come to suffer demonic assaults later in life. We are back in 1988. The blended family of mother Julie (Lauren Bittner), daughters Katie (Chloe Csengery) and Kristi (Jessica Tyler Brown) and stepfather Dennis (Christopher Nicholas Smith) are settling in to life together when the first odd things start happening.
Wedding video producer Dennis is the first to suspect the outright paranormal, and sets up cameras upstairs and down to capture events. Ominously, little Kristi has an imaginary friend, Toby, who, in proper Captain Howdy style, reveals himself to be all too real. What is he saying to Kristi? What does he want of her? Answers are forthcoming, and they are not reassuring.
Posted in: No Huddle Reviews by Archive Authors on January 18th, 2012
Written by Joe Gause
Where to begin? I guess I’ll tell you the plot (if you want to call it a plot). The Ghost. (Daniel Baldwin) is a crazy kidnapping murder, who loves young girls. But not hot girls; average, boring girls. (This isn’t my opinion, they state this in the film.) Trying to catch him are two detectives (enter the beyond bad acting). The female detective played by Jessie Metcalfe is something out of a made for TV movie, dressing like a hooker and acting like a middle school drama student. (My apologies if you read this, Jessie, but come on.) Other than Daniel Baldwin, don’t expect to recognize anyone in the cast.
Posted in: Disc Reviews by Gino Sassani on January 10th, 2012
"December 7, 1972: Apollo 17, the final official lunar mission, lands on the moon. In 2011 eighty-four hours of classified footage is uploaded to www.lunartruth.com. This film was edited from that footage."
Yes, you get the picture. Apollo 18 is another "found footage" film that has populated the movie landscape since the time of The Blair Witch Project. Unlike that famed film, this movie did not go on to make any kind of box office history. In spite of a rather large advertisement campaign, the film pulled in a very modest $17 million. I'd say we've become somewhat jaded by these kinds of films, and we've begun to demand something more in order to put up with the intentional amateur shooting style and enough shakes to reward our attention with something akin to a hangover. There will continue to be a flood of these kinds of films, and some of them might even be quite good. I can't count Apollo 18 among them.
Posted in: Disc Reviews by Archive Authors on December 29th, 2011
By John Delia
Shattering, piercing, gut wrenching, queasy, bloody, gouging, bone breaking, mind blowing, and yet mesmerizing, that's what Final Destination 5 is all about, especially in 3D. This is one of those select few films that use 3D well, and it will blow your mind. If you have never seen a Final Destination movie or are a big fan of the guts and gore they deliver, then rush to see Final Destination 5, but do not go over a bridge on your way.
Posted in: Disc Reviews by M. W. Phillips on December 22nd, 2011
“I'm just crazy about this store.”
Anyone who has worked the night crew in a grocery store, restocking shelves after the place is closed, knows how creepy it can be walking the aisles in the belly of a half-lit behemoth. Now imagine if you were being stalked while you stocked by a mutilating psychopath. This was obviously the motivation for writer/director Scott Spiegel when he created his Super-8 short film Night Crew with childhood friends Sam Raimi, Ted Raimi and Bruce Campbell. After co-writing Evil Dead 2 with Sam Raimi, Spiegel chanced on an investor’s meager budget to elevate the short into a full-length feature slasher flick. The distributors didn’t care for the original title, and the film was released as Intruder.
Posted in: Disc Reviews by Gino Sassani on December 14th, 2011
"He's a real monster. And he's not brooding or lovesick or noble. He's the shark from Jaws. He kills. He feeds. And he doesn't stop until everybody around him is dead."
Okay, there's going to be two schools of thought going on when it comes to this movie. There are going to be plenty of fans who, like myself, absolutely loved the original tongue-in-cheek 1980's film. It has endured over the years, and I have found it to be just as charming and chilling now as I did when I first saw it back in 1985. Chris Sarandon was wonderful as the vampire, and who couldn't love Roddy McDowall as the reluctant vampire hunter, Peter Vincent? The fact remains that Fright Night was and is still one of those films that will always be a part of our collective love affair with movies. So there is that school of thought out there that thinks we should leave these classics alone and to remake them is akin to hearsay of the strongest order. And no one has been more critical of the remake/reboot/reimagine/rehash mill than I have. But I'm going to speak just a touch of sacrilege to the brethren: If you haven't yet, give this new version of Fright Night a chance. It's actually a blood-well good time. More on the whole remake thing later.
Posted in: Disc Reviews by M. W. Phillips on December 13th, 2011
“Oh hidy ho officer, we've had a doozy of a day. There we were minding our own business, just doing chores around the house, when kids started killing themselves all over my property.”
A carload of preppie college kids set off for a Memorial Day weekend of partying deep in the backwoods of West Virginia. They encounter a couple creepy looking hillbillies leering at them on the highway. Stopping to gas up they encounter the two rednecks again, but this time one of the two approaches the girls holding a scythe over his head and laughing like a madman. Feeling threatened, the kids get in the face of the rednecks warning them to back off. Later, deep in the woods, an urban legend is shared around the campfire about the Memorial Day Massacre, a series of unsolved hillbilly murders which took place in that same forest twenty years ago to the day. To shake off the scary story the kids decide to go skinny dipping. Unknown to them, the two backwoods hicks watch from offshore in a small fishing boat…