Posted in: Disc Reviews by M. W. Phillips on May 10th, 2012
“If my family can’t live in this house, you sure as hell can’t either!”
Daniel (Frank Grillo) and Beth (Jaime King) Sohapi picked up a great deal on a recently foreclosed house, and they’ve invited a handful of friends over to celebrate. A tornado threatens the area, but everyone is partying in the basement, which has been recently reinforced as a tornado shelter. Things look great in suburbia until three frantic and deadly bank robbers, Ike (Patrick Flueger), Addley (Warren Kole), and Johnny (Matt O'Leary), return to their childhood home following a botched bank robbery. Johnny is dying from a gunshot wound, their accomplice in the robbery made off with all the stolen cash, and the boys lost their secure contact phone to mother. Now, on top of that, they discover the home they grew up in is no longer theirs as mother lost it to foreclosure, a fact they would have known if they could have contacted her after the bank heist. Well, when life gives you lemons… They decide to hole up in the house until mother (Rebecca De Mornay) and sister Lydia (Deborah Ann Woll - Jessica from True Blood) arrive to sort things out, keeping the current residents and their guests as hostages. Things turn from bad to worse for the victims when mother shows up and takes charge. With the authorities closing in and the outlaws in need of $10,000 to secure their escape across the border into Mexico, desperation ups the ante in what these home invaders are willing to do to get what they need from the new homeowners and their most unfortunate guests.
Posted in: Disc Reviews by Gino Sassani on May 8th, 2012
"Every insect lives for just one purpose: Survival of its own kind."
In 1997 Guillermo del Toro made his first English-language film. Mimic was based on a rather creepy short story by Donald A. Wollheim. Unfortunately, for del Toro and film fans everywhere, the director had more than his fair share of struggles with the studio powers that be, and he never really had the chance to make the movie he really hoped to make. The result is certainly an atmospheric and interesting film, but one wonders what the movie might have been like if del Toro had had his chance to make his own movie. A few years ago we were given at least a glimpse into what that would be like with the home video release of a Director's Cut of the film. While it doesn't allow the fanciful director to include those shots he never got to shoot, he describes this version as the closest to his vision now possible. No question this version of the film is the anchor for the new Mimic 3-film collection just out from Lionsgate on high-definition Blu-ray release along with the two direct-to-video sequels, which del Toro had nothing at all to do with.
Posted in: Disc Reviews by M. W. Phillips on April 23rd, 2012
“Here in Tresock, I believe the old religion of the Celts fits our needs at this time. Isn’t that all you can ask of a religion?”
In 1973 Director Robin Hardy captured lightning in a bottle with the classic The Wicker Man. Based on David Pinner's 1967 novel Ritual and loosely adapted into Anthony Shaffer’s sharp screenplay. Shaffer painstakingly researched paganism giving the film an undeniable authenticity, The Wicker Man became a genre of its own known as Folk Horror. The beauty of the film was the war of counter-religions, Christianity vs. Celtic Paganism. Both religions were well respected and represented, never sinking to the point of parody or cynicism. Of course, the lion’s share of the cultural clash leaned to the side of the pagans, robustly embracing their music and daily rituals. The film served as a horror movie for Christians and a victorious feel-good movie for pagans. Either side found it unforgettable.
Posted in: Disc Reviews by Gino Sassani on April 13th, 2012
Most of us first heard about camel spiders in the early 1990's during the first Gulf War. Apparently, these 6-inch bugs were causing quite a stir with the troops and were responsible for as many horror stories as the war itself. We were told they were instantly deadly and could grow to enormous sizes in a matter of days. Rumors had it that the creatures were killing machines that roamed the Middle Eastern deserts feeding off camels of all things. Or humans if they got in the way.
Of course, the reality is that none of it is true. They aren't even really spiders. They don't have any poison at all, and they only grow to about six inches. Turns out that the camels are perfectly safe, as well. None of that comes as too much of a surprise to me. What does amaze me is that it took this long for someone to make a monster movie about the critters. And, if you're surprised that it was Roger Corman who did it, you don't know very much about the history of the B horror film.
Posted in: Disc Reviews by M. W. Phillips on April 10th, 2012
“Don't you ever touch the sacrificial fluids... okey dokey?”
“Okey dokey” indeed; in 1985, director Josh Becker gathered his friends, including Sam Raimi and Bruce Campbell, and they shot Thou Shalt Not Kill… Except in Detroit around Campbell’s childhood home. Working with a microscopic budget, they created a tribute to the savage exploitation films of the sixties and seventies, full of bad lighting, crappy sets, leaden acting, cheap makeup gags, horrible dialog, and a certain goofy infectious fun.
Posted in: Disc Reviews by M. W. Phillips on March 22nd, 2012
“Chill out? Am I the only one hearing this? This thing attacks people, Jane, and she wants to go looking for it, because she has deranged fantasies about the unexplained!”
In Splintered a group of teens go seek the truth behind the northern Wales urban legend known as the Beast of Bodmin, a creature who may be responsible for the death of a bunch of livestock and the disappearance of a number of tourists and citizens. Sophie (Holly Weston) lives with unsuppressed childhood memories of being assaulted in her bedroom by some kind of beast man. It drives her to seek out the unknown with a particular obsession with the Beast of Bodmin. Sophie tricks John (Sol Heras) a boy crushing on her, her best friend Jane (Sadie Pickering), Jane’s boyfriend Sam (Sacha Dhawan), as well as Jane’s brother Dean (Jonathan Readwin) into join the hunt without really ever telling them what they were doing. So what should be a weekend romp turns into an investigation of a deadly urban legend. Gee, never heard of that plotline before.
Posted in: Disc Reviews by M. W. Phillips on March 14th, 2012
“You already started reading the evil words, didn't you? Then could you pass me my blood mop? I'm gonna need it later.”
Somehow I was never aware of Todd & The Book Of Pure Evil: The Complete First Season until I received the DVDs to review. Based on the 2003 short film of the same name, Todd & The Book Of Pure Evil debuted on Canada's Space Channel in September of 2010 and was picked up for broadcast in the United States by FearNet, which started showing the series in August of 2011.
Posted in: Disc Reviews by M. W. Phillips on March 9th, 2012
“It has skin like silverfish.”
After suffering through the vast majority of low-budget indie horror films whose only motivation seems to be to make a quick buck on distribution deals, it is truly a delight when you stumble on to something wonderful like writer/director Mike Flanagan’s Absentia. Building on a cast of unknowns, with the exception of an incredibly creepy cameo by genre fave Doug Jones, Flanagan weaves a web of creepy, atmospheric horror in this effective low-budget chiller.
Posted in: Disc Reviews by David Annandale on March 8th, 2012
A group of high school girls heads off into the woods to make a movie for their film club. What only the two organizers know is that they are heading for the site of a previous film club’s massacre. Their shoot descended into madness, with a participant in a deigan mask killing all the others, and the whole thing was recorded on tape. It isn’t long after the girls arrive that things start to go wrong, and it seems that history might be repeating itself.
I do like the footage we see of the earlier film – it has a genuinely disturbing quality, and when it arrives, it raises one’s hopes that the perhaps the terminally pedestrian set-up is going to give way to something livelier. No such luck. Much in the way of squabbling, wandering around on one’s own, and off-screen murders transpires. The characters are caricatures when they can be distinguished at all, the cinematography is dishwater dull, and the plot, by the end, makes little sense, though it is very unlikely that most viewers will care one way or the other by then.
Posted in: Disc Reviews by J C on February 16th, 2012
Despite their pop culture ubiquity these days, zombies are getting somewhat of a raw deal. To be clear, I'm talking about the old-school, George Romero-style creatures that slowly lumbered toward their victims and whose only ambition in life was to snack on human flesh. Nowadays, a lot of filmmakers seem to be more interested in making zombie movies that don't technically have "zombies" in them ("infected" is a popular alternative term) and who are almost fast enough to earn a spot on their country's track and field squad for this summer's Olympic games. Even The Walking Dead — fresh off setting a new ratings record for basic cable viewership earlier this week — has conspicuously avoided having any of its characters refer to the living dead as "zombies" over its two seasons. (Instead, they're "walkers" or, most recently, "lame-brains.")
The Dead strives to be a return to Romero-esque horror. Billing itself as “the first zombie road movie set against the spectacular scenery of Africa,” the film follows American Air Force Engineer Brian Murphy (Rob Freeman), who survives a plane crash in war-torn, zombie-infested West Africa only to find himself in a brutal, unforgiving landscape that is completely barren...except for the undead shuffling in his direction. Murphy eventually crosses path with Sgt. Daniel Dembele (Prince David Osei, a poor man's Djimon Hounsou), whose village has been ravaged by the reanimated dead and who is determined to find his missing son.
