Posted in: Disc Reviews by Gino Sassani on January 18th, 2011
"O joyful. O delightful. O fortunate one. Weep no more, this departed son. Read these words. Sound thy voice. Revel and sing. Rejoice! Rejoice! Life's for the living, not for the dead. Forget tomorrow. Live now instead. This night you breathe, while they cannot. So dance ye soul on their resting spot."
It's another double feature from Lionsgate and AfterDark. This one offers one of the best of the series with a rather flat companion. Of course, it's that two-for-one thing that makes it so attractive anyway. Consider Gravedancers the main feature and Wicked Little Things that budget extra feature you used to get when you went to the old drive-in shows.
Posted in: Disc Reviews by Archive Authors on January 12th, 2011
Paranormal Activity 2 is both a prequel and a sequel to the first film, Paranormal Activity. Paranormal Activity followed Katie Featherston and her boyfriend Micah Sloat. For some unknown reason, a demon was terrorizing the couple. By the end of the film (October 8, 2006), Katie was possessed by the demon. She kills Micah and then mysteriously disappears. When Paranormal Activity first came out, I had no interest in seeing it. My friends talked about the film, and said it was ‘jumpy’ especially the scene when Katie is pulled out of bed. However, I always thought the film was about aliens, not demons! Flash-forward to late October 2010; I decided to watch a marathon of horror films to celebrate the Halloween holiday. Paranormal Activity was on the list of must-see films, partly because I wanted to be able to say that I had seen it! It was simple, realistic, but left me wanting more.
Two weeks later, Paranormal Activity 2 was released into theaters on Halloween. I am going to keep this review spoiler-free. I want you (our readers) to experience Paranormal Activity 2 spoiler-free, because if you know what is coming, the film will be less interesting. This horror film is not like the majority of others released on DVD in recent years. There are no trails of blood, decapitated heads on spikes, or people sewn together to make a human centipede. Paranormal Activity 2 relies on its shock value to get people into the theaters and to buy the DVD. Believe me when I say, Paranormal Activity 2 has more than enough shock value to satisfy anyone looking for an adrenaline rush.
Posted in: Disc Reviews by Gino Sassani on January 11th, 2011
In 1970 the British duo of Doctor Who's Terry Nation and The Avengers' Robert Fuest collaborated on a British film called And Soon The Darkness. The film stared then-popular Pamela Franklin. It wasn't a huge success by any standards. It's practically unheard of here in the States. But, there was something special about the little film. It developed one of those classic cult followings over the years and eventually gained the notice of people like Marcos Efron. With the popular trend of remaking pretty much every horror film ever made, it's no surprise that someone decided to tackle this lesser-known movie.
Stephanie (Heard) and Ellie (Yustman) were part of a South American bike tour. Somewhere along the way they got bored with the travelogue version of the tour and decided to sneak away and explore the rural country on their own. Yeah, I know what you're thinking. You've seen this movie before. But this one doesn't immediately go where you expect it to go. The girls spend a night partying at a local club. Ellie is a bit of a wild party girl and makes a huge show of herself at the club. Her antics culminate with a rather droll display of touching herself to the jukebox music. Stephanie is the more tame girl who had just caught her boyfriend cheating; there are indications that he cheated with Ellie, but I never was completely clear on that one. That night Ellie is stalked by a horny guy from the club but saved by Michael (Urban) who has the room next door. The next day they miss the only bus. So they head out to what was once a popular beach resort, even though they are ominously warned that it is desolate and dangerous now. Plus there are all of those missing-persons flyers. Of course, they decide to go anyway. There they have a fight about Stephanie's ex and Stephanie bikes away in anger. Once she calms down, she tries to hook back up with Ellie only to find she's disappeared and dropped her phone on the beach. She can't convince the local sheriff Calvo (Vianco) that she met with foul play. The dirty-dancing pictures on her cell phone don't help to convince anyone she isn't off on some wild ride somewhere.
Posted in: Disc Reviews by Gino Sassani on January 11th, 2011
"The Giants who formed this world and now seem to live in it in chains are actually the cause of its life and the source of all activity. But the chains are the cunning of the weak and tame minds..."
Confused yet? That's how Bitter Feast opens, and while it does have a witty premise, the film continues to confound and confuse throughout. The opening poem is the backdrop for a game that turns violent between two brothers in a wooded area. I have to be honest. It made my brain literally hurt trying to figure out what director Joe Maggio was trying to say.
Posted in: Disc Reviews by Gino Sassani on January 11th, 2011
The Graves:
When you first look at the title for this entry in After Dark’s 4th annual 8 Films To Die For, you probably have summoned up images of a dank and foreboding cemetery where unspeakable horrors rise from their resting places to torment the, albeit temporarily, living. This is definitely a little bit of a case of false advertising and the misleading use of a title. These Graves are sisters, Megan (Grant) and Abby (Murray), to be exact. They’re the kind of sisters who do everything together. You know the type. They almost speak in a secret language and appear to be soul mates. But Megan is a bit more outgoing and has gotten herself a job in New York, far away from the sisters’ home in Arizona. Abby is a bit more introverted and is having a hard time dealing with the inevitable loss of her sister. So the two decide to have one more blast together. It’s time for a road trip to visit the world’s largest thermometer. Oh boy. Any horror fan worth his remote knows that the girls are likely not going to make it to see the big thermometer, and they’d be correct. They get sidetracked in a small town called Unity where they are encouraged to visit the abandoned gold mine called Skull City Mine.
Posted in: Disc Reviews by Gino Sassani on January 6th, 2011
"If you're going to face the fires of Hell, you need to be prepared."
And that's exactly what someone should have told the folks behind the horror thriller Case 39. This has been one of those cursed films from the very beginning. The film appears to have begun production way back in 2006. It appears the film was done, at least in one form, by 2007, but there were reshoots and pick-ups for so long that it's going to be hard to imagine what the film might have originally been intended to look like. A fire on the set destroyed quite a bit of the set; fortunately no one was badly injured. The movie took so long to make that the life changes are quite noticeable in the characters. When the film did finally reach the box office on October 1st in 2010, the numbers were very disappointing. The film only took in $13 million with a budget that is listed at $26 million but was likely considerably more than that when you put it all together.
Posted in: Disc Reviews by Archive Authors on December 27th, 2010
Written by Dave Younger
David (Sam Page) and Georgie (Natassia Malthe) are engaged. They go overseas, to Spain, to get the blessing of David’s father, Robert (Michael Maxwell). Georgie is abducted from a nightclub and becomes a sex slave for a twisted psycho known as the White Arab (David Gant, but because this is an ultra-cheap straight-to-DVD Hostel knockoff, his name is misspelled as Grant on the cover). Georgie’s fiancée discovers a guy whose sister was also kidnapped, and they make plans for a rescue. But there are lots of crazies, drug dealers, and corrupt officials they have to deal with first.
Posted in: Disc Reviews by Gino Sassani on December 23rd, 2010
"And now I wish to present an entertainment which has given pleasure to many of the crowned heads of Europe. Ladies and gentlemen, tonight for your eyes alone..."
In the 1950's and 1960's Hammer picked up where Universal had left off. They became the studio for the very best in horror films. With names like Lugosi, Karloff and Chaney finally reaching the end of their reign, Hammer offered up the likes of Christopher Lee and Peter Cushing. They resurrected all of the famous Universal monsters in their own image. Now we had a new cycle of Dracula, Frankenstein, The Wolf Man and The Mummy. While the films were somewhat low-budget and released mostly through the drive-in circuit, these films made a bloody splash with horror fans all over the world. But by the time the 1970's had begun, the studio was falling behind in the horror genre. Anthony Hinds had left the studio, and with him went some of the passion for the horror films that made Hammer famous. The studio heads became more interested in other kinds of films, and the horror department languished for a time.
Posted in: Disc Reviews by Archive Authors on December 19th, 2010
Written by Dave Younger
A couple, Alex and Kate (Nicholas Shaw, Zoe Richards), has fallen asleep on the couch watching a movie. Kate wakes up muttering, “Don’t open it.” Someone rings the doorbell. You know they shouldn’t open it. It’s only David (Giles Alderson), a good friend, a little freaked out because he’s just discovered his girlfriend is cheating on him. They agree to let him spend the night. Bad idea. He’s more than a little freaked: he can’t sleep, and he sees monsters. We can’t see the monsters too well, but what we do see is reminiscent of the phantasmagoric creatures on The Outer Limits. We’re mostly aware of them through sound – they make spectacularly creepy and eerie sounds – thumping, banging, screeching, and hissing combine with constantly unsettling music.
Posted in: Disc Reviews by David Annandale on December 15th, 2010
Six young men and women head off in two cars for a weekend trip in rural France. Along the way, the car with the three guys runs out of gas, fortunately within pushing distance of a filling station. There, our boys inadvisedly pick up a hitchhiker, who turns out to be an escaped psychopath. But no sooner have they started to worry about their new passenger when a mysterious fog and a ghostly vision send them careening off a cliff. Wounded and lost, they find that not only do they have a killer to contend with, but there is something monstrous and huge under the ground that is hunting all of them.
Clearly shot on a shoestring, but very ambitious in its special effects (an opening prologue featuring a meteor strike in 17th-Century France, giant tentacles reaching of the ground to grasp a helicopter), this is a film that certainly pulls out the stops. The plot is pretty packed, too, what with a ghost, a killer, AND a monster. But for all that, what the film needs is something quite inexpensive: a stronger script. The characters are set up quite well, but nothing much is done with them, and they wind up playing out in fairly conventional ways (the loser is the hero and vice versa, for instance). And for all the elements that are tossed into the mix, much of the running time still involves racing around to little effect in dark woods. Still and all, there is some fun monster work, and the just how much this little movie attempts to pull off, whether it fully manages to or not, is worthy of admiration.