Horror

Nicky Henson plays Tom, the leader of a hellraising biker gang known as the Living Dead. His goal is to make that moniker absolutely literal, and it helps that his mother (Beryl Reid) is a medium who has made some sort of Satanic pact, and the butler (George Sanders, in his final role just before his suicide) might well be an infernal power himself (his precise nature is never made clear). At any rate, all it takes to come back from the dead, apparently, is to kill oneself while firmly believing that one will return. Tom proves this formula to be correct, and soon almost all the other gang members follow suit. The one member who might hold out is his girlfriend Abby (Mary Larkin). Meanwhile, as the Living Dead embark on a reign of terror, will anyone be able to stop them?

Anyone who is looking for a direct sequel to the 2008 sleeper hit with Kiefer Sutherland or even a connection to the original Asian ghost film might tend to be disappointed in the direct-to-video Mirrors 2. This is absolutely one of those films where the name is used merely because of its franchise value, and the film's associations are mostly just a few familiar names. Add the same basic idea of a haunted mirror at the center of it all, and you pretty much have all of the connections this movie makes to either of the original projects. With that said, there is a bit more to like about Mirrors 2 than you might suspect on the surface.

In June of 1987 many of us took to our local theaters to watch two future state governors tackle an alien creature in the jungles of southeast Asia. Director John McTiernan had combined the Rambo mercenary-styled film with that of a creature feature. The result was an impressive $60 million on a mere $15 million budget, and a franchise was born. From its first reveal in those Asian jungles, the Predator was an impressive sight. The creature was highly intelligent, to be sure, but it possessed those baser instincts of hunting and survival. It was a monster, but one who utilized advanced technological weaponry to accent its own fearsome brutal nature.

It was the summer of 1987. Horror movies had just gone through a recent splatter craze, and it seemed as though the genre might be dead, at least for a while. Then Joel Schumacher delivered his little low-budget vampire film The Lost Boys. While the movie didn't exactly tear things up at the box office, the film developed quite a strong cult following and had earned pretty high praise from the folks within the horror community. The movie was fresh and was just the kick in the pants that the sequel-weary crowd was looking for. The movie was dark but managed to provide a camp atmosphere at times that worked as a wonderful counterbalance to the blood and guts

Written by Diane Tillis

Hush Little Baby is a direct-to-DVD film presented by the Lifetime television network. Already you can make assumptions as to the quality of the film and the heightened drama that is associated with all Lifetime films. Hush Little Baby is parallel to any horror film about a possessed child who torments his/her parents, minus any suspense or gore.

Written by Diane Tillis

I will admit, the moment I saw the cover of the DVD I was already convinced this was going to be one of the worst films I have ever seen or a close second. The cover has a dark figure cloaked in a blue throw blanket and is holding a leaf blower as a weapon… a leaf blower?! Four Boxes turned out to be one of those independent thriller films that should have been left on the cutting room floor.

Sometimes when you have two reviewers in the family, you have to save your better half from a movie they simply don't understand. I found myself in that situation when my wife took on the daunting task of trying to review The Haunting from the Fright Fest collection. She couldn't put together the various religion themes into a compelling review, so I decided to help her out since she's done the same for me many times over. So did I understand the goings on? Well kinda.

Former pirate radio DJ Mike Raven plays Victor Clare (a case where the actor has a scarier name than the character he plays), reclusive artist who, one strongly suspects, has the unpleasant House-of-Wax-y propensity to pour molten metal on his models in order to bronze them. A group of characters with varying agendas gather at his Cornwall abode: his senile wife; his sexually ambivalent model; his weak, alcoholic son (Ronald Lacey, a long way from the menacing Nazi he would later play in Raiders of the Lost Ark) and impatient daughter-in-law; a neophyte art dealer and his girlfriend, Millie (Mary Maude). Victor becomes obsessed with Millie, determined make her his artistic muse. Meanwhile, the cast is being gruesomely bumped off one after the other.

*Walks slowly through Raven Hill Cemetery* Oh! Well hello there! I didn't know I would have company way out here. Hmm? Oh that's Abercrombie, he is just a hermit who hangs out here. He is mostly harmless. Here, have a seat, and have some Zombie Juice. Well, since you are here, I suppose I can share this movie review with you tonight. Fresh from the crypt we have a movie called Fragile. How fitting is it that we are in a graveyard full of skeletons when this movie stars Calista Flockhart? Har har. Bad joke? Who said I was joking? There she is hanging out by that tomb... -Calista waves- Huddle up by this fire here, and I will spin my tale. Ghoul Ribs anyone?

Mention the name Roger Corman and several things spring instantly to mind: boobs, blood and gore. The man has been the king of the low-budget film since the 1950's. His movies often graced the screens of drive-ins all over the country. There wasn't an idea in the movies that Corman didn't try to exploit at one time or another. He also gave some of the most successful and influential filmmakers their start in the business. People like James Cameron and Martin Scorsese started in the Roger Corman factory.