Posted in: Disc Reviews by Gino Sassani on August 4th, 2010
"This is James Henry Trotter. He lived with his mother and father in a cozy little house by the sea. It was a wonderful life. They had each other, and they had their dreams. Then, one day a terrible thing happened. An angry rhinoceros appeared out of nowhere and gobbled up his poor mother and father..."
Posted in: Disc Reviews by Gino Sassani on August 4th, 2010
Johnny Handsome is based on a rather obscure and dated novel called The Three Worlds Of Johnny Handsome. Walter Hill must have found something in the dated material that attracted him to the project. Unfortunately, there wasn't much to attract audiences. The film made a very paltry $7 million at the box and has been little heard from since. In spite of a solid cast and a script that does tend to move along at a nice clip, the film has never really found an audience and is somewhat of a surprise to be found on Blu-ray.
Johnny (Rourke) is a high-level hood who goes by the name Johnny Handsome in reference to extreme deformities in his face. He looks almost like tElephant Man. His deformity even affects his speech. He's almost indecipherable when he talks. He's involved in a big takedown of a coin shop that has some valuable pieces in its collection. He and his crew take down the store, but something goes very wrong. Rafe Garrett (Henriksen) and his girl Sunny (Barkin) betray the rest of the team. They end up running off with the loot and leave the rest of the crew dead. All except for Johnny, who managed to dodge the gunfire. All of his friends are dead, and Johnny's left behind to take the fall...and the prison sentence. Still, Johnny won't rat on the two that betrayed him and got away. But Rafe's not taking any chances. He has Johnny stabbed in prison. Once again Johnny's luck holds up, and he manages to survive Rafe's wrath. In the prison hospital ward, Johnny meets Dr. Fisher (Whitaker), who has an experimental facial reconstruction procedure he'd like to try out on Johnny. It requires having his entire skull reconstructed. In return, Johnny will get a new identity to go with that new face.
Posted in: Disc Reviews by Gino Sassani on August 3rd, 2010
"I always wondered why nobody did it before me. I mean, all those comic books, movies, and TV shows. You'd think that one eccentric loner would have made himself a costume. I mean, is everyday life really so exciting? Are schools and offices so thrilling that I'm the only one who ever fantasized about this? Come on. Be honest with yourself. At some point in our lives, we all wanted to be a superhero. Who am I? I'm Kick Ass."
You have to give the folks at Lionsgate some serious credit for the way they promoted Kick Ass. The film was generating a lot of buzz almost a year before it actually came out. It was a huge topic of conversation at last year's ComicCon, and I must have gotten promo alerts from the studio once a week for several months. But even with all of that hype, the film just refused to interest audiences enough to show up in any great numbers for the quirky superhero spoof. We're talking under $50 million for a film that got so much pre-release attention. And so it was with that history in mind that I rather cautiously approached the film when the Blu-ray arrived here from the studio. Most of what I had heard wasn't so good. I figured, at best, it'll be a nice diversion.
Posted in: Disc Reviews by Gino Sassani on August 3rd, 2010
For ten years we watched Jack O'Neil, Samantha Carter, Dr. Daniel Jackson, and the Jaff'a Tealc' enter the Stargate. Others would join the team over the years. Each week we would follow their adventures, first on Showtime and finally on the Sci-Fi (now Sy Fy) Channel. We watched with awe as they stepped through a portal that was in reality a wormhole transporting them instantly to another world, brought online by dialing the device like an old fashioned telephone. For another five years we traveled not only to another planet, but to the Pegasus Galaxy itself to the Atlantis Base, a bright floating city left behind by the ancients, the people who created the Stargate system millions of years before. On this show we met new friends, new bad guys, and had new adventures. The location might have changed. The faces might have, at first, been unfamiliar, but the missions and the entertainment value didn't let us down. For 15 seasons we enjoyed a spectacular tale to rival the myths of the Greeks and Romans themselves.
I'm told that all good things must come to an end. When Atlantis was finally cancelled, I was made almost immediately aware of the plans to continue the franchise. First reports started coming out that the show was going to be called Stargate Universe. Soon my inside contacts started giving me tidbits about the story. Details began to emerge about the Destiny, an ancient ship abandoned in another universe far away. The ship was on some kind of predetermined course and would sport an unsuspecting crew of humans that would be left stranded on the ship for an indeterminate amount of time. It was starting to sound a lot like Star Trek: Voyager to me. Of course, this is Stargate, so there has to be some gate travel, one would assume. The ship would come with a gate, and the vessel would come out of faster-than-light travel from time to time and dial up a local planet for exploration. The ship was ancient not only in its origin but in its duration in space. There were going to be a lot of system failures, as the equipment was long past its expiration date. The ship itself would know what resources it needed to continue to operate. Searching its vast planetary database, the ship would locate planets with the essential resources, allowing away teams to get such vital raw materials. Unfortunately, the ship didn't always give a good indication of what to find or where on the planet it might happen to be. Oh, and did I mention the countdown? The ship would decide how much time it would allot for each mission, instituting a countdown. When the clock reached zero, the ship goes back to FTL, and whoever's not back in time gets left behind.
Posted in: Disc Reviews by Gino Sassani on August 3rd, 2010
NOVA is one of the longest-running series of documentaries in television history. It has been a mainstay on public television since 1974 when the first episode took us behind the scenes of the filming of a nature biography. Since then the series has explored everything from space to mathematics. Episodes have focused on people, places, and things. Classroom curricula have been built around the series. In case you're keeping track, that's 37 years that the show has been on television. Technology has gone through incredible changes, as have the subjects of episodes, later updated in later episodes. You'd be hard- pressed to find anyone who has not seen at least one episode. The release of Mount St. Helens: Back From The Dead marks the most recent episode to air, finishing the 37th season.
Mount St. Helens, located in Washington state, is responsible for the most powerful volcanic eruption in the continental United States in the last 150 years. It was not a typical eruption. There was very little of the lava flow that most of us think about when we think of volcanoes. But it blasted a plume of ash and toxic gas miles into the air and destroyed an area of about 200 square miles in the blink of an eye. It was the first time a volcano erupted sideways. The eruption caused nearly 50 deaths and untold damage.
Posted in: Disc Reviews by Gino Sassani on August 2nd, 2010
One of the most difficult types of films to pull off is the black comedy. By its very nature the film has to be somewhat morbid and exist in a world of the absurd. As much as I am often drawn to this kind of movie, I haven't found more than a handful that were able to pull it off. The black comedy usually involves someone's death, often by some bizarre means, and almost always in a world of moral ambiguity, where such things fail to affect the emotions or consciences of those involved. The death has to appear almost matter-of-fact. Probably the best example of a good black comedy is Michael Caine's A Shock To The System. Bad examples include the Weekend At Bernie's films. Now you can add The Job to one of the better examples of the genre.
Meet Bubba (Flueger). He's a typical down-on-his-luck kind of guy. He can't hold a job and has been in these dire straits for over a decade. He spends most of his time hanging out at the diner where his girlfriend Joy (Manning) works the counter. Usually all he can afford is a cup of coffee. He whiles away the time listening to Joy talk about her acting career. As a child she was in a popular show, but hasn't found a part since that time. It doesn't help that she possesses an exaggerated limp, dragging one of her legs as she walks. Apparently, it's a lifetime disability. When we see footage of her as a child on her series, the kid is dragging the same leg. Enter Jim (Perlman). He's dressed in an urban cowboy outfit and sits next to Bubba and asks what's good. Bubba recommends the trucker's special, which Jim quickly orders. But suddenly Jim doesn't feel so hungry and offers the food to the obviously very hungry Bubba. The two talk a spell, and eventually Bubba offers to let Jim park his car to sleep in at his spot next to his apartment. Feeling obliged for the favor, Jim offers him a sheet of paper given to him by a man he helped in Baltimore. The slip is for a job interview at someplace called Be Your Own Boss. Bubba figures “why not”, and goes to the office.
Posted in: Disc Reviews by Gino Sassani on August 2nd, 2010
Everybody is always looking to find a new angle or a fresh way of looking at the typical horror film. That is, when they're not trying to recycle/reboot/remake/reimagine something that's already been done, often more than once. Credit writer Glenn B Hopper III and director Neil H. Weiss for at least coming up with a new spin on some old ideas. The Hanged Man doesn't venture very far from its traditional horror roots, but it does offer you a little more thoughtful motivations and insights into its characters and situations. I have to admit that while I didn't exactly see the end coming, it wasn't a terrible surprise or shock either. These guys didn't exactly telegraph their punches. In fact you could say that they took the long way around to their conclusion ... maybe too long.
A group of depressed folks who have become chat room buddies meet on an isolated farm, once the homestead of one of them. They've come here to carry out a very simple plan. Life, for one reason or another, has gotten out of control for each of them. They've reached the conclusion, perhaps with the help of their leader Dwarfstar, that the only option left to them is to end it all. So they've gathered to kill themselves in this lonely place. Each of them arrives one at a time. They bring their real-life baggage with them, often in sharp contrast to the internet side of them, which is all they have, until now, known of each other. SoCo (Hatley) has a lot of aggression and is the most eager to get done with their business there. Miles (Jones) is a bit of a yuppie throwback in his pink Izod shirt and faux calmness. Flash (Gibson) is an urban cowboy full of booze and totin' a six-gun. He's as loud as his clothes. X-Factor (Hampton) is the quiet one. LT56 (Weissman) is a middle-aged loser who claims to be a rich stockbroker but arrives in a stolen Porsche. Finally, there is Spaceshot (Leigh) who grew up on this now abandoned farm. They are all waiting for Dwarfstar to arrive with his "magic potion" that will release them from their miserable lives.
Posted in: Disc Reviews by Gino Sassani on August 2nd, 2010
The rock gods must have been smiling when Keith Emerson, Greg Lake, and Carl Palmer journeyed from their perspective corners of the music world and combined to form the band Emerson, Lake & Palmer, or merely ELP to the fans. Keith Emerson had made quite a name for himself with his manic organ riffs in working in the band The Nice. Greg Lake was busy with the band King Crimson where he worked with long-time ELP collaborator Peter Sinfield. Carl Palmer was the youngest member of the group and had played for several bands before meeting up with his eventual ELP bandmates. Together they would help to define an entire genre of music. This new progressive rock era would be recognized not by hit singles and AM radio play; instead this music would be enjoyed for its virtuosity and complexity. In all of the years the band enjoyed success, they've released less than a handful of what the industry defines as a single. Yet, anyone who has ever seriously picked up an instrument in the last 40 years knows exactly who they are.
The band formed in 1970, and by the end of that year they were already doing some quite ambitious things. One of the most ambitious and most memorable was their modernization of Mussorky's wonderful Pictures At An Exhibition. The piece was actually originally written by the classical composer as just a piano piece. It was one of the first classical works I had ever fallen in love with. Unfortunately, that original arrangement is rare. I find that most people are unaware of the composer's original intent. It strikes me as odd that there are people who call themselves purists who have ranted about the reinvention of this music by ELP. It's a bit hypocritical when you consider that the version that they likely enjoy was also tampered with and not what the composer intended for the work. When Emerson Lake & Palmer took on the collection of works, they added a modern spin that included MOOG synthesizer solos and even lyrics written and performed by Greg Lake. The beauty is that these new elements were quite faithful to the subject and fit as if they had always belonged. It's no less sacrilegious than the orchestrated version you've likely heard, which is enjoyed by the elitists.
Posted in: Disc Reviews by Michael Durr on August 1st, 2010
Since I get to review a lot of sitcoms, I tend to see the gambit of shows designed for only purpose. That purpose is for me to laugh. But there is another word in sitcom which can restrict how funny the comedy will be to a given person. Situational. The situation I present here involves a female sports columnist and her male friends. One can only wonder if this formula created by Betsy Thomas will be what I'm looking for.
P.J. Franklin (played by Jordana Spiro is a sports-writer for the Chicago Sun-Times and she works and lives with a whole lot of males. She rooms with a radio DJ named Brendan Dorff (played by Reid Scott). They have two close friends named Mike Callahan and Kenny Moritorri (played by Jamie Kaler and Michael Bunin) who run a sports memorabilia store. Mike and Kenny are also single and spend their times trying to get the ladies.
Posted in: Disc Reviews by Archive Authors on August 1st, 2010
Extraordinary Measures is a moving story about family and a father’s perseverance to find a cure for his children. John Crowley (Brendan Fraser) seeks out the help of an irritable medical researcher (Harrison Ford) whose theory cannot be fully developed without extensive funding. As the time ticks away, so does the probability of finding a cure. This film requires an emotional investment and audiences will be surprised at how invested they become.
Coming from emotionally charged source material, the filmmaker (Tom Vaughn) was given the difficult task of conveying personal emotion to a mass audience. Too often stories similar to this are made into low budget made for TV films which are downtrodden for their ineptitude. It is difficult for audiences to shed that stigma from the marketing of this film. However, on a positive note, Extraordinary Measures is executed quite well. The momentum of the film is driven from the story and less on aesthetics. The shot selection, editing and score of the film are all pedestrian at best. However, there is something to be said for a film that has an arbitrary execution and still manages to maintain the audience’s attention.
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