Genre

When I was a kid, I loved Archie comics. Before every family road trip (at least once a year), my mom would head to the grocery store and buy up all of the latest issues of everything from Jughead to Little Archie. We amassed quite the collection, and I read those things over and over for years. Recently, in a moment of nostalgia, I bought a new issue. I was excited to see what my old pals the Riverdale gang were up to — boy, was I disappointed. I knew nearly all of the stories! They barely did anything to hide the fact that they were reruns, simply transplanting plots from summer to winter, or changing from basketball to volleyball. What a crock.

Speaking of reruns, you'll recognize Made of Honor as My Best Friend's Wedding with a dash of When Harry Met Sally. I know it's a well-established Hollywood tradition to rehash plots from past successes, but this chick flick was marketed as something fresh. Right. It's a good thing fans of rom-coms don't mind watching the same story over and over. And over.

I've got this great idea for a new show: it's about a group of people stranded on a mysterious island after a plane crash. I'll call it Where Are We? It's gonna be the biggest ratings hit ever for whichever network is lucky enough to lavishly reward my creative genius.

On the other hand, it might seem like a complete ripoff of Lost, a rehash, old news that will never live up to the glory of the original. You know, like Cashmere Mafia, the Lucy Liu vehicle modeled gene-by-gene on HBO's mega-hit Sex and the City. It might only last seven episodes before it's axed. Now on DVD for the first time, Cashmere Mafia: The Complete Series is further proof that the entertainment industry is all out of fresh ideas.

Star of song and stage Jeannie Laird (June Haver) returns from a triumphant tour to settle down in her new suburban home. Next door is widowed cartoonist Bill Carter (Dan Dailey), and sparks fly between the glamorous star and the low-key nice guy. The course of true love doesn’t run smoothly, however, due to Bill’s son Joe (Billy Gray, of The Day the Earth Stood Still), who doesn’t take kindly to the new woman in his father’s life.

Though the romance may play out as expected, it’s still interesting to see such domestic issues dealt with in the context of a musical. Meanwhile, spirited and imaginative song-and-dance routines are on order. An intriguing entry in the Marquee Musicals series.

The 70’s and 80’s were fertile ground for horror films. It was a new era of iconic monsters. Starting with Michael Myers and Jason, the trend that gave us Freddy seemed to be at the end of its run by the late 1980’s. Certainly sequels were still being churned out, but it seemed like we’d seen the last of these maniacal monsters, at least for a while. But before it petered out, the cycle would supply our nightmares with one more notable denizen…Chucky. Today Chucky paces the sidelines here in Tampa as the head coach of the local NFL franchise, but for the last 20 years it was the darkest alleyways of our dreams that Chucky prowled. Inhabited by the soul of a killer, Chucky was truly one of the “Good Guys”.

 

The character of Charlie Chan was created by writer Earl Derr Biggers in 1925 in the book A House Without A Key. He based the character on real life Honolulu detective Chang Apana. Like the fictional Chan, Apana was a detective of Chinese descent on the island. In the first three films, all based on Biggers novels, the character was played by three different actors. It wasn’t until 1933 that Warner Oland took the part in a long series of films that the character gained his worldwide fame. When Oland died in 1938 the series continued with actor Sidney Toler in the title role. It is 7 of these films that make up this latest Charlie Chan Collection. Like Oland before him, Toler was not Chinese; in fact neither of the men were even Asian. The character was created using heavy makeup and overexaggerated features to give the character his distinctive look. Chan was joined by his # 2 Son Jimmy, played by Victor Sen Yung, for his series of films. Jimmy was always getting in the way and was often a source of both disappointment and pride for his reserved father.

 

The Chipmunks began life oddly enough as a singing group, of sorts. They were the brainchild of struggling songwriter Ross Bagdasarian and were named after the three chief executives at Liberty records. His own alter ego David Seville’s name came from his World War II Army station in Spain. The Chipmunks first appeared in a 1958 record called The Witch Doctor, but wouldn’t officially become The Chipmunks until later that year when The Chipmunks Christmas Song was released. It is for that Christmas music that I most remember the group. They first appeared as puppets on The Ed Sullivan Show. Alvin and the boys got their own television show in 1961. When Ross died in 1972, the Chipmunks would continue on under the guidance of his son. In 1983 The Chipmunks had yet another popular cartoon show and had appeared in countless specials and films. Today they are pretty much a hallmark at the holidays, and a Christmas song collection just wouldn’t be complete without them.

 

There are some significant changes in season 4. The interns now have interns of their own. It’s actually a little fresh to see them struggle with circumstances we only recently watched them deal with from the other perspective. All except George, who is forced to repeat after blowing off his final exam to help Izzie. There are also many cast changes. Gone are Washington and the baggage he carried with his gay bashing slur. Also gone is Kate Walsh, as her character has moved on to her own spin-off, Private Practice. There were also 3 major additions to the cast. To replace Washington, Brooke Smith has come on to play new head cardiologist Dr. Hahn. Smith plays a rather abrasive character who has it in for Yang. She believes Yang has gotten her mentors’ attention by sleeping with them in the past. She spends a lot of the season going out of her way to make Yang’s life miserable. Chyler Leigh joins the show as new intern and Meredith’s half sister Lexie. Meredith isn’t really thrilled with her half sister and tries to ignore her attempts to get to know her. Leigh adds a great deal of energy in her performance and instantly becomes a standout. Finally, Lauren Stamile plays Nurse Rose, who becomes Shepherd’s next love interest.

 

 

Medium was based on a real person with alleged psychic powers who apparently has helped out various law enforcement agencies in some actual cases. If you’ve seen the series, you might find that hard to believe, and the episodes are obviously fictional adventures and not based on the real Allison Dubois’s experiences. At first glance it might be easy to lump Medium in with Ghost Whisperer or The Dead Zone. Actually there are almost no similarities to any of those shows. Allison does not gain any understanding through touching, and while she does see ghosts at times, that aspect of the show has been made to play in only a small percentage of the episodes. Allison accesses her powers through dreams. These nightmares are usually vague and often provide additional clues with each recurring dream. The formula for the show is that she must interpret these images and signs in time to do whatever it is she needs to do. Now that her secret is out, she’s not able to continue her work at the DA’s office. Joe’s career is also in jeopardy, so the show is going through some changes here. The strike likely did some damage, so we may never know exactly what was in store.

I love CSI and have been an avid fan from day one. I think it brought a fresh look to the procedural crime dramas that have long ago become just a little stale and predictable. The problem is that the series has gone the Dick Wolf route of branching out so that the final product might be a little diluted. Unlike the Law & Order franchise, each version of CSI has attempted to take on a unique look and style to reflect the location without giving up those elements which are the tradition of the series. CSI: Miami is by far the inferior of these three shows. In trying to create a slick glitzy Miami feel, the show has gone the way of style over substance. While the oversaturated colors and bright locations might make for a more visually stunning series, it tends here to overshadow the meat and potatoes of CSI, the stories. I get the impression that the show wants badly to recreate the Miami Vice accomplishment of trend setting fashion and style. Those days are long gone, and CSI has an entirely contrary mission that is weakened weekly by this overboard attempt to look good. The show is also beginning to adopt the 24 style of multi frames for no other reason than they think it looks cool. The show doesn’t respect the audience enough to believe they will buy into the series without all of these high tech distractions. It’s a shame, really, because I had higher hopes for this version of CSI, as I happen to live in Florida. Unfortunately most of CSI: Miami is shot in L.A. with the exception of a few overused establishing shots. Let me tell you, L.A. doesn’t look anything like Miami. Perhaps the show should consider dropping all of the fake glitz and move to location where they can take advantage of the city in a far more realistic way.

 

Wings was one of those unusual sitcoms that depended more on the characters than the situations they were in. While the setting was a small Nantucket airline owned by two brothers, most of the episodes had very little to do with flying. Rather, the writers populated this small airline with very distinctive personalities and let these interactions be fodder for the funny. The characters were played by more than competent actors, many of whom have proven themselves beyond this quaint sitcom. Timothy Daly played Joe Hackett, the older, more responsible brother who was often the show’s straight man. His rather adolescent sibling Brian was played by Steven Weber. I wouldn’t exactly say this was Oscar Madison and Felix Unger, but their conflicts over maturity fueled the characters. The airline’s love interest was Helen Chappel, played by Crystal Bernard. She was an aspiring symphony cellist who worked the airport’s lunch counter. For much of the show’s run she had an on again off again romance with Joe. By far the most animated character was mechanic Lowell Mather, played by Thomas Haden Church. It’s still amazing to me that this rather unintelligent character was played by the same guy who brought us Sandman in the latest Spider-Man film. Finally there was cabbie Antonio Scarpacci, played by the current Adrian Monk, Tony Shalhoub. Antonio is an Italian immigrant who has trouble understanding things most of the time, leading to some of the better moments in the series. Fay, played by Rebecca Shull, is the mothering member of the cast. And Roy Biggins (Schram) runs the rival airline and is often engaged in one underhanded scheme or another.