Sci-Fi / Fantasy

The worst thing about The Chronicles of Narnia: the Lion, the Witch and the Wardrobe is that it followed the most successful fantasy film trilogy of all time. Just two years after Return of the King blew us away in theatres and swept the Oscars, and only one year after the flagship Extended Edition release set a new standard for DVD excellence, ‘Wardrobe promised the return of high fantasy to theatres near us. Unfortunately, it proved to be nowhere near adequate for any Lord of the Rings comparison. It was sweet, non-threatening and even a little campy, where Peter Jackson’s films had been majestic, serious and polished – one fluffy, the other dramatic.

When The Chronicles of Narnia: Prince Caspian hit theatres in late 2007, I hoped it would offer a more mature Narnia, but I wasn’t too optimistic (these are supposed to be child-friendly, after all). Imagine my pleasant surprise early on when Trumpkin uttered this to the four child heroes: ”You may find Narnia a more savage place than you remember.”

"Space...The Final Frontier. These are the voyages of the Starship Enterprise. Its 5-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before!"

Paramount was bold indeed when they undertook the remaster project of the original series. Not only did they clean up the prints, but they took the decidedly risky option of redoing most of the f/x shots from the original prints. We all know just how cheesy the old work looked when compared to today’s computer abilities. You could see a box around spacecraft that allowed the obvious cutout to maneuver through a cardboard star field. There were often mix-ups where phaser shots would be used for photon torpedo commands and the opposite. The planets often utilized matte paintings that look somewhat ridiculous now. We forgave these flaws with a complete understanding of the limitations the crew had at the time. While Star Trek showed us computers that were remarkably similar to the PC’s we use today, down to the floppy drives of our own yesteryear, the use of computers to create f/x was still many years away. So Paramount decided to “fix” these “flaws” and make much of the show look like it might have had it been produced today. It was a serious risk because of the extreme possessiveness fans have for these kinds of shows. Just ask George Lucas how much fans like their sci-fi tinkered with. The project encompassed a few years, and the results are quite attractive. But how do they stand up for the fans?

I’ve spent more than a few hours in the company of Ray Harryhausen over the years. I’ve handled many of the original armatures and have seen the original hand drawn storyboards and conceptual drawings he had created for most of his films. Maybe that’s why I love his films so much. I doubt it. They do speak for themselves and you owe it to yourself to see three of his best pictures, which have been collected here in one set.

 

James West (Conrad) was a Union Army vet. He’s the kind of act first think about it later kind of guy. Artemus Gordon (Ross) was a typical con man. He could create the most convincing disguises and was also a master of sleight of hand. Together they worked for the Secret Service in the days of the western frontier. The two of them were the prototype of the future spy. They would use incredible inventions and Bond-like gadgets, along with their own skills at trickery, to investigate major Federal crimes, often plots against the United States. Think of James Bond in the Wild West.

 

With the ember finally burning out too soon, the 4400 has come to rest as a complete series release from Paramount this month on DVD. Unfortunately there really is very little new to add to the set. Except for a single extra disc, all of the discs included here are identical to the individual set releases. To make matters a little worse, the discs are in a large book format with overlapped discs. Not only is the bottom disc hard to get out without removing the top disc, but it slips under the top disc’s hub, making it all the easier to damage. If you already have the set, spending the extra cash makes little sense to me here. The packaging isn’t anything to do back flips over; in fact I much prefer the slip case design of the individual seasons. Add to the mix that you’re likely going to see a price drop on the sets which will make them an even better deal if you haven’t already gotten them. Unfortunately none of the rental chains will have this set, so you will have to content yourself with missing those features, at least until they appear out of a huge ball of light someday. You never know.

 

First of all, if you expect to find an actual cyborg soldier in this film, you will be looking for a long time. The title character played by UFC fighter Rich Franklin is actually a human who has been genetically engineered with amphibian DNA. There are some nanobites working inside the guy, but you won’t be finding a Borg clone in this low budget affair. Unfortunately, you won’t find much in the acting department either. Many of the show’s supporting cast are actors who are usually stunt performers and not often charged with doing the hard stuff… like delivering lines.

 

To start with I give Spielberg credit for going against the wishes of Lucas to film this thing in digital. Not only did he attempt to reproduce the same film stock look, but he edited the film, not on a computer, but an old movieola. The attempt to make this look like the other films is obvious and appreciated. Some of the sets are simply incredible. The Akator set is massive and dressed with all kinds of detail. It conjures up images of many of Indy’s tomb-raiding past. Again you have to credit Spielberg for wanting his actors in a real place as often as he did. John Williams returns with the traditional Indy fanfare and even some good rousing new music to add to the collection. The vehicle chases remind us of some of the best moments in Raiders. Still, there is a bit too much greenscreen and CG usage here. It is so obvious that many of these locations are studio in front of a greenscreen. I know they tried, but that only made these moments stand out all the more. There are also moments that look like they were trying too hard to be clever. The snake “rope” is absolutely ridiculous. As an Indy fan, you are prepared to suspend your belief, but I feel this movie pushes those limits. There are too often science fiction elements here that, I believe, don’t belong in an Indy film either. But it was good to see the old man in action. I have to admit that in the first scene he really looked old, but I swear he got younger as the film moved along. By the time the real adventure begins, the years have all shed themselves away and Harrison Ford is indeed Indiana Jones again. The film doesn’t stand up to Raiders or the Last Crusade, but is much better than Temple Of Doom. I rank it 3rd out of the 4 films.

 

“Who? Or What is the newest, most breath-taking, most sensational super-hero of all?”

That was the question asked on the cover of Marvel’s Tales Of Suspense issue number 39. Pictured with that buildup was a character quite different from the Iron Man that we would come to know and love over the next 40 plus years. He was all silver and appeared to be wearing combat boots. He was not very slender, and you could almost hear the clunking as he moved. By the next issue he was gold colored. By Issue number 48 of that same series, the new and improved Iron Man look would appear for the first time. He was sporting the red and gold colors that would be relatively unchanged for decades. Certainly the suit evolved over the years, but Iron Man’s basic design was born. It was December, 1963. In issue 53 the book would begin to incorporate the name of Iron Man into its front page header. Finally in May of 1968 Tales Of Suspense gave way to The Invincible Iron Man. The hero would often be teamed with the likes of Captain America and The Hulk. The Marvel universe was extremely fluid, and characters often crossed over into other books. The ultimate result would be the Marvel Avengers book, which was an answer to DC’s Justice League. It didn’t come as any surprise that Iron Man would be a founding member of the team. His alter-ego Tony Stark would become the all important finance, weapons, and gadgets supplier to the group.

It was the best of times. It was the worst of times. No, I’m not having a Charles Dickens flashback or reliving Star Trek II. I’m pondering the release of this new Fan Collective featuring alternate realities. This new 5 disc collection brings together episodes from all 5 live action television Star Trek shows. They all deal with some adventure into a twisted or fabricated reality outside of the Trek universe we already know. Of course, that covers a lot of ground when you’re talking about Star Trek and the over 700 hours of television these shows have combined to produce. The show was always out stretching the boundaries of reality. Still, I guess someone had to pick out a small enough group of episode to fit on a tidy 5 disc set. How did they do? The answer is mixed.

 

The show’s most basic premise remains intact. Melinda Gordon is a newlywed and owns the antique shop in a quaint New England town. From childhood she has had the “gift” of being able to see the ghosts of those restless departed souls unable to cross over into the great beyond. If this sounds familiar, it should. Remember little Haley Joel Osment from The Sixth Sense? Like his character, Cole, Melinda takes the responsibility of helping these spirits accomplish some unfinished earthly business so that they can move into the light. The series almost always ends with some tearjerker moments as a loved one is connected, through Melinda, with the departed friend or family member.