Posted in: Disc Reviews by David Annandale on March 8th, 2004
Synopsis
A rift has opened in the ocean floor beneath the Acrtic ice cap, melting the ice andthreatening to flood much of the world. (Never mind that this wouldn't happen: this is a moviewhere we see ice sink, just like in Voyage to the Bottom of the Sea.) The solution,ordered by some sort of world government cabal of the G8 at the "United Nations CommandCenter" (riiiiight) is to nuke the rift. Somehow, this will make everything all better. It turns out,however, that the rift ...
Posted in: Disc Reviews by David Annandale on February 27th, 2004
Synopsis
In the wake of a late-90s attack on Japan by Godzilla, the government orders the construction of a weapon that will be able to stand up to the monster. To this end, the bones of the first Godzilla (killed in 1954) are brought up from the sea-bed, DNA is extracted, and this DNA is used to operate computers in the robotic Mechagodzilla (also named Kiryu). The project takes years, and the completion of the weapon ironically seems to trigger the monster’s first attack in all that ti...
Posted in: Disc Reviews by Gino Sassani on February 8th, 2004
I’m not always sure what to make of Star Trek VI. It is most notable as the final film to feature the entire original cast. Star Trek has always been about message and morality, so it seems natural for the franchise to tackle the end of the cold war and the fall of the Soviet Union. I just wish some of this film didn’t feel so forced. This film is also bittersweet in that it was DeForest Kelley’s final appearance before his death. Kelley’s “country doctor in space” routine never got tired. He was perhaps the most human face in all of Star Trek.
Posted in: Disc Reviews by David Annandale on January 24th, 2004
Synopsis
An arrogant, misanthropic Charlton Heston leads a trio of astronauts who left Earth in 1972for a trip they expected to last some 900 years. 2000 years later, they crash-land on what theysuppose to be another planet. They encounter mute, primitive humans, but then are set upon bycivilized apes. Heston is the only survivor, and is befriended by ape scientists Roddy McDowalland Kim Hunter, who challenge the religious and scientific orthodoxy of their society bybelieving that a...
Posted in: Disc Reviews by Gino Sassani on January 16th, 2004
If your only contact with the original series Lost In Space is the episodes available in syndication ala the Sci-Fi channel then you really don’t know Lost In Space. The first season was a lot different than the final two. The most noticeable difference is that the first season is in black and white. The stories are much less schlock and camp. More Star Trek than SpaceBalls. The cheesy rubber monsters are there, but the characters have a harsher edge to them.
As the season progressed through 29 episodes (Can you imagine having a 29 episode season!) the tone of the later series begins to come through.
Posted in: Disc Reviews by David Annandale on January 15th, 2004
Synopsis
After five months in space, the crew of Ironman One (Richard Crenna, James Franciscus andGene Hackman) are returning to Earth when their ship’s retrorockets do not fire. They aretrapped in orbit, with only 42 hours of oxygen. Back on Earth, NASA chief Gregory Peck at firstsees no way of saving them, but at the urging of David Janssen, a Hail Mary rescue attempt isput together. The problem: the soonest the rescue ship can arrive is in 42 hours. And there’s ahurricane closing...
Posted in: Disc Reviews by Gino Sassani on January 11th, 2004
Legends of vampires and werewolves are almost as old as time itself. Long before Bela Lugosi and Lon Chaney defined these creatures for Hollywood, the myths persisted. Cave drawings in South America depict stories of changelings and blood suckers that were told 5,000 years ago. Underworld offers a refreshing spin on both tales. What if the clans of Vampires and Werewolves were at war for over a thousand years? The dark, seedy “Underworld” is visually compelling. Let’s not even talk about Kate Beckinsale. The wonderfully photographed blend of Gothic and modern settings owes much to the European locations.
Posted in: Disc Reviews by Gino Sassani on December 10th, 2003
Ray Harryhausen and Ray Bradbury, along with Famous Monster Forry Ackerman, have been friends since childhood. It’s no wonder that when Harryhausen was given his first chance to completely control a production that he would turn to his boyhood friend who happened to become one of the world’s best known science fiction writers. Actually, the original production team had already fashioned a script based on Bradbury’s short story without giving credit to the writer. Both Rays created an iconic creature.
Posted in: Disc Reviews by Gino Sassani on December 3rd, 2003
Willis O’Brien, the f/x magician behind King Kong and The Lost World, had always wanted to do a cowboys and dinosaurs film. It is no surprise that his prodigy Ray Harryhausen would accomplish the task. Using some of O’Brien’s design ideas, Harryhausen credibly put these two film icons together with mixed results. The script is certainly not the best Harryhausen had to work with. More Bronco Billy than Jurassic Park, this is more an entertaining film than anything to be taken seriously. James Franciscus does a fine job of playing to the f/x.
Posted in: Disc Reviews by Archive Authors on November 22nd, 2003
Who wants to see the middle of a movie, anyway? The beginning of the movie introduces the characters and presents the conflict. The ending holds the resolution and the conclusion. But the middle? Who wants to just see the middle? Nobody comes late and leaves early at the Cineplex. Nobody sane, anyway. This is not just any film, though. This is an Epic. Literally everything about this production is huge. The original text of the story was actually so long that it had to be divided into three volumes. The companion fil...
