Television

"In the beginning there was darkness. And then bang, giving birth to an endless expanding existence of time, space, and matter. Now, see further than we've ever imagined. Beyond the limits of our existence. In a place we call The Universe."

Up until now these History releases have been season sets of the documentary series. This release is the first which appears to be a planned series of specific subject titles. It does create a bit of confusion when you see a series called The Universe and all of the episodes on the set deal with our own back yard, a place we call the Sol System, or Solar System, for those of you unfamiliar with the name of the star that happens to brighten your afternoons, particularly for us here in Florida on an August day. But while it's true that the series itself has explored most of the known, and quite a few of the unknown, corners of creation itself, this set focuses on those objects that orbit the star Sol.

Wolverine and the X-Men is the fourth time Marvel Studios have decided to animated the Uncanny X-Men into a show. Despite the successful runs of Evolution and the Animated Series, this show didn't quite fare so well. It only lasted the typical twenty six episodes that a lot of animated shows go through. However, Marvel has stayed true to the fans and released this sixth and final volume of the show chronicling the last three episodes.

Jean Grey has been kidnapped by unknown assailants. The X-Men look up and down for her captors but can not find them. However, with Wolverine's special sense of smell he realizes that Emma Frost, a fellow team member had something to do with it and locks her up despite until he knows more information. Cyclops protests but Wolverine is not having it. Wolverine proceeds to the room where they are keeping Charles Xavier who is in a deep coma.

Have you ever walked into a 2 hour movie with only half an hour left to go? It is not a picnic. The same can be said of a television show that is entering its fourth (and final) season and you haven't watched a single episode. That's the situation that presented myself with Ugly Betty. However, I have always found myself up to the challenge and we'll step into this adventure with our head held high.

In the final episode of season three, we see Molly (played by Sarah Lafluer) is dying. Betty (played by America Ferrera) and Marc (played by Michael Urie) are fighting over the position of associate features editor which is now vacant. The winner, Betty is decided on a coin flip conducted by Daniel (played by Eric Mabius) and Wilhelmina(played by Vanessa Williams). But as Betty settles into her new position, her boyfriend, Matt (played by Daniel Eric Gold) breaks up with her.

There have been a ton of specials to come out over the last few years dealing with some of the planet's extraordinary places and life. From The BBC to National Geographic, these specials have populated the science networks, and have even begun to shine in beautiful high definition. In just this last year I feel like I have been transported to some of the most spectacular sites on Earth and witnessed many of the most extraordinary creatures that inhabit this planet. Few of these places compare to the Great Barrier Reef that lies off the coast of Australia.

The Great Barrier Reef contains some of the most diverse collection of species on the entire planet, from the largest sharks currently roaming the seas to the tiniest micro-organisms which make up the coral, providing the superstructure of the reef itself. We've been there many times before, often in glorious high definition. That's what makes this Smithsonian special somewhat mundane, even if the subject is anything but. While the forty-some minutes do provide some great photography, it's nothing new. To make matters a bit more ordinary, it's all in rather unspectacular standard definition. The narration is one of the most bland that I can remember. Twenty years ago, this might have been quite a show. Today it is rather underwhelming.

In many ways Cougar Town appears to be Friends 20 or more years later. It's not just the fact that the former Friends star Courtney Cox heads the call sheet on the new situation comedy. There are a ton of other elements that appear to tie the shows together. Like the old NBC show, the core of this show is a tight group of friends. They have a lot of the same kinds of adventures and conversations as the old gang used to have. The big difference here is that the adventures and the talk come from an older, if not more mature, perspective. They still talk a little too much about sex, except now the characters are in their 40's, so the tone of that conversation has changed up a bit. Call it a 40's version of Friends meets Sex In The City.

I actually hadn't been familiar with the term Cougar until recently. I listen to Minnesota sports radio so that I can keep up with the Vikings even here in Tampa. One of the hosts a year or so ago got in trouble at a club event when he referred to the ladies in the audience as Cougars. He later did a show segment where he was trying to find out from listeners if the term was an insult or not. The audience was divided, so I still don't know if most women in this position consider the term derogatory or not. It basically refers to a woman at least in her 40's who dates men younger than herself.

Do you believe that a numbers wizard can predict the most random of human actions with mathematical equations so accurately as to know where and when such a person will be? If so, then I suggest you put down that letter you are writing to Santa, finish eating that egg a bunny left for you, go to your pillow and pull together all of the loot you got from the tooth fairy, and plunk it down on season three of Numb3rs. No, that’s not a typo; apparently they believe that letters aren’t good enough to stand on their own, so they inserted a 3 where the e should be. Aren’t they so clever? Not. In the fairy-tale world of Numb3rs, all you need is an almost obsessive knowledge of math and the crooks don’t stand a chance. It’s almost unfair, isn’t it? Those poor criminals go about their carefully plotted crimes, unaware that everything they do is controlled by math. They live their lives oblivious to the fact they are at the mercy of a diabolical equation which forces their every move. In fact, I suspect some clever attorney somewhere is already preparing the “math made me do it” defense at this very moment. Soon our justice system will be forced to account for this undeniable force on our very destinies. I would go on, but I can’t… must… fight… numbers

Don Eppes (Morrow) is a decorated FBI officer in charge of a unit of the local field office of the FBI. His brother, Charlie (Krumholtz) is a math professor at CalSci. His brilliant mathematical mind is called upon to help the Feds track killers and rapists. No matter how complicated the trail gets, when the going gets rough these guys call on Charlie. Agent David Sinclair (Ballard), the smart tough guy, and Agent Colby Granger (Bruno) the young upcoming agent. Charlie has professor Larry Fleinhardt (MacNicol) to guide him through his struggles. Both of the geeks are socially inept, and we are “treated” to their constant struggles to relate to others, particularly women. Why can’t they write an equation to fix that? Navi Rawat is Amita, a student of Charlie’s who remains to take a job at CalSci, possibly to remain near Charlie. Judd Hirsch is the father to the Eppes brothers. A new agent is added to the mix in the 5th year in Nikki Betancourt, played by Sophina Brown. The show is produced by brothers Ridley and Tony Scott, who have had far better luck on the big screen.

“Have gun, will travel reads the card of a man. A knight without armor in a savage land…”. Those words ended every episode of Have Gun Will Travel, sung by Johnny Western in a time that such words could be sung without irony. Outside of Richard Boone’s black-clad, craggy Rhett Butler gone-to-seed gunfighter, that song was all I could really recall about this venerable Western from television’s golden age. Would it, like so many revisited shows from my youth, ultimately disappoint? Or would it hold up fifty years after it was originally broadcast, viewed as it would be by the far more jaded, cynical man I’ve grown into?

The verdict? It’s pretty darn good.

For ten years we watched Jack O'Neil, Samantha Carter, Dr. Daniel Jackson, and the Jaff'a Tealc' enter the Stargate. Others would join the team over the years. Each week we would follow their adventures, first on Showtime and finally on the Sci-Fi (now Sy Fy) Channel. We watched with awe as they stepped through a portal that was in reality a wormhole transporting them instantly to another world, brought online by dialing the device like an old fashioned telephone. For another five years we traveled not only to another planet, but to the Pegasus Galaxy itself to the Atlantis Base, a bright floating city left behind by the ancients, the people who created the Stargate system millions of years before. On this show we met new friends, new bad guys, and had new adventures. The location might have changed. The faces might have, at first, been unfamiliar, but the missions and the entertainment value didn't let us down. For 15 seasons we enjoyed a spectacular tale to rival the myths of the Greeks and Romans themselves.

I'm told that all good things must come to an end. When Atlantis was finally cancelled, I was made almost immediately aware of the plans to continue the franchise. First reports started coming out that the show was going to be called Stargate Universe. Soon my inside contacts started giving me tidbits about the story. Details began to emerge about the Destiny, an ancient ship abandoned in another universe far away. The ship was on some kind of predetermined course and would sport an unsuspecting crew of humans that would be left stranded on the ship for an indeterminate amount of time. It was starting to sound a lot like Star Trek: Voyager to me. Of course, this is Stargate, so there has to be some gate travel, one would assume. The ship would come with a gate, and the vessel would come out of faster-than-light travel from time to time and dial up a local planet for exploration. The ship was ancient not only in its origin but in its duration in space. There were going to be a lot of system failures, as the equipment was long past its expiration date. The ship itself would know what resources it needed to continue to operate. Searching its vast planetary database, the ship would locate planets with the essential resources, allowing away teams to get such vital raw materials. Unfortunately, the ship didn't always give a good indication of what to find or where on the planet it might happen to be. Oh, and did I mention the countdown? The ship would decide how much time it would allot for each mission, instituting a countdown. When the clock reached zero, the ship goes back to FTL, and whoever's not back in time gets left behind.

Since I get to review a lot of sitcoms, I tend to see the gambit of shows designed for only purpose. That purpose is for me to laugh. But there is another word in sitcom which can restrict how funny the comedy will be to a given person. Situational. The situation I present here involves a female sports columnist and her male friends. One can only wonder if this formula created by Betsy Thomas will be what I'm looking for.

P.J. Franklin (played by Jordana Spiro is a sports-writer for the Chicago Sun-Times and she works and lives with a whole lot of males. She rooms with a radio DJ named Brendan Dorff (played by Reid Scott). They have two close friends named Mike Callahan and Kenny Moritorri (played by Jamie Kaler and Michael Bunin) who run a sports memorabilia store. Mike and Kenny are also single and spend their times trying to get the ladies.

The second (and final) season of this erotic horror anthology series follows the pattern set down by the first. David Bowie replaces Terence Stamp as host, and takes up the job of briefly uttering portentous statements before each story rolls. These stories star such luminaries as Giovanni Ribisi, Eric Roberts, Jennifer Beals and Lori Petty, and are based on tales by a pretty impressive line-up of line-up of writers: Poppy Z. Brite, Kim Newman, David J. Schow, Gemma Files and Ramsey Campbell, to name but a few.

As before, the erotic fixations give the series a clear identity, but also narrow its focus so that a marathon viewing of episodes would be a bit tiresome. But again, as before, the talent involved means horror fans would be remiss to pass the series up without giving it a serious look.