Posted in: Disc Reviews by Archive Authors on November 6th, 2006
20 years after its theatrical release, Transformers the Movie is available on DVD. This is indeed a treat for all Transformers fans, since the VHS version of the movie has apparently been out of print for several years.
This 2-Disc set is a significant upgrade from the VHS version, boasting a remastered image, commentary tracks, and tons of extras.
Posted in: Disc Reviews by Archive Authors on October 24th, 2006
Synopsis
Staid middle-class couple Brad and Janet (Barry Bostwick and Susan Sarandon) wind up, one stormy night, at the gothic mansion of the cross-dressing Dr. Frank N. Further (Tim Curry). Many songs and sexual awakenings ensue. Seriously, people, if you are reading this and require a summary of The Rocky Horror Picture Show, then the movie is probably not for you. Shock Treatment, however, is less well-known. Once again we have Brad and Janet (this time played by Cliff De Young and J...ssica Harper), living in the TV-controlled town of Denton. Resistance to the televised brainwashing is met with the treatment of the title.
Posted in: Disc Reviews by Archive Authors on October 11th, 2006
Synopsis
For those who enjoy the films of Warren Beatty, perhaps his quintessential film, the epic Reds has finally arrived on DVD. The film, which earned 12 Oscar nominations in 1981, including a remarkable four for Beatty (as Director, which he won), Actor, Writer and Producer), the film was a clear labor of love for the left-leaning political activist. Beatty plays John Reed, an American political writer who becomes more and more enamored with the ideas and concepts behind a blossoming ideological...revolution in World War I era Russia.
Posted in: Disc Reviews by Archive Authors on October 9th, 2006
Peter Bogdanovich’s The All Laughed is a classy, bittersweet film. It’s plot is pretty thin, but here’s the gist: a New York City private detective agency is hired to keep tabs on two women suspected of infidelity. Things get interesting when the gumshoes on the trail begin falling for their lovely targets.
The best part of this film is its cast. Audrey Hepburn, Ben Gazzara, John Ritter, Dorothy Stratten, Patti Hansen, Colleen Camp, Blaine Novak and George Morfogen all fit their parts so well, it’s not surprising to learn in the bonus material that Bogdanovich wrote the parts with exactly these actors in mind. Hepburn and Gazzara anchor this picture with a measure of class that’s so rare in films today. This was Hepburn’s final starring film role, and she’s as effortless as ever. Gazzara is old-school cool, making moments out of so many of his lines.
Posted in: Disc Reviews by Archive Authors on August 22nd, 2006
Steve Martin plays a wacky TV weatherman, who develops a close friendship with an electronic freeway sign in the sleeper hit comedy L.A. Story. I found the critically acclaimed film to lack hilarity, but it does get marks for inventiveness. Martin is enjoyable in most anything he's in, even if the material is not-so-great. L.A. Story is one such example of an actor rising above said material. Most of the over-the-top silliness misses the mark, and Marilu Henner has little more to do than play the cliche...of snobbish socialite. The true love of the Martin character's life - played by Victoria Tennant - is so bland vanilla I would have much rather seen him end up with his free-spirited squeeze toy (Sarah Jessica Parker), though any such relationship would be doomed to fail. At least there would be some excitement.
With that said, I did enjoy the basic hook: Martin's interaction with the fun-loving freeway sign. The sign is just a series of bulbs lit to form questions, comments, and riddles, but there is a quirkiness to it that shows more character than any other supporting player in the film, save for Parker. Director Mick Jackson manages to make the most of this bizarre relationship, but he works from a script that lacks too many interesting additional characters to be a great film. Also, the happy ending feels tacked-on and abrupt, and if you're of my opinion, lacks the happiness part so desperately needed. Sure, things work out. It's a comedy. But at the end of the day, Martin's victory doesn't seem worth winning.
Posted in: Disc Reviews by Archive Authors on August 2nd, 2006
Kathy Bates and the late Jessica Tandy star in Fried Green Tomatoes, a wonderfully surprising film about four strong women finding friendship, loyalty, and strength in each other. Sounds boring, right? I thought so, too, until I actually sat down and gave the extended anniversary edition a chance. The film, based on Fannie Flagg's novel Fried Green Tomatoes at the Whistle Stop Cafe, is really two stories in one. Bates plays an unhappy Southern woman stuck in a marriage routine, which doesn't favor her n...eds at all. She is underappreciated, despite her calm, sweet demeanor, and routinely thrown out of her husband's aunt's room at the nursing home. It's during one of these rejections that she meets Nanny Threadgoode (Tandy), a positive old woman determined to get her house back, and eager for the chance to talk about her past.
But it isn't her own life that Nanny wants to tell her new friend about - it's the friendship of two women, Idgie (Mary Stuart Masterson) and Ruth (Mary-Louise Parker), whom Nanny used to know, that gets the old woman talking. Be forewarned. There are some hanky moments, but they're all handled with great care. Also, the racial elements of the backstory and an intriguing murder mystery amp up the drama to a reasonably tense and captivating level. Director Jon Avnet keeps the film from ever getting too hoky or melodramatic, though I will say it can't escape predictability. There are some pseudo-surprises you should see coming from a mile away, and even a touch of morbidity toward the film's conclusion. But it all works, thanks in large part to great source material, a strongly adapted script, and the amazing performances of all four women.
Posted in: Disc Reviews by Archive Authors on July 23rd, 2006
Sybil is one of those movies that has turned into something of a running joke. It certainly didn't start out that way, though. Probably no other made-for-TV movie is as famous as this one, based on a true story about a woman that had an astonishing 13 distinctly different personalities. Looking back on the film now, there are some definite cheesy moments. However, the vast majority of the film is really quite compelling, especially when the viewer reminds themselves that this is a true story.
Sa...ly Field, who plays the nut-job in question, won an Emmy for best actress for her work in the film. She really is extraordinary here, essentially playing thirteen different roles at once, many of them intertwined and overlapping. It is a role that would have made the film nothing more than a glorified After School Special in the hands of a lesser actress. Instead, Field plays the character(s) deftly and flawlessly, making the movie's three-hour running time fly by. This is an amazing film even by today's standards, and I hope this new edition brings an all-new audience to the film.
Posted in: Disc Reviews by Archive Authors on June 20th, 2006
The Phil Silvers Show was groundbreaking for several reasons, but to look at the list of those who appeared on the show during its four season run is to look at a "Who's Who" of television ancestry and history. Allen Melvin played Sam the Butcher on The Brady Bunch, Harvey Lembeck previously appeared in Stalag 17 and his son Michael became an accomplished television director. Joe Ross played one half of the cop team in Car 54, Where Are You? next to a guest star of the show, a guy named Fred Gwynne, who also appeared in a show called The Munsters. Billy Sands went on to appear in McHale's Navy with a friend (and other Silvers show guest star named George Kennedy). Dick Van Dyke even showed up once in a blue moon.
Sometimes with projects like that, the stars in space seem to last longer than the television planet they orbit. But with The Phil Silvers Show and its star of the same name, there was an irreverent comic talent that not only was hilarious in his own right but helped to complement other members of the cast and giving them their chances to shine. Based around the fictional Ernie Bilko and the soldiers stationed on Fort Baxter, Bilko was sharp and a bit of a schemer, and his schemes involving other soldiers were the perfect vehicle to help Silvers offload some prime comedic moments to other actors. With Silvers and his co-creator Nat Hiken, the two managed to put together a show based on their sensibilities and wrote it the way they wanted to.
Posted in: Disc Reviews by Archive Authors on April 12th, 2006
Cecil B. DeMille’s The Ten Commandments hits store shelves in a new three-disc special edition, just in time for the release of the new made-for-TV mini-series. While the film classic is no stranger to DVD, it has yet to be released with this kind of gusto. At over three-and-a-half hours long, the film is simply too much for one disc to hold. The first disc contains the first 140 minutes, while disc two finishes up with the last 80. Plus, as a bonus, we get the original 136-minute silent version (also a DeMill... picture) on disc three. Since the later version is the most famous – and the centerpiece of this release – I will treat the inclusion of the silent version as a bonus feature.
Unless you’ve been living under a pyramid for the last 5000 years, you’re probably familiar with the story. Moses (Charlton Heston) grows up in the Egyptian palaces as a brother to Ramses (Yul Brynner). He discovers his true heritage as a Hebrew and forsakes all the riches and comforts of his childhood for the harsh life of a Hebrew slave. After killing an abusive Egyptian overlord (Vincent Price) in defense of a fellow Hebrew, he flees into the wilderness for about thirty years, until God decides it’s time for Moses to deliver the Hebrews from their plight. At first reluctant, Moses embraces the task at hand, and boldly marches back to Egypt for the famous showdown with the man he once called “brother.” Of course, the film takes certain liberties with the source material, but not so much to fall beyond the realms of reason. Moses really did grow up as an Egyptian, or so historians tell us, and so he must have had some deep ties to that people. DeMille does a fine job of honoring the text, while parlaying it into a compelling story of a house divided.
Posted in: Disc Reviews by David Annandale on February 16th, 2006
Synopsis
Audrey Hepburn is Holly Golightly, a young woman to her name born. Flighty, hopping from party to party, she waits for her life to match her ideal. Into her apartment moves writer George Peppard, who is certainly not the millionaire our heroine imagines will sweep her off her feet. Peppard himself is a kept man, and his keeper is Patricia Neal. Peppard does have a more realistic view of how life works, in the long run, and that is a lesson that Hepburn must learn before romance can follow it... natural course.
