2-Disc

I love some Adult Swim. There are some real standouts shown that have fun plots, edgy animation, and a whole lot of outlandish humor. Venture Bros, Robot Chicken and Aqua Teen Hunger Force immediately come to mind. Heck, I've even gave smaller shows like The Boondocks and Metalocalypse a try and liked them on some level. So needless to say, I was interested when I received Squidbillies Volume 1. Twenty episodes staring a Georgia-based hick squid family. How bad could it be?

Remember Aquaman? You know, that guy who lived underwater and fought people who would dump hazardous waste in the ocean or people with big helmets named the Black Manta. No, not Charlie the Tuna. Let's try this description. He's King of Atlantis and has giant muscles and was a very popular super hero. Namor, the Sub-Mariner? *sigh* He's the one who sat behind the desk feeding the Justice League information cause simply he had nothing else better to do. Oh Aquaman, quite right.

A remake of writer/director John Waters' 1988 cult hit, Hairspray is an exhuberant movie musical that builds off the smash-hit Broadway production to recreate the excitement on film for a new generation. Whether it's bigger and better than previous iterations, I can't say, because this DVD release marks my first Hairspray experience. What I can say is if Waters' original and the Broadway show are even half as good, they're definitely worth your time.

If that doesn't convince you, this Hairspray also presents John Travolta as an obese, middle-aged woman — a transformation that required plenty of make-up and, more importantly, allowed Travolta to finally reveal his true self for all to see.

A remake of writer/director John Waters' 1988 cult hit, Hairspray is an exhuberant movie musical that builds off the smash-hit Broadway production to recreate the excitement on film for a new generation. Whether it's bigger and better than previous iterations, I can't say, because this DVD release marks my first Hairspray experience. What I can say is if Waters' original and the Broadway show are even half as good, they're definitely worth your time.

If that doesn't convince you, this Hairspray also presents John Travolta as an obese, middle-aged woman — a transformation that required plenty of make-up and, more importantly, allowed Travolta to finally reveal his true self for all to see.

Despite its lame title, I've been excited about seeing Live Free or Die Hard since it was announced. The Bruce Willis franchise has been a favourite of mine for a long time, thanks to the original Die Hard which stands as one of the greatest action films of all time.

Willis reveals in the commentary that he and director Len Wiseman (Underworld) set out to make a Die Hard movie that surpasses the middle two in the series and is as good as the first. While Willis apparently feels they succeeded, I beg to differ. Live Free or Die Hard is certainly a good action flick, but nothing can ever surpass Die Hard in my book. Opinions of the film aside, this DVD set is sure to satisfy John McClane fans of any stripe.

There are few things as tragic as potential that is unrealized. Whether it’s by choice or by extenuating circumstances, to see a life cut down before it has a chance to develop and make an imprint on the world is sad to see. And it seems to happen disproportionately among musicians. In most casts, drugs frequently has been the main culprit (see Jimi Hendrix, and Janis Joplin), or suicide in some cases (Kurt Cobain being the more notable name in recent memory). But when an entertainer is murdered, the abrupt nature of the crime seems to shake many to the core. It was sad four decades ago when Sam Cooke was murdered, and equally disappointing two decades later when Marvin Gaye was felled by the hands of his father. When Selena Quintanilla was murdered by her business manager in 1995, it sent shockwaves through the Latin music community. Here was a young woman on the fast track to superstardom, gunned down before her full promise could be delivered.

What happens when the reviewer who did Dante's Cove decides to tackle its vampiresque cousin, The Lair? (Besides scheduling more sessions with his psychiatrist) You get somebody who starts understanding what makes up the Here! network. We're homies, we break bread together. Just don't expect me to wear my pants that low nor participate in your late night parties. I got an image to uphold. Season one of the Lair provides something that no other show on the Here! network has proved to this point. A show where there is actual dialog and something more than a cheap excuse to show lots and lots of male on male action. Welcome to the Fang Bang.

I had a decided advantage going into the Michael Bay extravagance that is Transformers. Unlike the majority of the film’s target audience, I have had almost no exposure to the other incarnations of Transformers. I was already too old for the toys when Hasbro launched them, and so it was true for the cartoon and comic versions that quickly followed. Like everyone else I have a passing familiarity with the things, but nothing more. How is that an advantage, you might very well ask. Like any film that dares to attempt material often considered sacred by its followers, Transformers had to play the game of expectations.

Do you know what happens when creative people get toys and wacked out people get a tv show? Robot Chicken happens. The first season was a great success on Adult Swim, so that meant two things. One, creators Seth Green and Matthew Senreich would be able to move out of their parent's house (okay, not really) and we would get Season 2. Robot Chicken for those who don't know is toy figures (or special sculpted toys) put to life in hilarious sketches and parodies with the use of stop motion capture technology.

Quentin Tarantino's Deathproof need no longer be sad and alone on your DVD shelf. Robert Rodriguez's Planet Terror - Extended and Unrated (Two-Disc Special Edition) streets October 18, completing the one-two-punch release of the directors' Grindhouse double feature.

Separating these two schlock-fests begs the question, which one's better? Don't ask me. I didn't catch Grindhouse in theatres, and haven't gotten around to Deathproof on DVD. All I can tell you is Planet Terror throws down 105 minutes of mindless, campy and gory fun. So pop your lid, take out your brain and enjoy. But don't leave that brain unattended, 'cause there be zombies about.