Posted in: Disc Reviews by Archive Authors on September 12th, 2006
Synopsis
Hurricane Eve descends upon the Florida coast, wreaking particular havoc on the rural town of Homestead. The central characters are a park ranger, his two children, a reporter who is the ranger’s second wife, his conspiracy-nut brother (channelling Jack Black), his ex-wife and her second husband (the always suspicious-looking William Fichtner). As if the devastation weren’t enough, there are all those weird lights, and... hey... some people are acting kinda strange, like they’re might not be...human at all.
Posted in: Disc Reviews by Archive Authors on August 25th, 2006
Synopsis
Marilyn Monroe was THE blonde bombshell. Jayne Mansfield was the cartoon version of Monroe, bombshell become sex bomb, with proportions so improbable she could give Barbie an inferiority complex. Her cartoon figure makes it appropriate that two of the movies here are directed by a specialist in cartoons: Frank Tashlin. In fact, this set might almost be more appropriately called the Frank Tashlin Collection.
Posted in: Disc Reviews by Archive Authors on August 23rd, 2006
Synopsis
Arriving late one night at a village near Canterbury are an English sergeant (Dennis Price), and American one (Sgt. John Sweet) and a landgirl (Sheila Sim). As they leave the train station, Sim is set upon by a mysterious figure who dumps glue all over her hair. The trio become amateur detectives, determined to unmask the “glue man” and their suspicion first falls on Eric Porter, the local magistrate who is consumed by an enormous love for the countryside.
Posted in: Disc Reviews by Archive Authors on August 20th, 2006
Synopsis
So when you’re the head of Fox prime time programming, and you’ve got a television staple like The Simpsons on your Sunday night lineup, and Arrested Development wins the Best Comedy Series Emmy in its first season, what do you do? Well you callously trim the order of episodes from 22 to 18, put The Simpsons as its lead-in without a lot of fanfare, and almost even more egregiously barely hype guest appearances by well-established comic performers like Julia Louis-Dreyfus (Se...nfeld), Ed Begley Jr. (Spinal Tap) and Zach Braff (Scrubs).
Posted in: Disc Reviews by Archive Authors on August 19th, 2006
Clearly, I am in the minority when it comes to Veronica Mars. Reviewers go on and on about the sharp writing on this show, but I just don't see it. With character names like “Beaver”, “Butters”, “Weevil” and my favorite, “Dick Casablancas”, this is a show where the writing is actually one of the things that is wrong with this show. (And yes, Beaver and Dick are friends. How's that for creativity?) The character of Wallace is an African American stereotype that is embarrassing, and stinks of what old while people think young black men are like. Not only are these characters one-dimensional and unrealistic, but some of them are borderline offensive.
Veronica Mars is really just Nancy Drew for the 21st century. The writers have tried their best to add some real adult drama to the series by throwing in a murder mystery, but they have somehow managed to make even that seem soft, thanks to the amateurish acting. Story lines are basically teen faire, meaning that things are made to appear much more tragic than they actually are. That's fine if you are a teen girl, but for the majority of the population this should not be a desired trait in an hour-long drama.
Posted in: Disc Reviews by Archive Authors on August 15th, 2006
Synopsis
Robert Mitchum shows up twice here, as does Robert Ryan. The two clash in The Racket (1951), where Mitchum is the incorruptible cop, and Ryan is the old-school gangster whose brutally direct methods put him in conflict not only with Mitchum, but with the more sophisticated crime syndicate spreading over the land. The focus of the film is rather split between the two, but is pretty tense, and is further enlivened by a memorably sleazy turn by William Conrad as a VERY corrupt cop.
Posted in: Disc Reviews by Archive Authors on August 13th, 2006
I've said it before, and as long as Warner Brothers keeps putting these classic discs out, I am going to keep on saying it. No studio respects their classic film catalog like Warner's. They have done marvelous things with their special editions of classic films, such as their fantastic 2-disc tin box release of King Kong. They have the largest collection of classic films on the planet, including the entire RKO Pictures catalog, and they are succeeding in introducing an entirely new generation of film fans to the best that cinema has to offer.
In addition to their wonderful single-title releases, they started releasing “Signature Collection” boxed sets of a couple of years ago. These are sets of films featuring a single actor or director, and they are packaged in beautiful boxes, complete with the original artwork for each film. This time around, they are focusing on five films by Ronald Reagan. Included in this box is the 1942 Best Picture nominee King's Row, 1949 film The Hasty Heart, the surprising (and way ahead of its time) drama Storm Warning, the inspirational baseball film The Winning Team and the beloved film Knute Rockne All American, which reminded the world to “win one for the Gipper”.
Posted in: Disc Reviews by Archive Authors on August 12th, 2006
You would have to either be from another planet, been raised by wolves or be under the age of 15 to not have some sort of a personal history with Full House. The show was a staple of Friday night television for eight seasons, defying all logic and proving that the general public doesn't always know quality when they see it. The story about a non-traditional household was inexplicably popular, despite the fact that it got consistently poor reviews year after year. Even more surprising was how many careers came out of the show. Of course, Bob Saget went on to play a similar role as the host of America's Funniest Home Videos, but John Stamos went on to marry Rebecca Romijn... a match that nobody saw coming or truly understood. And then, of course, there is the multi-million dollar phenomenon that is the Olsen twins.
This particular season falls fight in the middle of the show's run. The big storyline here is the marriage of Uncle Joey and Becky, a plot line that runs from the proposal to the wedding and beyond. Other storylines include Stephanie getting glasses (apparently a major trauma) and one major character getting pregnant. I respect the fact that the show is trying to evolve, but in the end, this is just the same old soft crap that we have already seen for three previous seasons.
Posted in: Disc Reviews by Archive Authors on August 11th, 2006
I think the fact that Invasion only ran for one season is more of a result of circumstance than anything else. The series starts with a very large hurricane hitting Florida, and the rest of the season dramatizes the aftermath of such a tragic event. Unfortunately, the series made its debut right after the real life hurricane Katrina wiped out much of Louisiana, Alabama and Mississippi. With the 24-hour coverage of the real-life disaster plastered all over the airwaves, audiences just didn't feel much like unwinding with a dramatization of the very same experience.
It's a shame, too, because the hurricane aspect of the story was really just a catalyst to bring on the true story of the series. This was not a show about hurricanes, this was a show about extra-terrestrials. I am always a fan of sci-fi shows that masquerade as traditional dramas, and this one really pulls it off. One of the best things about shows like Alias and Lost is that they spawned other well thought out shows such as this one. It was not long ago that a show would start with a basic idea of characters and place, and the series would evolve over time. Now we are starting to see shows that have an entire couple of seasons planned out before the first episode is even shot (such as 24 and HBO's fantastic Carnivale). The result is a television program that plays more like a detailed mini-series. This is a winning proposition for both networks and fans, as the story builds slowly over time, a personal investment is made in the program.
Posted in: Disc Reviews by Archive Authors on August 9th, 2006
It goes without saying that the James Bond franchise is the crown jewel of the MGM and Sony vault. And in preparation for Daniel Craig’s turn as the man who likes his martinis shaken and not stirred in Casino Royale, it was decided to let them run with some things in order to double-dip Joe Q. DVD Buyer. And in the UK, where Bond reigns supreme, these new “Ultimate Editions” of all the James Bond movies have just been released (don’t worry US fans, these are on their way in November).
The UK version ...f this collector’s set is somewhat snazzy, as there’s a locking metal attaché case that houses all of the films (20 in total), and each film gets a 2 disc edition to boot. So the bottom line is that if you’re a fan of Connery, Moore, Brosnan, Dalton and Lazenby, get that fridge by the TV installed and get a case of diapers ready, because you’re getting married to that furniture for the short and intermediate term with 40 discs of James Bond cinematic joy. I did some skimming of the titles, and decided to get this party started by watching Octopussy. I think the reason I might have gone with this is that I think this may have been the first Bond film I saw in the theater, and I remember it being a really cool thing to see as a tyke growing up as the son of a British mother.
