Posted in: Disc Reviews by Michael Durr on September 6th, 2010
My taste in music is not exactly all over the place. I like rock, hard rock. Sure, I can listen to a country tune or two or dabble in some Mozart but if the bass is bumping and the guitarists are having seizures on the strings, I'm good to go. So when the owner of this site asked if I would do a few music blu-rays as a change of pace, I was worried and excited at the same time. Music in Blu-ray is an amazing experience but if I didn't like the music, not so much. But I was still eager when I opened the first one: Jane's Addiction: Live Voodoo.
It's Halloween. The night of October 31st, 2009. The place is the Voodoo Experience (also called Voodoo fest) in New Orleans. On the previous night, such acts as the Silversun Pickups and Eminem took the stage. The headline act for tonight is Kiss but there is one other band that needs to take the stage. Their name is Jane's Addiction. The band lineup is a little surprising but the sound is simply electric.
Posted in: Disc Reviews by Gino Sassani on September 1st, 2010
In the late 1960's three musicians came together with an idea. It was a somewhat unconventional idea. Roy Wood and Bev Bevan were part of the band The Move when they met up with Jeff Lynne from The Idle Race. The three hit it off almost instantly. So much so that before long Lynne would also become a member of The Move so that he could work with Wood and Bevan. But that wasn't going to be the ultimate goal. That unconventional idea that the three had involved combining rock and roll with classical music. Of course, other bands had done orchestral arrangements, most notably, The Beatles. But their idea was to fuse the concepts more integrally together. The idea was to have live violins and cellos as part of the actual band itself. Lynne would once describe the concept as picking up where The Beatles had left off. Together they invented a new way to rock "n" roll. That invention was The Electric Light Orchestra, or ELO to the fans.
The band started with a bang. The first album, while not a huge commercial success received more than its share of attention. But band squabbles would almost doom this ambitious project before it got off the ground. Roy Wood left the band to form his own and took some members with him. It looked bleak for the struggling concept. But that might have been the best thing that could have happened. Jeff Lynne would become the controlling force and the band would go on to enjoy commercial success to go along with those critical appreciations. The band's second album was called No Answer, but it wasn't really intended to carry the title. A secretary with the record company was assigned to contact Jeff Lynne to get the correct album title. He wasn't home. Naturally, the secretary made the notation "no answer". The notation was misinterpreted as the album title, and the mistake would be a permanent entry in the band's discology.
Posted in: Disc Reviews by Gino Sassani on August 26th, 2010
Mention the name Jackson Browne and one thinks less of the performances and more of the music itself. While he never achieved quite the fame of many of his peers, his style and songwriting has had a lasting impact on some of the biggest names in the music industry. He was part of the whole Troubadour scene in the early 1970's where he hung out with the likes of James Taylor, The Eagles, and other notable artists who were about to find their golden tickets to larger stages and the crowds, money, and fame that went along with them. The likes of Crosby, Stills, & Nash have been inspired both by his ability to write and his passion for the causes he believes in. In the 20 years from 1979 to 1999 he organized and performed at over 1000 benefit concerts. It's not so much an accomplishment to be willing to give up your own time for the causes dear to your heart. Brown has a reputation in the business of being someone they can't say no to. His biggest cause has been his stand against nuclear power plants. Agree with him or not, Browne used his fame in a responsible way that today's artists can learn from. He did his preaching at the events and not so much at his paying gigs.
"For more than two decades, Jackson Browne has been one of the most compelling artists in popular music. In August of 1994, The Disney Channel presented Jackson Browne: Going Home, a chronicle of Jackson's remarkable career. Jackson Browne: Going Home contains interviews, performances, and rare footage spanning twenty-five years featuring Don Henley, Bonnie Raitt, David Crosby, Graham Nash, The Eagles, David Lindley, Jennifer Warnes and many more."
Posted in: Disc Reviews by Gino Sassani on August 9th, 2010
Living just a couple of hours from Gainesville, Florida, it really is easy to sit down and get yourself in the mood for some Tom Petty. Look, the boy is never going to win any beauty contests, and his voice sounds like he went to the Bob Dylan school of vocals. But there's no denying that for a few decades Tom Petty, often along with those Heartbreakers, wrote some of the most recognizable American anthem music south of Ashbury Park, New Jersey. But it wasn't always hit songs and world tours for the college town natives. Today they might have never made it in a music business that demands immediate success and gold records. It was the third album that gave this band its break-out hits and fame: Damn The Torpedoes.
While Tom Petty & The Heartbreakers were already generating some momentum in England where they broke sooner than their native United States, Damn The Torpedoes was an unmistakable milestone for the group. The musicians included: Mike Campbell on guitars, Ron Blair on bass, Stan Lynch on drums, and, of course Tom Petty on guitars and vocals. It was produced by Jimmy Iovine, who is generally credited with helping the band develop their signature sound. Released in 1979, the album contained three hit singles, with Refuge and Don't Do Me Like That scoring huge hits in the United States.
Posted in: Disc Reviews by Gino Sassani on August 2nd, 2010
The rock gods must have been smiling when Keith Emerson, Greg Lake, and Carl Palmer journeyed from their perspective corners of the music world and combined to form the band Emerson, Lake & Palmer, or merely ELP to the fans. Keith Emerson had made quite a name for himself with his manic organ riffs in working in the band The Nice. Greg Lake was busy with the band King Crimson where he worked with long-time ELP collaborator Peter Sinfield. Carl Palmer was the youngest member of the group and had played for several bands before meeting up with his eventual ELP bandmates. Together they would help to define an entire genre of music. This new progressive rock era would be recognized not by hit singles and AM radio play; instead this music would be enjoyed for its virtuosity and complexity. In all of the years the band enjoyed success, they've released less than a handful of what the industry defines as a single. Yet, anyone who has ever seriously picked up an instrument in the last 40 years knows exactly who they are.
The band formed in 1970, and by the end of that year they were already doing some quite ambitious things. One of the most ambitious and most memorable was their modernization of Mussorky's wonderful Pictures At An Exhibition. The piece was actually originally written by the classical composer as just a piano piece. It was one of the first classical works I had ever fallen in love with. Unfortunately, that original arrangement is rare. I find that most people are unaware of the composer's original intent. It strikes me as odd that there are people who call themselves purists who have ranted about the reinvention of this music by ELP. It's a bit hypocritical when you consider that the version that they likely enjoy was also tampered with and not what the composer intended for the work. When Emerson Lake & Palmer took on the collection of works, they added a modern spin that included MOOG synthesizer solos and even lyrics written and performed by Greg Lake. The beauty is that these new elements were quite faithful to the subject and fit as if they had always belonged. It's no less sacrilegious than the orchestrated version you've likely heard, which is enjoyed by the elitists.
Posted in: Disc Reviews by Gino Sassani on July 20th, 2010
"Welcome back my friends to the show that never ends. We're so glad you could attend. Come inside. Come inside."
The rock gods must have been smiling when Keith Emerson, Greg Lake, and Carl Palmer journeyed from their perspective corners of the music world and combined to form the band Emerson, Lake & Palmer, or merely ELP to the fans. Keith Emerson had made quite a name for himself with his manic organ riffs while working in the band The Nice. Greg Lake was busy with the band King Crimson where he worked with long-time ELP collaborator Peter Sinfield. Carl Palmer was the youngest member of the group and had played for several bands before meeting up with his eventual ELP bandmates. Together they would help to define an entire genre of music. This new progressive rock era would be recognized not by hit singles and AM radio play. Instead this music would be enjoyed for its virtuosity and complexity. In all of the years the band enjoyed success, they've released less than a handful of what the industry defines as a single. Yet, anyone who has ever seriously picked up an instrument in the last 40 years knows exactly who they are.
Posted in: Disc Reviews by Archive Authors on April 9th, 2007
Synopsis
Carlos Santana has been a veritable part-owner in the Montreux Jazz Festival, with a half dozen or so appearances under his belt in over three decades of performing. Some have been solo appearances, but others have been fruitful collaborations with various blues and jazz performers, some singers. In 1988, Santana and friend Wayne Shorter performed at the show as part of a brief tour. The songs performed are listed as follows:
Posted in: Disc Reviews by Archive Authors on April 9th, 2007
Synopsis
Carlos Santana has been a veritable part-owner in the Montreux Jazz Festival, with a half dozen or so appearances under his belt in over three decades of performing. Some have been solo appearances, but others have been fruitful collaborations with various blues and jazz performers, some singers. In 1988, Santana and friend Wayne Shorter performed at the show as part of a brief tour. The songs performed are listed as follows:
Posted in: Disc Reviews by David Annandale on June 12th, 2004
Synopsis
Posted in: Disc Reviews by Gino Sassani on May 6th, 2004
I’m not a big fan of “Reality TV.” I do watch Survivor, and I think that’s a really good show, but I don’t watch any of the others. When I first heard of the concept of “The Mole,” I have to admit that I was intrigued. Reality TV is all about real people reacting to each other’s most annoying personality traits and translating that friction into ratings. Well, “The Mole” puts a different spin on that concept by adding a dissenting element - one of the participants is “a mole” i.e. a nefarious agent of the producers ...laced to lead the group astray and prevent them from attaining the big cash rewards. I have to admit intriguing, but not intriguing enough to get me to watch week to week, until now.
Celebrity Mole: Hawaii takes a group of B-list celebrities (Stephen Baldwin, Corbin Bernsen, Michael Boatman, Kim Coles, Kathy Griffin, Frederique Van Der Wal, and Erik Von Detten) and pits them against each other in various games to win cash, and avoid termination (i.e. elimination – one person leaves the game at the end of each show) while figuring out who the mole is.
![Jane's Addiction: Live Voodoo [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/janes-addiction-live-voodoo-blu--large.jpg)
![Tom Petty - Classic Albums: Damn the Torpedoes [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/tom-petty-classic-albums-damn-th-large.jpg)
![Emerson, Lake, & Palmer: Live at Montreaux 1997 [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/emerson-lake-palmer-live-at-mo-large.jpg)
