Fox

I can't help it. Whenever I see David Boreanaz I can't stop seeing the brooding vampire Angel. It's not really his fault. This character couldn't be farther from the Angel character, but that's what I see. It's also true that Bones, now entering its sixth season, has been around longer than Angel. It's also very likely that he now has fans that aren't even aware of that previous character. It has been quite a few years. I'm usually better at letting go of a character once the show has ended and the actor has moved on. But there it is. Agent Booth ends up doing something silly, and it throws me for a bit of a loop. It's probably a testament to how good an actor Boreanaz actually is, that he's ingrained himself so fully in my brain. And, I haven't watched near as many episodes of Bones, to transfer that identification. But it's Bones that's here now, and based on its current popularity, it's likely to be here for a while longer yet.

Dr. Temperance Brennan, or Bones (Deschanel) is the world's leading bone specialist. She works in Washington, D.C. for the famous Jeffersonian (I assume it's intended to be the Smithsonian). Her talents have proven themselves very helpful in solving crimes where skeletal remains are all that there is to go on from the victim. Her FBI agent/liaison is Seeley Booth (Boreanaz). Together they have an uneasy relationship that grows into a kind of friendship. The problem is that Bones doesn't have a ton of social skills. She relies on Booth to guide their social interactions. More on that later. The lab is run by Dr. Camille Saroyan (Taylor) who has become a bit of a guiding mother to the team. Dr. Hodges (Thyne) is the trace-elements expert and tries very hard to be cool and hip. He's generally the opposite of Bones. He says pretty much what comes into his head and is a bit of a science-fiction geek. Angela (Conlin) is an artist who uses her skills to reconstruct facial details from the skulls. She also works on enhancing images and restructuring evidence. She's a bit of a romantic and has probably slept with every male in the lab. Dr. Sweets (Daley) is a young FBI agent and psychologist. He profiles victims and suspects as well as serves as a counselor to the team. He's a bit over-eager at times, looking up to Booth as a mentor, of sorts. The lab also has a few interns that show up from week to week, likely depending on actor availability.

"Cal Lightman sees the truth. It's written all over your face. It's also in your voice, your posture, the words you choose. Give him five minutes and 20 questions and he'll know whether you went off to Argentina to cheat on your wife, lied about a well-timed stock sale, or murdered a one-night stand."

I spent quite a few years as a detective. My specialty turned out to be in the interview room. When some of my fellow detectives had a suspect they couldn't break, they often called me in. It was my job to get the person talking. You see, the company’s insurance recovery from the theft was based on how much I could get the thief to admit they had taken over and above whatever they just got busted for. I have to admit that I rather enjoyed the job. I was able to read the person's emotions well enough to gauge how my approaches were making the suspect feel. The key was to be able to separate the truth from the deception. Well, it turns out there's a science behind what I just took as instinct. Apparently, our faces and body language are almost impossible to control, and anyone who could read and translate that language would be nearly impossible to deceive. I don't recall consciously looking for any of these things. I could just tell. After watching a season of Lie To Me, I'm not so sure that there wasn't more to it than just instinct.

We all remember Ed O'Neill as Al Bundy from Married With Children. It's an iconic role that he'll never be able to shake no matter what he does for the rest of his life. After that series ended its 11-year run, he even attempted to get out of comedy and take more dramatic roles. I'm sure there was a deliberate intent to try to distance himself from Al. It's not that he likely didn't love playing the role. He just wanted to avoid getting forever typecast in the mold.Those efforts weren't all that successful. But now he's back where he belongs again in a pretty solid sit-com. He's not playing Al Bundy any more, although you won't have to look very hard to find some of Bundy in Jay from Modern Family.

I have become somewhat frustrated over the television comedy genre for a lot of years. It seems that they all take the same path no matter what the show's actual concept might be. It's usually the same jokes, just in a different environment. I don't have children, but I expect that it must be near impossible to sit down and watch a comedy with your family any more. If I were a stranger visiting this planet for the first time, I would quickly come to the conclusion that sex is about the only thing that's funny here. Thank God that once in a while something fresh comes along and swims against the current tide of innuendo and toilet humor. Modern Family is the kind of show you can enjoy with the entire family. And guess what? It's pretty darn funny on top of it all.

Ever wonder what the kids of South Park might be like if they ever made it to adulthood? While I’ve not seen that many episodes of the FX series It’s Always Sunny In Philadelphia, that was the first observation that came to mind. These are the South Park kids all grown up. They’re crude, raunchy, mean, and most importantly, they are as politically incorrect as ever. If you need an example, I can offer one right from one episode. The guys have a Christmas tradition that dates back to their childhood of throwing rocks at moving trains. An episode I caught a while back had two of the guys going to an abortion rally because they suspected that pro-choice chicks gotta be easy. Sound like anyone we know? If you love irreverent humor that’s not afraid to cross over the line, this F/X series has everything you’re looking for, and without those silly construction paper animation limitations. These are real dudes.

The best way to introduce you to the world here is through the characters. The Philadelphia setting and all of the other trappings really don’t matter. You could put these characters any place, doing almost any jobs, and the series would pretty much be the same. The actors and some cleverly written dialog really make the show.

“Listen, I know you’ve been playing for Luke all year, but for this game… I want you to play for you. You’ve earned it. I want you to take the burden of this family off your shoulders and I want you to go out there and I want you to have a ball. I want you to hit someone haaard! I want you to play for the joy of playing the game… or the love of playing for the CHAMPIONSHIP!”

Luke (Stefan Guy), a rising star at lacrosse and football in high school and seems destined for a bright future until he climbs in the car with a reckless teenage driver. One deadly car wreck later, Luke is laying brain-dead in a hospital with his devastated parents, Steven (Aidan Quinn) and Maryanne (Andie McDowell) by his side. The hospital explains that law requires them to pull the plug on brain-dead patients, but keeps Luke alive long enough for his classmates, teachers and big brother Jon (Ryan Merriman) to say their goodbyes. Grief from Luke’s sudden death ravages the Abbate family. Jon initially decides to sit out the rest of the football season, but coaches and pastors intervene, and soon family, faith and football save the day.

Written by John Delia

If you are looking for action and adventure then you will not want to miss X-Men: First Class, a top-notch production that thrills.  The explosive storyline under the able direction of Matthew Vaughn contains all the explosiveness you would expect from a prequel to Marvel Comics’ famous X-Men.

Ever watch one of those movies that you don’t quite get or understand the first time around? You are certain that the movie is decent and the plot moves along well. But the problem is there are plot holes and the viewer is sure of them. Until they watch the movie a second time. Then either the viewer realizes the movie is brilliant or still full of plot holes. Well, today I encounter one of those films, Dressed to Kill and I think this one has filled out nicely.

It is another morning. Mike Miller (played by Fred Weber) shaves his face with a straight razor and we pan to the very nude Kate Miller (played by Angie Dickinson) taking a shower. She watches him intently and then starts to touch herself (this is unrated kids, we get to see a whole lot of Angie). As she becomes more aroused and more into herself, she doesn’t notice that there is now a man behind her. He takes her aggressively and she cries out in pleasure as we fade to black.

“Ride into this world all alone. God takes your soul. You're on your own.
The crow flies straight, a perfect line on the devil's back until you die.
Gotta look this life in the eye”.

When these guys send a message, they don’t use Western Union. Not only will they blow up your warehouse, but they’ll catch one of your guys and plant a stick of dynamite in his butt cheeks to set off the explosion. That’s the world of the motorcycle club, the Sons Of Anarchy. In the wake of The Shield, FX stays true to form with the latest from that show’s alumni Kurt Sutter. Sons Of Anarchy has a familiar tone and quality to it for fans of that now-gone cop drama. There’s a lot of handheld camera stuff, and you have very similar themes.

Baby here again, and I'm not exactly a happy German Shepherd/Chow mix puppy right now. Do you wanna know what's put the growl in my scowl this time? The other day I heard Gino say that somebody was in the doghouse. That sure sounded like fun, but it turns out the dude got fired and that being in the doghouse turns out to be not such a good thing. Now I understand if they said that UPS was in this dog's house. That would be bad for the UPS guy. And that spells O U C H. But why is it that humans say that when someone is in trouble. Heck, I spent most of my life in a doghouse, and I was havin' a good time. I never got fired or yelled at. Okay, I made that last part up. Yeah, I get yelled at all of the time, but it's never exactly my fault, you understand. How 'bout you guys start saying cathouse when someone's in trouble, although I think I heard someone use that word to describe something else. Never mind.

You know what else puts me in a snarlin' mood? It's when a studio takes a really good movie and decides to put out a new movie with the same name, 'cept they really don't have anything to do with each other. Somebody's just looking to get a bowlful of treats without working too hard. Me, I work for my treats, which reminds me... Anyway, that's exactly what you get with Marley & Me: The Puppy Years.

"Hello, Pretty Bird..."

Director/writer Carlos Saldanha is perhaps best known for his work on the Ice Age films. He's been a part of the director duties on all three of the films so far. It's natural that he might wish to step away from the popular franchise and find a computer animation project that is more of a work of passion for the young talent. He decided to write and direct his own feature and set it in his native Brazil. His own childhood growing up in the area allows him to infuse the creative process with vivid environments and a story that is rich in cultural flavor, particularly the music of the country. It's a work straight from his heart, and it takes us on quite a nice journey through his home country. But is Rio up to par with the likes of the Ice Age films? Probably not.