Posted in: Disc Reviews by Gino Sassani on October 11th, 2006
The third entry into the X-Men franchise turned out quite a bit better than I expected. Early script turmoils were only overshadowed by cast problems. It seemed the bottom fell out when Bryan Singer decided to take on The Man of Steel instead of X3. Enter Brett Ratner, best known for the Rush Hour films. Give the man credit for overcoming a ton of problems to deliver a pretty good thrill ride film. Ratner adapted quickly to the f/x driven world of X-Men and managed to fashion a rather compelling tale. The idea of a...“cure” for mutancy is likely the best plot element in the franchise. Ratner was smart enough to not tinker much with the formula already established by Singer. The problem is, he played it entirely too safe. The story has the potential for a hell of an emotional tale which it never quite delivers. Don’t get me wrong. I enjoyed the film a lot, and I have nothing against these amusement rides, but I couldn’t shake the feeling that this film wanted to be something more than it was. In the greatest traditions of shows like Star Trek, there was a powerful message to be mined here. Instead, it sat there more like a clever plot device, which it certainly was. Ratner did a fine job of dealing with so many characters all wanting their own moments to shine. Hugh Jackman still steals the show as Wolverine, but this time Berry’s Storm and particularly Famke Janssen have meaty roles, if not too much dialogue. The real cast surprise has to be Kelsey Grammer. Who could have guessed that barfly Frasier would make such a fine Beast? Patrick Stewart’s death scene was visually stunning but a bit of a letdown. (Stay tuned after the credits for more on this situation.) The Golden Gate Bridge sequence is a very impressive display. Finally, I expected to see more humor coming from Ratner. The fact is, I guess I expected that there would be too much humor. Perhaps he tried too hard not to create X3:Rush Hour.
For the most part this will be the last X-Men film for at least a little while. A Wolverine project will most certainly be the next related film. There is talk of a young Magneto film. I wouldn’t expect to see Berry return to the franchise, as she was not exceptionally happy with her role. When the X-Men do return, I would expect to see more time spent on different mutants. The three films do work well together as a satisfying trilogy. Any future films will likely take a fresh approach to the franchise.
Posted in: Disc Reviews by Archive Authors on October 4th, 2006
Synopsis
Jason Lee plays Earl, about as thorough a definition of “poor white trash” going. He’s not about petty theft, but life has thrown him some curveballs as well – neither of the children he is raising are his, for instance. When he hits it big on a scratch lottery ticket, he is promptly hit by a car and loses his ticket. Doped up on morphine in the hospital a talk show comment about karma acts as an epiphany, and he determines to turn his life around, righting all the wrongs he has committed. N... sooner does he put his plan into action when his ticket blows by his feet, and off he goes, along with layabout brother and attractive hotel maid, on a mission of goodness.
Posted in: Disc Reviews by Archive Authors on September 30th, 2006
Synopsis
I can honestly say that a one-hour standup special might result in my shortest review ever, but if that’s how the chips fall this time, so be it. Bob Newhart is certainly not without his admirers, he’s been an established comedic force for decades. He didn’t get his big break until the ‘60s, and parlayed that success into television shows in the ‘70s and ‘80s, and aside from the occasional movie appearance, shows up from time to time with late night talk show hosts that run out of material.
Posted in: Disc Reviews by Archive Authors on September 8th, 2006
Synopsis
Jean Peters is Vicki, a top New York model, who is found murdered in the opening scene. Burnt-out cop Richard Boone comes pounding back from his vacation, rabid to take over the case. He is convinced her press agent Elliott Reid is the guilty party, and the screws are put to Reid. In flashback, we see Vicki’s rise to fame, and the effects it has on the people around her, including her sister Jeanne Crain, who might harbour feelings for Reid.
Posted in: Disc Reviews by Archive Authors on September 6th, 2006
Synopsis
A young Richard Basehart climbs out onto the ledge of his fifteenth-floor hotel room. He could jump at any moment. Paul Douglas is the traffic cop who is first on the scene, and becomes the only person Basehart will willingly talk to. Hour after hour goes by as the authorities do everything they can to bring the troubled young man in.
Posted in: Disc Reviews by Archive Authors on September 5th, 2006
Something must be drawing Michael Douglas to the upper-crust "man in peril" role. He's been stalked by a woman who likes to boil rabbits, sexually harassed by his sexy boss, and is currently being framed for the assassination of the President in The Sentinel. Douglas plays Peter Garrison, a Secret Service veteran who is also having an affair with the wife of the man he is sworn to protect, First Lady Ballentine (Kim Basinger, still looking good at 53). When Garrison is framed by the assassins (one of who... may be another Secret Service Agent), he must stay one step ahead of former protege Agent Breckinridge (Kiefer Sutherland, doing Jack Bauer as a SS agent) and rookie agent Jill Marin (an underused but gorgeous Eva Longoria), who are hot on his trail, believing he really is trying to kill the President.
The plot is lifted from dozens of other films and simply injected into different surroundings. Instead of a doctor and a one-armed man, it's a Secret Service agent and a plot to kill the President. Despite the lack of plot originality, director Clark Johnson (The Shield, The Wire) and the professional cast, especially Douglas and Sutherland, always keep things moving at an economical clip. The Sentinel never lingers on anything long enough for us to question it, and it hits all the right marks in its 108 minute running time. It even takes some time to show us the daily grind of a Secret Service agent, which adds to the film's authenticity.
Posted in: Disc Reviews by Archive Authors on September 3rd, 2006
Synopsis
This is the second film starring Lindsay Lohan that I’ve reviewed for Upcomingdiscs, the first being Herbie: Fully Loaded. So I guess you could call me a LoFAN, get it? But in doing an IMDB scan for the credits on Just My Luck, I’ve found that one of the producers is Bruce Willis. Yes, Bruce Willis from Die Hard. So I guess the bigger question is why didn’t Bruce appear in this film? Surely he could have made it a little more entertaining for me to watch.
Posted in: Disc Reviews by Archive Authors on September 1st, 2006
Synopsis
Young bride Anabel Shaw arrives at a San Francisco hotel to meet her husband, on his way back from a POW camp. His plane is late, and as she anxiously awaits him, she witnesses Vincent Price kill his wife in the next room over. She lapses into shock, and is found in this state when her husband arrives. The best psychiatrist around is summoned, and uh-oh, that turns out to be Price, who realizes why Shaw is in shock. He has her carted off to his private clinic, where he and lover Lynn Bari pl...t to keep her in shock permanently.
Posted in: Disc Reviews by Archive Authors on August 25th, 2006
Synopsis
Marilyn Monroe was THE blonde bombshell. Jayne Mansfield was the cartoon version of Monroe, bombshell become sex bomb, with proportions so improbable she could give Barbie an inferiority complex. Her cartoon figure makes it appropriate that two of the movies here are directed by a specialist in cartoons: Frank Tashlin. In fact, this set might almost be more appropriately called the Frank Tashlin Collection.
Posted in: Disc Reviews by Archive Authors on August 20th, 2006
Synopsis
So when you’re the head of Fox prime time programming, and you’ve got a television staple like The Simpsons on your Sunday night lineup, and Arrested Development wins the Best Comedy Series Emmy in its first season, what do you do? Well you callously trim the order of episodes from 22 to 18, put The Simpsons as its lead-in without a lot of fanfare, and almost even more egregiously barely hype guest appearances by well-established comic performers like Julia Louis-Dreyfus (Se...nfeld), Ed Begley Jr. (Spinal Tap) and Zach Braff (Scrubs).
