Posted in: Disc Reviews by Archive Authors on May 23rd, 2006
Synopsis
The setting is a recently decolonized Africa in the early 60's. The British army still has a presence here, but is trying no to interfere with domestic politics. As the unrest reaches the boiling point, however, the army is ordered to turn command over to local commanders. No sooner is this done that a coup turns everything upside down, and the African captain of the local garrison is captured by mutinous troops. He escapes and finds his way to the officers’ mess. There, Regimental Sergeant ...ajor Lauderdale (Richard Attenborough) determines to protect the man, no matter what grim odds mount outside.
Posted in: Disc Reviews by Gino Sassani on May 19th, 2006
In the first season review of Hill Street Blues I talked about the Steven Bochco family tree of producers and show runners that got their start on this show. This season does a lot to remind us that a great many actors made their mark with this program. Such future stars as Danny Glover, David Caruso, Brent Spiner, and Dennis Dugan all made their first heavy mark on Hill Street Blues. Dugan’s Captain Freedom episodes are some of the most remembered shows of the series run. This particular arc is a great example of how the show could be funny, emotional, and action packed, and still have more heart than any show on at that time. This season set pays good homage to that story arc with commentaries and a short featurette. None of the show’s quality slips in season 2. In fact, expect things to keep getting better.
Captain Furillo (Travanti) runs one of the toughest precincts in the inner city. The streets are inundated by gang violence. Furillo also often finds himself under fire by city politics, a bitter ex-wife, and even his own girl: ADA Davenport (Hamel). The squad includes veteran sergeant Esterhaus (Conrad), scrappy biter Belker (Weitz), redneck cop Renko (Haid), playboy detective LaRue (Martin), gung ho SWAT leader Hunter (Sikking), Detective Goldblume (Spano), Detective Washington (Blacque). A more diverse and entertaining cast has never been assembled anywhere.
Posted in: Disc Reviews by Archive Authors on May 16th, 2006
To say that director Danny Boyle has quite an eclectic resume for his directing filmography may be a bit of an understatement. After an impressive first feature in Shallow Grave, he moved on to the cult classic film about heroin addiction called Trainspotting. From there he took an interesting part for a film called A Life Less Ordinary, followed by directing a hot commodity named Leonardo DiCaprio in The Beach. He took on an interesting zombie film called 28 Days Later, and that brings him up to the children's film(?) called Millions.
Written by Frank Cottrell Boyce (Code 46), Millions tells the story of Damian and Anthony, who live with their father Ronnie, who is a recent widower. Damian and Anthony are both kids (7 and 9, respectively), and are even more isolated when Ronnie moves into a new suburb in England. Damian finds solace is his knowledge of saints, specifically their lives and what they did to qualify for sainthood. He takes some of the moving boxes and sets up a makeshift playhouse in the backyard away from the house, near some train tracks.
Posted in: Disc Reviews by Archive Authors on May 13th, 2006
When Ridley Scott’s latest epic Kingdom of Heaven was released for common viewing in May 2005 at 145 minutes, critics either really liked the film, or where really dissatisfied with the film. Audiences, it seemed, tended to agree with the latter critics as the film only grossed $47 Million Dollars, which was a dissapointment considering the film had a budget well over $100 Million. Rumors started to fly, as with any big epic, that Scott was forced to slash the film’s running time to not only make audiences ha...py, but more importantly make 20th Century Fox happy. Well, the rumors have been confirmed as we are now being treated to Kingdom of Heaven in Ridley Scott’s complete vision featuring a running time of 191 minutes. Similar to Scott’s other recently released Director’s Cut of his other epic film Gladiator much is added to the film’s story and characters. But just what was added and could this version make a non-believer of the film’s Theatrical 145 minute cut enjoy this new vision? Read on to find out.
Before diving into what was exactly added (if you want to jump just to that section, go down a few paragraphs), I’m going to dive into the actual film a bit. Balian (played by Orlando Bloom) is a village blacksmith in France. He discovers that he is the illegitimate son of Sir Godfrey (played by the always amazing Liam Neeson). Godfrey, you see, is a knight returning from the Middle East. Godfrey, as we learn, feels that Jerusalem is not necessarily a holy war, but a war filled with opportunity for young men. It holds numerous amounts of potential for those who are willing to reach out and grab it.
Posted in: Disc Reviews by Archive Authors on May 8th, 2006
Synopsis
The Who’s Who of San Francisco is gathering for the grand opening of the Glass Tower, the world’s tallest building. The architect, Paul Newman, is disturbed by what appear to be corners cut in the electrical installations by Richard Chamberlain, and sure enough, a fire starts on the 81st floor. Fire Chief Steve McQueen is soon on the scene, but the situation deteriorates rapidly, and hundreds of celebrants on the top floor are at risk of fiery death.
Posted in: Disc Reviews by Archive Authors on May 5th, 2006
Synopsis
Game tester Allen Covert is evicted from his apartment, and winds up rooming with his grandmother (Doris Roberts) and her two friends, the stone-on-meds Shirley Knight and the sexually predatory Shirley Jones. He attempts to keep this rather humiliating set-up secret from co-workers and sexy new boss/potential love interest Linda Cardinelli.
Posted in: Disc Reviews by Archive Authors on May 3rd, 2006
Synopsis
FBI agent Martin Lawrence has given up the dangers of field work because of his family responsibilities. Now he’s a safety mascot. But when his first partner is killed, Lawrence surreptitiously dons his Big Momma persona gain, posing as a nanny in the family of the chief suspect, a man who is developing software that could compromise national security.
Posted in: Disc Reviews by Archive Authors on April 30th, 2006
Honestly, does the world really need another Steven Segal movie? I think what's even more depressing than the thought of another Segal flick is the fact that he has attached himself to the project as an executive producer. Clearly, this is the failed actor's latest attempt in an ongoing quest to regain the successful film career he enjoyed in the 90's. Of course, his string of hits ended for a very good reason. Sure, there will always be a place for the big, dumb, mindless action movie. The thing is, even mindless ac...ion flicks have been done better than this one. The plot here is pretty much the same kind of thing you would expect. The son of a wealthy arms dealer has been kidnapped, and Segal is called in as a mercenary to rescue the boy and collect a handsome reward. Only, when the mission gets underway, Segal realizes that he has been double-crossed, and he must choose between his reward and doing the right thing.
Do these things still make money? While I certainly understand Segal's desire to want to keep making films, I can't understand the studio's desire to keep funding them. When I was a 15-year-old boy, I was all about going to see Steven Segal karate chop some foreigner. Once I reached an age where I would be legally permitted to go to see such films, however, I had matured beyond this stage in my life. Apparently, I am in the minority, because here he is yet again, killing for a good cause, in this steaming pile of a direct-to-video film.
Posted in: Disc Reviews by Gino Sassani on April 28th, 2006
The Adventure of Sherlock Holmes’ Smarter Brother has everything that Young Frankenstein had except Mel Brooks (although he does make a very brief vocal cameo). With the combined comedic genius of Gene Wilder, Madeline Kahn, and Marty Feldman, how could this film go wrong? Like Young Frankenstein, Sir Arthur Conan Doyle’s Sherlock Holmes offers a rich classical mythology to mine for material. A wonderful supporting cast featuring the likes of Dom Deluise can’t miss, right? No so elementary, my dear Watson. Focus. ...hat’s the rub. I’m not referring to the work of the cameramen here. Gene Wilder appeared so sure of his own brilliance that he forgot to bring the story.
The game’s afoot, and it smells like it, too. Never before has so much talent been squandered on so little substance. I understand this is a farce, and I’m fully prepared for the absurd. I’m just not prepared to go nowhere. I was extremely disappointed at every turn. Toilet humor replaces wit. There are also no straight men. What’s Costello without Abbott? Everyone is so into trying to be funny no one offers to be the foil. Simply uninspired. The entire film makes one feel they are witness to one large in joke and we’re on the outside of the punch line. The musical numbers make the film all that much more intolerable.
Posted in: Disc Reviews by David Annandale on April 27th, 2006
Synopsis
Sarah Jessica Parker is the very Manhattan, high stress and rather repressed fiancee of Dermot Mulroney. They head off to small-town New England for Christmas with his family, headed by matriarch Diane Keaton. This is the family Stone of the title, and their free-and-easy lifestyle clashes with Parker’s, and she is seen as an interloper. She is subjected to no end of humiliations, principally at the hands of Rachel McAdams. But when Mulroney’s brother Luke Wilson shows up, Parker finds herse...f a rather oddball ally.
