Posted in: Disc Reviews by Archive Authors on June 9th, 2006
Limitations of budget and social conventions of the time prevent Murder, Inc. from being all it can be - still, the performances, and the captivating dynamic between hero (Stuart Whitman) and villain (Peter Falk) result in entertaining fare, so long as this film is allowed to be a movie and not a documentary. Whitman leads a fine cast as the mob lackey, who is constantly manipulated by a tough-talking contract killer. Part of the real life syndicate of hit-men "Murder, Inc.," Falk's baddie steals every ...
Posted in: Disc Reviews by Archive Authors on June 7th, 2006
The Culpepper Cattle Company was a surprise for me, and one that I looked forward to immensely. I love a good western, and I'm particularly fond of anything post-Leone. A western doesn't have to be spaghetti, however, for me to like it. I just feel that, for all Sergio's overblown proportions, he did instill an accurate degree of nastiness in his films, which I'm sure was prevalent in that time of American history. Once Sergio came, westerns grew up, even if they were playing closer to the American style of fi...
Posted in: Disc Reviews by Archive Authors on June 4th, 2006
Synopsis
Henry Fonda plays Colin Spence, a diffident, self-effacing Canadian (but of course!) corporal in the British infantry based in Tunisia. Led by the crusty but supremely competent Sergeant Kelly (Irish of course), Spence’s squad is sent out on a recon mission that goes badly awry, and the men are forced to engage in a terrible trek across the burning desert. Spence is forced to assume a leadership role, and along the way has flashbacks to his relationship with Maureen O’Hara, and how his unwil...
Posted in: Disc Reviews by Gino Sassani on June 2nd, 2006
Monte Hellman filmed Back Door To Hell back to back with his better known Flight To Fury. This early Jack Nicholson film plays out very much like the throwaway it seems to have been. It’s certainly a brief affair, clocking in at just 69 minutes. Low budget films can often be impressive masterpieces. I have never seen a war film where that’s been true. After watching Back Door To Hell, nothing’s changed. The location and supporting cast make this at times feel more like Mexico than the Philippines. The settings are strictly back lot looking affairs, even when they are not.
Posted in: Disc Reviews by Gino Sassani on June 1st, 2006
This film’s slogan was “Sometimes murder is just a way to pass the time.” A better way to fill up those empty minutes would be to watch this film. The film is based on a highly publicized real life case out of Chicago. A play was produced in the 1920’s. A book would also be written by Meyer Levin, which is the source material for this film. The story would not end there. It would be made at least twice more, including Hitchcock’s first color film, Rope. The case was perhaps made famous as much for the presence of Clarence Darrow as the defense attorney than for the senseless act of violence it represented.
Posted in: Disc Reviews by Gino Sassani on May 31st, 2006
Yellow Sky is one of those near classic Westerns from 1949. For decades the film has flown under the mainstream radar, only to finally be rediscovered on DVD. Gregory Peck is an unlikely choice to play the lead role. Stretch heads a band of thieves that strike from town to town hitting usually banks. The film wastes very little time getting started. We see the gang set up, and soon pull off, one of these heists in the first five minutes. The gang is quickly chased out into the unforgiving desert sun of the Western badlands.
Posted in: Disc Reviews by Archive Authors on May 30th, 2006
Written for the screen and directed by Julian Fellowes (Gosford Park), Separate Lies tells the story of James (Tom Wilkinson, Batman Begins), a high powered lawyer in London who lives in the countryside with his wife Anne (Emily Watson, Breaking the Waves). They have the perfect English house and a dog to match. One day, Anne meets William (Rupert Everett, Shrek 2) and has an affair with him, which turns the trio's lives around in a way that they'd never expect.>
Posted in: Disc Reviews by Gino Sassani on May 30th, 2006
It’s true that MASH was winding down by year 10. Everyone involved already knew that the next year would be the last. This is what separates the true professionals from those in it for the money. Instead of dragging out the concept until there was virtually nothing of quality remaining, the entire cast and crew decided it was time to finish on top. A lot of folks would have simply gone through the motions once the end was in sight. Instead, these guys kept pouring it on. The stories and acting in this season are just as good as in any other.
Posted in: Disc Reviews by Archive Authors on May 29th, 2006
Synopsis
The attack on Pearl Harbor and the days leading up to that fateful event are the subject of the 1970 effort. The narrative jumps back and forth between the Japanese and American perspectives as just enough things go both wrong and right and both sides (the ascendancy of the militant army faction over the reluctant navy in Japan, crucial intelligence always arriving just a bit too late to the right people in States) to make the surprise attack inevitable.
For anyone who has had to e...
Posted in: Disc Reviews by Gino Sassani on May 25th, 2006
David Kelley’s hit series The Practice ran for 8 seasons. While it may have started slowly, the show was a huge hit for most of its run. This success led to other hits like Boston Public and Ally McBeal. Unfortunately, the end of this series was a rather tragic tale itself. The last year limped along with about half of the cast having been fired. There were public wars of words waged. As Warren Zevon used to say: “Ain’t that pretty at all”. That final season would have been a total failure if not for the introduction of James Spader’s Alan Shore.
