Posted in: Disc Reviews by Archive Authors on December 30th, 2009
It seems to be commonly believed that Robin Williams’ acting career took an abrupt change from outlandish, eccentric comedic choices (Aladdin) to more dark, complex and satirical roles in the early ‘00s (Death to Smoochy). But Williams has always played both ends of the spectrum and roughly everything in between. He channeled a father willing to do whatever it takes to reconnect with his children in the 1993 classic Mrs. Doubtfire, a role that nabbed him a Golden Globe Award for Best Actor in a Comedy. In writer and director Bobcat Goldthwait’s latest film, Williams once again plays a single dad, but this time he’s struggling to raise his crude, sex-obsessed teenage son.
Lance Clayton (Williams) is a high school poetry teacher whose class receives little interest from the student body and even less faith from the administration. He’s involved in a secret relationship with the perky, much-younger art teacher, Claire (Alexie Gilmore), and is constantly reminded of his own insecurities as a boyfriend — and rejected author — when Claire starts getting close to hot-shot English teacher Mike (Henry Simmons).
Posted in: Disc Reviews by Archive Authors on December 30th, 2009
Disney has a knack for turning television shows into profitable movie franchises-- Lizzy McGuire, Hannah Montana, and now The Wizards of Waverly Place. Since the formula hasn’t deferred much, it should come as no surprise that its latest show has caught on like wildfire. In the wake of a Harry Potter-crazed nation of tweens, Disney’s latest show follows the Russos—former wizard father Jerry (David DeLuise), non-magical mother Theresea (Maria Canals-Barrera) and their three wizards-in-training. Unlike previous Disney Channel shows, Wizards offers a refreshing cultural spin on the situational comedy with the Italian-Mexican heritage of its starring family.
The show focuses on the three children: Alex, Justin and Max. Alex (Selena Gomez) is a modern day archetypical Disney lead—a fresh-faced girl with an appetite for disobedience and a sharp tongue. She retaliates with rolled eyes and a snarky remark for nearly every parental request. Justin (David Henrie) is the Golden Child—an attractive young man who’s not above ratting out his younger sister to save his own skin. The youngest child, Max, is played by Jake T. Austin, and he essentially provides the comic relief. He’s goofy, annoying as many younger siblings are, and more confident than any pre-teen kid I’ve met lately. None of these characters are seemingly likable, but that hasn’t stopped the show from being one of the most-watched cable programs ever since its premiere on October 12, 2007. So, naturally, a movie was in Wizards’ midst. And what an impression it made. 11.4 million viewers tuned in to watch the August 28 premiere, making it Disney Channel’s second highest rated film.
Posted in: Disc Reviews by Michael Durr on December 29th, 2009
By day, this reviewer is not just a writer but a glorified cubicle jockey. For lack of a detailed job description, I am a computer software administrator. So as many cubicle jockeys, I've watched Office Space. To be honest, I'm not in love with it. I did find it mildly funny and there were a few “I've been in that situation before” moments. But interestingly enough, I was pretty excited to see Extract (Mike Judge had directed both). Perhaps it was my infatuation with Mila Kunis or seeing how Jason Bateman has progressed in comedic films or maybe I just wanted to see Ben Affleck in a full grown beard.
Joel (played by Jason Bateman) built the Reynolds extract factory from the ground up. His is still in charge of the factory but does yearn to sell the factory to somebody like General Mills and retire. However, he has other issues more pressing at the moment. His wife, Suzie (played by Kristen Wiig) works at home and once she puts on the sweat pants (8pm), Jason has no chance of getting any from his wife.
Posted in: Disc Reviews by William O'Donnell on December 23rd, 2009
“Inspired by a true story,” two youth hockey teams on either side of the Canada/US border find friendship and bond through their mutual love of the game while tensions rise between those that support and those that protest the Iraq invasion and assorted post 9-11 security fears.
Posted in: Disc Reviews by David Annandale on December 23rd, 2009
Tycoon Tom Arnold sends employee and all-signs-point-to-being-future-son-in-law David O'Donnell and daughter Sarah Thompson (a ghastly person who is clearly Ms Wrong) to O'Donnell's home town in order to seal a real estate development deal. There O'Donnell comes up against former flame Nicole Eggert, who is fighting to preserve the town's pristine self. And yes, all of this is happening over the Christmas holiday, though it could just as well be the Fourth of July. At any rate, based on this setup, if there is a single one among you who can't anticipate every single turn of the story, allow me to be among the first to welcome you to the planet Earth.
Let's face it, though everybody and his monkey's uncle seems to have a Christmas movie up a sleeve, the form is actually murderously hard to do well. Think about it: how many really good Christmas movies are there out there? It's a Wonderful Life (1946). The 1951 version of A Christmas Carol. Director Bob Clark has given us two, though I can understand why most people prefer his A Christmas Story (1983) at this time of the year to Black Christmas (1974). Since A Christmas Story, I would argue that we have had precisely one new classic, and that is Elf (2003). All of which is to say that A Christmas Proposal is not a classic. It has all the life, zing and comedic timing of a dead fish. The closest it comes to having a glimmer of life is when Tom Arnold is (briefly) on the screen, and when your high point would be considered the low point in just about any other movie, you are in serious trouble.
Posted in: Disc Reviews by David Annandale on December 23rd, 2009
Eight-year-old Buddy (T. J. Lowther) likes living in the Alabama countryside with cousing Sook (Julie Harris in a tiny role), but circumstances dictate that he go to New Orleans for Christmas, there to stay with the father he has never seen (Henry Winkler). Old dad is, it turns out, a con artist with an inflated sense of self-importance, currently wooing Swoozie Kurtz, whose mother (Katharine Hepburn) recognizes Winkler for what he is. This being a Christmas movie, hard lessons and redemption will be called for.
At this festive season of the year, studios rummage through their vaults for those films that no one would want to watch at any other time of the year, but will happily do so when even the merest hint of sentiment and the word “Christmas” will apparently be enough to fill us with the warm glow of nostalgia and good cheer. In the movie's defense, it has a more interesting base than most such bargain releases – a Truman Capote story – but it is still a blandly executed made-for-TV pic with some good-looking production and costume design. Lowther, meanwhile, is simply too cold a fish to warm up to as Buddy, and Winkler's performance is both mannered and flat. You're going to have to be pretty undemanding to make it through this one.
Posted in: Disc Reviews by David Annandale on December 23rd, 2009
Kate Frazier (Kelly Macdonald) has fled her abusive husband and begun a new, solitary life for herself in Chicago, where she fends off the romantic interest of a number of men, and the curiosity of a great many people who all want to know how she received her black eye. One night, leaving the office, she sees a man about to jump from a building roof, and her scream startles him, breaking his suicidal trance. The man is Frank Logan (Michael Keaton), a contract killer. No longer interested in killing himself, he tracks down Kate, initially intending to kill her, since (though she doesn't realize this), she saw him moments after a hit. He collapses with pneumonia before he can carry out his plan, and she helps him to the hospital, whereupon a most unlikely relationship begins to bloom between two wounded people.
Since a bit chunk of this film takes place around Christmas, why don't we count it among the Christmas films I'm reviewing just now (the other two being A Christmas Proposal and One Christmas, since nothing says Christmas quite like a suicidal hit man. The thing is, this is far and away the best of the three movies in question. Keaton is compelling as a man who finds great difficulty in expressing emotions, and yet the strength of the those emotions are visible in every movement of his eyes, every micro-tremor of his face. In shaping the performance, he is enormously helped by the director, who is none other than Keaton himself, making his directorial debut. He and DP Chris Seager have crafted a film that is strikingly beautiful without being showy, understated yet very powerful. Here's hoping Keaton does more work behind the camera very soon.
Posted in: Disc Reviews by Michael Durr on December 21st, 2009
Here is an interesting fact for those reading this review. I don’t drink alcohol. In fact, the only time I’ve actually drank anything alcoholic is when somebody else spiked my drink (usually some kind of juice). So imagine my surprise when I receive a copy of a show based on alcoholic drinks to review. However, it might not be so bad when I realize it is in the style of all those “Travel to Destination A, show me all of the cool stuff that goes on there while making funny anecdotes” ones on the Travel Network that I actually enjoy.
Zane Lamprey is a comedian who has done a lot of reality shows. At first he hosted a few of those Girls Gone Wild specials and was in five episodes of Damage Control. He also landed a spot on the Food Network with the show Have Fork, Will Travel that unfortunately only lasted a season of thirteen episodes. But his most famous show to date has been Three Sheets.
Posted in: Disc Reviews by William O'Donnell on December 20th, 2009
Two couples looking to cut loose at a biker rally blindly say “yes” to every proposal a pair of untrustworthy and visibly dangerous strangers make until they find themselves in a psychotic game where the women are abducted and their husbands must become killers in order to save them.
Posted in: Disc Reviews by David Annandale on December 20th, 2009
Host Tom Cavanaugh takes us for a tour of the some of the lesser known or rarely seen corners and byways of the Smithsonian Institution. The tone is breezy and mildly irreverent, and the exhibits encountered are unfailingly interesting. The episodes this season are “Let's Eat!”, “Top Secret,” “Nature's Vault,” “Crystal Ball,” “Going, Going, Gone,” “Sex 101” and “Villains and Rogues.” The episodes are actually even less specific than the titles might suggest (and they already grant a fair bit of freedom to jump from topic to topic). Thus, “Villains and Rogues” looks at a couple of, well, rogues, and then having Cavanaugh refer to them as snakes is enough of a segue for the episode to suddenly shift its attention to – you guessed it – actual snakes.
Neat as many of the topics are, the sheer range of items covered in a single episode does tend to rob the show of focus. And I'm of two minds about Cavanaugh's hosting. Young viewers will likely enjoy the horsing around, but older ones might well find the steady stream of one-liners a bit grating. Still, if there isn't something here to make you sit up and say, “I never knew that!” then you haven't been paying attention.
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