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"Have you ever been told of that fateful year when Christmas almost didn't happen? It was everyone's worst fear. There was no one to take Santa's big sack of toys and deliver the presents to the world's good girls and boys. But this Christmas season didn't begin with any trouble or fuss. It began with some singing, as all Christmases must."

The 1960's and 1970's saw an entire genre of holiday specials produced by the prolific studio of Rankin and Bass.

This series from Comedy Central began as a low budget film hosting show in a small television station in Minnesota. It was the brainchild of Joel Hodgson. It ended up running for 11 years and a feature film version.

Mystery Science Theatre is an acquired taste. For me, I’ve really got to be in that certain mood to watch it. That’s the beauty of these DVD’s. You pop them in when you’re ready. The idea is pretty whacked. Depending on the season you’ve got, Joel or Mike is trapped in space on the “Satellite of Love”. Doomed to spend his life watching very bad films,

Just in time for the holidays, the Buddies are back for more cute puppy action. All of the retriever Buddies are back for this one. You are introduced to the “Buddies” right at the start, so it doesn’t really matter if you saw any of their other films. There’s Bud-Ha (Cate), a wise meditational pup. Next up is Mud-Bud (Panitz), an always dirty pup with a fondness for rolling in the dirt. The female Buddy is Rose-Bud (Mumy), who is the girly part of the team all decked out in a bow. Bud-Derball (Flitter) is the normal one of the bunch, followed by the rappin’ pup, B-Dawg (Gisondo).

Spongebob Squarepants is such the cultural phenomenon that anytime an anniversary or a full length motion picture comes into production, the show can usually get a slew of good actors and sports stars to do a cameo. For Spongebob’s tenth anniversary and third tv movie of the series: he decided to bring out a slew of guest stars. The only question that remained was the hour long episode any good or was it the show’s version of week old bread with those really crusty parts?

Who would have believed that you could do a situation comedy based on Nazi Germany and a group of POW’s in World War II? It wasn’t an easy sell. When Albert S. Ruddy first came up with the idea, it was a contemporary story about a group of guys in a normal U.S. prison. There were a lot of problems, mostly with the idea of making your main characters criminals. Of course, that’s not so much the problem today. But this was the 1960’s, and those kinds of “heroes” were not quite as accepted. Eventually the concept developed to put the characters in a prisoner of war camp in Nazi Germany during the World War II.

I went to my player, the one that’s on top. I turned on the TV I bought at the shop. Then I opened my Blu-ray, took it right from its case, and then there on the tray I put it in place. I pushed one or two buttons to bring it up fast. Soon an FBI warning, then my feature at last. I sat the whole time crouched alone in my chair, watching fanciful images that came to me there. I was certain at once that I’d seen this before, but something was different; it was brighter, I’m sure. The Grinch was the same, he hadn’t changed, not a bit. But the image was clearer now, I had to admit.

I grew up on the Peanuts creations of Charles M. Schulz. Most of us have, in some way or another. His newspaper comic strip is one of the longest running and most successful strips of all time. The work has been translated into every language currently spoken on the planet. The images of Charlie Brown, Snoopy, Linus, and the rest of the Peanuts gang have appeared on just about any kind of product imaginable. Our pop culture contains too many references to the strip to mention briefly. For me, it was the television specials starting in the mid 1960’s that brought the gang into my life.

The House Of Mouse first appeared on television in January of 2001. It took advantage of pretty much every Disney character from nearly every Disney property. Mickey was the host of a nightclub called The House Of Mouse, I guess a riff on The House Of Blues. The standard bearing characters ran the club. In the audience was where you’ll find all of those lovable characters from films like The Lion King, Aladdin, Snow White And The Seven Dwarfs, The Little Mermaid, Peter Pan, Winnie The Pooh, and so many more.

It’s really hard to explain but I feel like I have shared a small lifetime with a director named Bradford May. At first, it was a couple of Darkman sequels that were simply good doses of cult sequel fare. I didn’t expect much and I received back exactly that, so I was satisfied. But then as I continued to review more and more movies, as his films started to pop up in my queue. First there was Ring of Death & then Mask of the Ninja. Both could be described as typical action beat-em up movies. Then Bradford decided to take on direction for The Storm, a mini-series that was shown on NBC and somehow it ended up in my review pile. I’m starting to think that this is no mere coincidence anymore.

Believe it or not, Robert Langdon did not make his debut in the Da Vinci Code novel. He was actually introduced in an earlier, but far less known novel, Angels & Demons. When Hollywood came a knockin’ they weren’t interested in that earlier work. The Da Vinci Code was tearing up the literary world, and Hollywood wanted a piece of that overstuffed pie. That meant a strange series of circumstances for Dan Brown and Robert Langdon. In print, The Da Vinci Code is the sequel to Angels & Demons, but in the cinema Angels & Demons is now the sequel to The Da Vinci Code. You might consider it a trivial point, but it’s not.