Posted in: Disc Reviews by J C on January 4th, 2017
“America is the only industrialized nation with a higher murder rate than countries at civil war.”
2016 might technically be in the rearview mirror, but it feels like last year left an indelible mark on the psyche of the United States. In addition to the most polarizing presidential election in a very long time, last year was marked by the deadliest shooting in U.S. history about an hour away from where I’m currently sitting, along with other highly-publicized instances of gun violence. So it feels like an appropriate time to revisit The Killing of America, a 1981 documentary that was never granted a commercial U.S. release after being deemed too exploitative.
Posted in: Disc Reviews by Jeremy Butler on March 26th, 2013
I tend to shy away from films that have come out before I was born. It’s not a rule, just a habit. The reason for that being because not being from the generation that movie was produced in, I fear that there will be a lot of cultural reference that I will be unfamiliar with and I will have to Wikipedia them all. I also feel that because I am from a different era I am not qualified to render a sound opinion of an older film, because I may judge it too harshly due to my growing up within a time of special effect advancement.
Posted in: No Huddle Reviews by Michael Durr on December 30th, 2012
In my youth, I watched a healthy dose of A-Team. Four men who branded as war criminals for a crime they did not commit doing odd jobs for money. Perhaps that is over simplifying things, but it did provide me with tons of fun hours cheering for explosions and witnessing the genius known as Murdoch for my viewing pleasure. Today, we take a look at a film which might be in the vein of what the four guys of A-Team might have been like if they were transported to Africa during the turbulent 60's. We have today, the film called: The Wild Geese.
Posted in: Disc Reviews by David Annandale on August 4th, 2011
Having accidentally caused the death of her mother, Helen (Jenny Neumann) develops an unhealthy fixation with broken glass. Now an adult and an aspiring actress, she auditions for a role in an absurdist play. She gets the part, and also the attention of her handsome co-star. But then someone starts killing off the cast and crew of the play. Is it Helen?
Posted in: Disc Reviews by David Annandale on August 1st, 2011
Three children are born at the moment of a total solar eclipse. On the even of their tenth birthday party, we discover that these kids, for astrological reasons, are complete sociopaths, and are having a merry time offing anyone in the community who even vaguely annoys them. The only ones who even gradually suspect that something is going on are high school senior Joyce (Lori Lethen) and her little brother Timmy (K. C. Martel). They soon become the target of the psycho kids’ wrath.
Posted in: Disc Reviews by David Annandale on July 30th, 2011
Ann Gentry (Anjanette Comer) is a social worker with a new case, one that she specifically sought. She has been assigned to the Wadsworth family. It consists of a terrifying matriarch (Ruth Roman), sexpot daughters Germaine (Marianna Hill) and Alba (Suzanne Zenor), and Baby (David Mooney, credited as David Manzy), a grown man with, apparently, the mental development of an infant. But Ann suspects Baby is capable of more, and that there is something fundamentally wrong going on at the Wadsworth residence. The Wadsworths, meanwhile, do not take kindly to Ann’s prying, and will stop at nothing to preserve their way of life.
Posted in: Disc Reviews by David Annandale on April 13th, 2011
A Spring Break whale-watching cruise goes off-course and then blows up, thanks to the stupidity of the popular kids, and two groups of high schoolers find themselves washed up on a deserted island. The aforementioned populars, led by the egomaniacle The Rog (Robert Adamson) immediately establish their dominance, squandering supplies and tormenting the unpopulars. These unfortunates turn to reluctant leader Flynn (Gary Entin), who begins planning a revolution. Pulled between the two groups is Peggy (Lindsey Shaw), cheerleader and girlfriend to Rog who nonetheless has too much intelligence and self-respect to remain satisfied with either role.
Posted in: Disc Reviews by David Annandale on March 23rd, 2011
The more famous a star, the more curious their early, pre-icon efforts become. Thus, we watch agog as Humphrey Bogart plays a murderous, blood-thirsty zombie in The Return of Doctor X (1939). And here, a 16-year-old Nicole Kidman makes her debut as a BMX-obsessed teen who runs afoul of a group of not-very-competent gangsters. Once again, one watches agog.
Posted in: Disc Reviews by David Annandale on October 29th, 2010
Nicky Henson plays Tom, the leader of a hellraising biker gang known as the Living Dead. His goal is to make that moniker absolutely literal, and it helps that his mother (Beryl Reid) is a medium who has made some sort of Satanic pact, and the butler (George Sanders, in his final role just before his suicide) might well be an infernal power himself (his precise nature is never made clear). At any rate, all it takes to come back from the dead, apparently, is to kill oneself while firmly believing that one will return. Tom proves this formula to be correct, and soon almost all the other gang members follow suit. The one member who might hold out is his girlfriend Abby (Mary Larkin). Meanwhile, as the Living Dead embark on a reign of terror, will anyone be able to stop them?
Posted in: Disc Reviews by David Annandale on October 24th, 2010
Former pirate radio DJ Mike Raven plays Victor Clare (a case where the actor has a scarier name than the character he plays), reclusive artist who, one strongly suspects, has the unpleasant House-of-Wax-y propensity to pour molten metal on his models in order to bronze them. A group of characters with varying agendas gather at his Cornwall abode: his senile wife; his sexually ambivalent model; his weak, alcoholic son (Ronald Lacey, a long way from the menacing Nazi he would later play in Raiders of the Lost Ark) and impatient daughter-in-law; a neophyte art dealer and his girlfriend, Millie (Mary Maude). Victor becomes obsessed with Millie, determined make her his artistic muse. Meanwhile, the cast is being gruesomely bumped off one after the other.