Universal

Michael Mann, for myself, has always been an entertaining director. His commercial successes like Last of the Mohicans, Heat and Collateral are some of my favorite guilty-pleasure films that I can always enjoy. When Mann decided to make a feature film on the classic TV series Miami Vice, I immediately piqued interest in the film. I figured with Colin Farrell, Jamie Foxx acting and Michael Mann directing that Miami Vice would be a home run. In the end, Vice is more of a double that has a few faults which keep it from hitting a home run.

Some may instantly criticize me for this next sentence. Colin Farrell is a great actor. There I said it. I loved his performances in Phone Booth, Daredevil, Tigerland and yes, Alexander. He brought his own unique style to each performance adding a bit of quality to each of the said films. In Miami Vice though, Farrell as Detective James �Sonny� Crockett failed on nearly all cylinders never convincing me of his performance. Even in scenes of action, Farrell and his partner Jamie Foxx as Detective Ricardo �Rico� Tubbs tended to almost bore me causing myself to continuously look at the clock.

When I first heard of the film Accepted I immediately thought of Camp Nowhere. Both films have a similar plot – that of kids convincing their parents of a fake place that they're all going to. Accepted is a modern version of the aforementioned film, but lacks the overall humor that Camp Nowhere gave us.

When Bartleby Gaines is turned down by every single college he applied to he decides to make up a sister school to Harmon College simply named South Harmon Institute of Technolog... (read S.H.I.T.). The college campus is located down the road from Harmon in an abandoned psychiatry ward. Everything seems to be running smoothly for Bartleby and his buddies. The parents have all handed them the first 10K semester tuition and the parties seemingly never end. Naturally something has to go wrong, right? Well it turns out that when Bartleby's best friend Sherman designed the college website, he made the mistake of letting everyone who hit the 'accepted' button on the site actually become, um, accepted to the school. What on earth will Bartleby and his buddies do with the sudden influx of students? Why have an endless of amount of parties of course!

No monster movie is bigger than King Kong. AFI members recently considered King Kong to be the most influential film ever. The original King Kong has inspired more filmmakers, actors, and technicians than any film in Hollywood’s history. The score is considered the first modern film score. For the first time the music is timed to accent certain aspects of the action. Willis O’Brien practically invented movie special f/x with his revolutionary stop motion technique seen earlier on The Lost World. One of those filmma...ers so inspired was director Peter Jackson. It seems none of the wonderful journey that was Lord of the Rings would exist on celluloid if not for King Kong. At 12 years old, Jackson set out (unsuccessfully) to create his own version of the iconic film and has apparently dreamed of remaking it ever since. After a hopeful but aborted start in 1996, Peter Jackson finally brought his childhood fantasy to life, and was it ever worth the wait.

The first question you might ask is how does this film compare with the original or the 1976 Kong? This film simply blows away the 1976 debacle. As for the original? Obviously the 70 years of f/x progress means that Kong himself shows the greatest improvement. No question the stop motion Kong was the most spectacular thing 1933 audiences had ever seen. Today we live in a computer age where if you can imagine it someone can bring it to life. Jackson’s WETA Digital is very much like George Lucas and ILM. In New Zealand they are movie f/x. Unlike Lucas, Jackson integrates his f/x so intimately into the action that we cease to think of them as movie magic. Lucas tends to overload each scene with a “look ma what I can do” overindulgence. Andy Serkis plays the Kong character as he did with Gollum so that the other actors have something real to act against. His emotional range gives Kong a façade of realism that sucks us into the story without really thinking about the f/x. So, like the original, Kong is a real character to us, capable of feelings and deserving of our empathy When he finally slips from the tower of the Empire State Building, we share an emotional moment with Ann (Watts) that can only be possible for a real being. The film is far longer than the original. In this extended version Jackson’s Kong is about double the original’s running time. Jackson’s Skull Island, while richly detailed and far more elaborate than the original, maintains the illusion that we are in that same place. The creatures are purely magic, rivaling the best we’ve seen from Jurassic Park.

I’ll come right out and say it. I don’t see what the big deal is with actor Owen Wilson. Sure he was funny in Wedding Crashers, but he always seems to play that super annoying character in his films that you just want to hate, but seemingly can’t sometimes feel sorry for. Such is the case in his recent 2006 affair with Kate Hudson and Matt Dillon entitled You, Me and Dupree.

Carl (Matt Dillon) and Molly (Kate Hudson) have just gotten married in the beautiful Hawaii islands. Dupree (Owen Wilso...) is Carl’s best friend and best man at the wedding. Life for the newlyweds is running smoothly until Carl learns that Dupree has been fired from his previous job for taking the week off to attend Carl’s wedding without informing his boss. Now Dupree is homeless and living on the street with no job. Naturally, as any best friend would do, Carl invites Dupree into his home for a few days in hopes that he’ll get back on his feet. Antics after antics result in Carl and Molly realizing that their genuine hospitality toward Dupree may have been overly nice. As the film’s tagline goes ‘Two’s company, but Dupree’s a crowd.’

For nearly eleven years now, I've heard nothing but horrendous comments about Kevin Costner's post-apocalyptic film Waterworld. Critics and audiences alike have torn this film a new one, claiming that the film was boring and full of so many holes that it literally swallows itself. While I didn't absolutely love the film, it surely surprised the hell out of me as I found it to be rather entertaining.

The basic plot of the film goes something like this. The unknown future has arrived along with the me...ting of the polar ice caps. The Earth is covered almost entirely in water. The humans that are left have totally forgotten the past and tend to believe in a modified creation belief in which their god, or creator, created the world covered entirely with water. There is also a so called 'dry-land' somewhere on the planet. Actor Kevin Costner stars as a drifter (i.e. people who ply the water in their boats trading and collecting with one another) named Mariner. He's a mutant of sorts with webbed feet and gills (a very useful attribute to have especially considering the amount of water surrounding him). The other main group of people are the Smokers who are basically pirates who inhabit abandoned oil tankers. The Smokers have been tipped off that a girl named Elona, whose mother is named Helen, has a tattoo on her back that serves as a map toward Dry-land.

Ever since making the Lord of the Rings trilogy, Director Peter Jackson has almost become a household name that seems to always guarantee success. Don’t get me wrong though, Jackson has not always been successful. Before making the Lord of the Rings trilogy, Jackson had the film The Frighteners and a few smaller films where he only produced. The idea of giving this not so successful movie director hundreds of millions of dollars to remake the Lord of the Rings trilogy, made many turn their...heads simply wondering why. After the gigantic success of the trilogy, Jackson targeted another remake, a remake to a film he says was the reason he wanted to become a film director. The film in question is the 1933 classic King Kong.

When news first arrived of this remake, many fans, including myself, were very excited to see what Jackson could come up with. However, I don’t need to spell out how many remakes, including the recent Pink Panther, are extremely horrid. With the news coming out that New Line wanted Jackson to trim the film down (from the final run time of 182 minutes to 140 for a quicker turn around audience) and that the film’s budget had sky-rocketed forcing Jackson and his partner Fran Walsh to fork over their money, a lot of fans started to worry if Peter Jackson’s King Kong was going to go down in history as simply another poorly made remake. Can a one-time nobody director, now an extremely famous director turn a black and white classic into a modern age epic? Read on to find out.

It seems that most of the creators behind today’s horror movies just aren’t thinking anymore. Films like The Grudge or the remake of the classic The Omen just aren’t as scary anymore. Such is the case with the recent Universal film Slither, which ends up being an entertaining movie, but never really produces that spook factor that say the original Halloween or Nightmare on Elm Street produced.

The film begins after a meteorite crashes in a Midwestern town. A man named Gra...t (Michael Rooker) stumbles upon a fossil and is infected by a life force living inside the fossil. Soon his super cute wife Starla (Elizabeth Banks) figures out that something is not right with her husband. He has a new found larger than life hunger for raw meat and he begins to crave strange body mutations. It turns out that a strange alien creature has infested Grant in hopes of infesting the entire human race. Now the next part sounds a bit out of the film Species. The creature inside Grant decides it wants to mate with Starla to create a whole new race. Bring in Deputy Bill Pardy (Nathan Fillion) and Jack MacReady (Gregg Henry) to do battle with this new creature and you have, surprisingly, a pretty entertaining film even if it never truly scares you.

The second of the Fast and Furious trilogy finds Brian O’Connor returning only this time in the streets of Miami. Down there he has become a Dominic type character ruling the streets with his excellent racing skills earning the respect of everyone. One night his buddy Tej (Chris ‘Ludacris’ Bridges) calls him up asking if he wants to race. Needing cash, Brian obviously agrees. After a close race including an impressive bridge jump, Brian wins. Cutting his celebration short, the police arrive after an undercover...cop Monica Fuentes (Eva Mendes) watches Brian’s every move. We soon learn that the authorities were rather angered with Brian when he let Dominic go. Offering to forgive this and his numerous other charges, the cops wants Brian to infiltrate a Miami drug lord Carter Verone (Cole Hunter). The only way Brian agrees to do this is if he picks his partner, who turns out to be his childhood ‘friend’ Roman Pearce (Tyrese Gibson).

We soon learn that Monica is involved with Carter as his ‘girlfriend’ which is only so she can get inside and learn what his next move is. She brings both Brian and Roman to him along with a few others. Their goal is to obtain a package that was in the glove compartment of a confiscated vehicle. This is the test for both of them, something they easily pass. Now that Brian and Roman are on board, they can give tons of tips to the police about Carter and his newest deal right? Well, that will be found out soon enough.

Conviction: The Complete Series ran thirteen episodes, a run of such brevity that one might ask as he looks at the tag, “From the Creator of Law and Order,” why Dick Wolf finds it necessary to add one more courtroom-based show to his laundry list of similarly themed projects. I was prepared for another simulation of the basic L&O format, and that did not excite me. And who knows? Perhaps Conviction is a needless clone of Wolf’s other more successful ventures. As someone, who has never...seen an episode of his previous material, I really couldn’t say one way or the other. What I can say is that Conviction enjoys the benefits of solid writing, a talented cast, and compelling character development.

While the series can sometimes stretch too far across that line of realism that a good courtroom drama straddles so well, the outlandish idea that all these young attorneys could exist under one roof and get involved in so many perilous physical and emotional ventures never ceases to entertain. Remember, it’s still a fictional series, realistic or not, and while the plots seem like a little much for one core group’s experiences, they have a way of baiting hooks that no unsuspecting viewer with a pulse can fail to bite. The finale goes for the throat and exemplifies this everything-but-the-kitchen-sink mentality of the show, but still layers on enough suspense to quench viewers’ doubts. I wish there had been more than thirteen episodes, but after seeing all the other like-minded shows (most of which were dreamed up by the same creator) that just go on and on and on, it’s refreshing to know we have an example of courtroom drama with a clear beginning, middle, and end.

NBC pulled the plug on The Book of Daniel after just four episodes. That explains why this 2006 mid-season replacement show came and went so fast I never even knew it existed. Now that I’ve watched all eight episodes, I’m disappointed that there won’t be more.

Apparently, the show was canceled for being too controversial. Christian organizations like Focus on the Family protested the series’ portrayal of Jesus, the church and homosexuality, and yet more groups were offended by such things as perceivednegative Catholic and Italian stereotypes (one of the supporting characters is a Catholic priest with ties to the mob). NBC had trouble selling advertising spots for the series, even after offering significant discounts, and network affiliates were bowing to pressure from special interest groups.