Posted in: Disc Reviews by Archive Authors on October 30th, 2006
12 Monkeys tells the story of a man named James Cole (16 Blocks Bruce Willis) who is sent back in time from the year 2035 to the year 1996 in hopes of saving the human race from a deadly virus which has forced mankind into total seclusion from the above world. Down below the ground, they live in communities hoping one day to come out and start a new world. Once he arrives, Cole encounters a patient named Jeffrey Goines (Troy’s Brad Pitt) and a psychiatrist named Kathryn Railly (We Were Soldier... Madeleine Stowe). Cole soon learns, after a few conversations with Jeffrey, that he may hold the whole key to solving this virus. As the film progresses, what we and Cole learn is that the scientists who simply sent Cole back to obtain a sample of this virus for further study, may have had more sinister motives at hand.
The film is directed by Terry Gilliam, a man who certainly has quite the fan base not because his films gross a lot of money, but rather because his films require the mind to think about what they’ve just seen on the screen. Having only seen this film once before this viewing, my love for the film was brought back quickly. Even though I’ve only seen a handful of his films, I’ve always loved how Gilliam is able to sway away from the main plot to introduce side plots in a manner that is always keeping the viewer in loop with what the main purpose of the film at hand. His films are so creative, insane (in a good sense), fun, and simply a mind trip to watch (especially his recently released on HD DVD Fear and Loathing in Las Vegas). He creates these characters that are so unique and interesting that one can help getting sucked into the story at hand.
Posted in: Disc Reviews by Archive Authors on October 30th, 2006
Stanley Kubrick’s ultra famous epic Spartacus tells of the story of a man named Spartacus (Kirk Douglas) who decided to defy and lead an uprising against the Roman empire. Spartacus, naturally a slave, is beaten in early scenes for biting a guard’s leg after falling down. He is sentenced to death for this. Before his death, a man named Batiatus decided to train Spartacus as a fighting gladiator. As many now know, gladiators were trained for two reasons, the first being to fight to the death, and the second as ... sense of amusement for the upper classes. After Spartacus witnesses one of his friends die, he decides to unite all the slaves in the hopes of rebelling against the Roman Empire. As Spartacus and his men gain more notice, more slaves from around the country join him and his men for the fight against the Empire. As this happens, Spartacus, unexpectedly, falls in love with a girl named Varinia who is a slave girl.
Spartacus has numerous positives and few negatives. First up, the acting is top notch. Kirk Douglas is fabulous as the slave man rallying up men across the country for one goal. He delivers speeches with such ferociousness and intensity that, sometimes, I could have seen myself wanting to join the rebellion. Speaking of rebellion, this is one of the most important aspects of the film. The idea of rebellion, especially in the Roman times, most certainly ended in death for a majority of those who decided to rebel against their rulers. One can easily see how excellent of an actor Kirk Douglas was (we see this in the actor his son Michael Douglas has become). He has a sense of power and intelligence in every one of his scenes easily stealing the show. The supporting actors, particularly Laurence Olivier’s performance as Marcus Licinius Crassus is just as good. Olivier, probably famous for his various retellings of Shakespearean stories, is simply magnificent here.
Posted in: 2.35:1 Widescreen, Disc Reviews, Dolby Digital Plus 5.1 (English), Dolby Digital Plus 5.1 (French), HD-DVD, Suspense / Thriller, Universal by Archive Authors on October 25th, 2006
Synopsis
(What can I say, I’m a lazy bastard, so I’ve liberally borrowed from my earlier review of this disc, which can also be found on the site, save for the audio and video information.)
Posted in: Disc Reviews by Gino Sassani on October 25th, 2006
Wasn’t it just yesterday that The Fast and the Furious raced across our theatre and soon after took the checkered flag on DVD in our own living rooms? I guess not, because Fast and the Furious: Tokyo Drift is upon us, and it’s the third and least imaginative of the franchise. Unfortunately, none of the previous films’ characters return for this third outing. I don’t count the clever little cameo that serves as the film’s coda. Gone are also the cool American muscle cars that gave the franchise its edge. The souped ...p autos this time around don’t stand out beyond the bright paint jobs. Lucas Black is quite one dimensional as a teen who has been busted one too many times street racing. He’s forced to move to Japan where his father is stationed, where he pretty much takes up where he left off. This time around the film concentrates its energy on a driving style apparently popularized in Tokyo called drifting. Hence the name. Drifting is the ability to make sharp turns by basically sliding sideways. Boy, that can’t be easy on the tires.The trouble is, the maneuver is pretty boring to watch. It might better please the figure skating crowd, but not the hard core NOS driven racing nuts that seek out these films. The only character worth caring about is Twinkie (Bow Wow), the fish out of water ghetto kid on the streets of Tokyo. The love interest this time around is a gangster girlfriend, Neela (Kelley) but she shows about as much emotion as the cars. And it’s the cars where this thing quickly runs out of gas.
Video
Posted in: Disc Reviews by Archive Authors on October 25th, 2006
Steven Soderbergh’s film Out of Sight tells the story of a man named Jack Foley (E.R.’s George Clooney) and his ability to rob banks. As the film opens up, we see Jack as he cunningly convinces the bank clerk that his partner is speaking to the bank manager and will blow off his head if Jack gives the word. Turns out that this is the exact opposite and Jack almost gets away had his car not flooded. As Jack is doing his time in jail, we immediately learn that he is going to escape soon, actually that nig...t. The escape goes off cleanly until Jack and his driver named Buddy Bragg (Mission Impossible’s Ving Rhames) nab a federal marshal named Karen Sisco (The Cell’s Jennifer Lopez), putting her and Jack in the trunk of her car together. It’s here that Jack and Karen, while talking, become attracted to each other.
As a federal marshal and law officer, Karen is obviously suppose to arrest Jack. But this can’t happen yet otherwise the film would only be 20 minutes long. Here is where Soderbergh succeeds at a high level. He gives us a lot of flashbacks, one in particular to Jack’s days in prison. Jack meets a man named Glenn, who seems to be a kind of odd character who doesn’t necessarily seem to full in the upper portion of his head. We also meet a group of three men named Snoopy Miller, the violent part of the group, Kenneth, his partner and White Boy Rob, his big, bulky bodyguard who constantly stands up for Snoopy. While all this is occurring inside the prison, Soderbergh switches back and forth between the ongoing ‘relationship’ between Karen and Jack.
Posted in: Disc Reviews by Gino Sassani on October 18th, 2006
After one year of Alfred Hitchcock Presents, television had been forever changed. Hitch proved beyond any doubt that film quality production was practical in the fledgling television format. Nothing changed as the show returned for its second season. Hitch had a remarkable eye for good stories, and he often found them in the most unlikely of places. Take two of this season’s episodes. In The Three Dreams Of Mr. Findlater, a man fantasizes about his nagging wife’s death. In A Man greatly Beloved, we find a small tow... embracing none other than the Boston Strangler. Nothing new in the macabre world of Hitchcock, except perhaps that these tales were born in the same brain that brought us Pooh Bear and Piglet. A.A. Milne provided these wickedly sinister tales. Hitch mastered the art of dark wit. In The Indestructible Mr. Weems, a lodge brotherhood tries to cash in on a dying member, but in the world of Hitch we probably already knew how this was going to end. Hitch himself directed One More Mile To Go, which would eventually provide some of his later inspiration for Psycho. We also find the only multi-episode story of the entire series in I Killed The Count, which aired over three weeks.
Hitch was also a good judge of acting talent. A great number of the show’s performers became household names in one acting medium or another. In season 2 look for Dick York, Barbara Baxley, James Gregory, Sir Cedric Hardwicke, Ralph Meeker, Rip Torn, Steve Forrest, Claude Rains, Vic Morrow, Jessica Tandy, and many more. Of course, you can count on Hitch himself to continue his tradition of introducing each episode and then wrapping things up, usually with an additional moral epilogue.
Posted in: Disc Reviews by Archive Authors on October 18th, 2006
The Break-Up tells the story of the relationship of Gary (Mr. And Mrs. Smith’s Vince Vaughn) and Brooke (Friend’s Jennifer Aniston. As the film begins, we see Gary at a baseball game as he attempts to ask Brooke out on a date by endless asking her. The film skips forward roughly two years, to a point where Gary and Brooke are now a couple who are living together in a highly desirable condo. Gary is working as a Chicago tour guide with his brothers, while Brooke works at the Marilyn Dean Art Gall...ry. Everything seems to be going fine until a dinner with their respective families. Gary, feeling that Brooke is constantly asking too much of him, yells at Brooke, who feels that Gary never wants what she wants in life, leading to them breaking up (hence the title of the film).
Now that they’re ‘broken-up’, Gary and Brooke tend to play off each other doing little things to annoy each other. Gary is beaten up by Brooke’s brother while Brooke, on the other hand, votes Gary off of her bowling team. All these events occur, as Brooke tells us, in the hopes of getting Gary to change himself so he’ll get back with her. While this plot sounds kind of stupid, the real charm of this film is Vince Vaughn.
Posted in: Disc Reviews by Archive Authors on October 15th, 2006
Synopsis
What still surprises me when seeing Fast Times at Ridgemont High almost a quarter century after the film was initially released is the impressive casting. Some veterans did contribute to the film, but check out the laundry list of relative unknowns, and where they’ve gone onto. You’ve got Academy Award nominees (Jennifer Jason Leigh, Sean Penn and Martin Brest, who received Directing and Best Picture nominations for Scent of a Woman), an Emmy nominee/Golden Globe winner (Anthony Edwards), a ...ony nominee (Eric Stoltz) a Emmy and Tony winner in Mr. Hand himself, Ray Walston, a Cannes Best Actor and likely Best Actor nominee this year (Forest Whitaker), and to round things out, two Oscar winners in then-Nicolas Coppola, later Nicolas Cage, and for the twenty-something screenwriter/director who turned out to be Cameron Crowe.
Posted in: Disc Reviews by Archive Authors on October 10th, 2006
Waist Deep tells the story of a man named Otis Senior (Baby Boy’s Tyrese Gibson), an ex-con who is trying to straighten out his life after being releasing from jail. Otis, known by his previous street name of ‘O2’, is working as a security guard at a place he got from part of his ex-con program. One day O2 goes to pick up his son, Otis Junior, from school when his child and his car get ‘jacked’ in a carjacking. O2 chases down these men and, despite killing two of them, doesn’t get his car back. He then ...ealizes, after seeing a woman named Coco (Meaghan Good) who tried to sell him some suits cheap, that he was set up. Obviously this doesn’t sit well with O2 who forcefully (read gun point) convinces her to come with him in hopes of getting his son back and getting her off of the hustling that has consumed her life.
O2’s cousin Lucky (who was suppose to pick up Otis Junior but failed to) tells him that a gang leader named Big Meat (rapper The Game) heard that O2 has a lot of money (try $100,000). In your typical movie plot line, Big Meat gives O2 48 hours to give up this money in exchange for his son. While all this seems kind of terrifying, there is some actual humor to this. As all of this is occurring to O2 and Coco, in the background there is an anti-violence rally going on throughout downtown Los Angeles.
Posted in: Disc Reviews by Archive Authors on October 5th, 2006
Synopsis
Fred MacMurray (whose line in match-lighting is so cool, I’d take up smoking just to be able to do that) is an insurance salesman. Edwards G. Robinson is a claims investigator with an infallible nose for fraud. MacMurray stops by the home of Barbara Stanwyck (as fatale as any a femme ever was) to make a sale. Instead, he’s sold on the idea of killing her husband for a massive insurance payoff. He concocts a scheme for what should be the perfect murder. But nothing in this life is perfect.
![12 Monkeys [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/12-monkeys-hd-dvd-large.jpg)
![Spartacus [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/spartacus-hd-dvd-large.jpg)
![The Thing [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-thing-hd-dvd-large.jpg)
![Out of Sight [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/out-of-sight-hd-dvd-large.jpg)
