Posted in: Disc Reviews by Archive Authors on April 22nd, 2004
Universal got it right a few years ago when they adapted The Grinch who Stole Christmas. Jim Carrey was perfectly cast as the heartless Grinch, the costumes and set design were excellent and the mild deviations from Dr. Seuss’ classic were appropriate and added more heart to the story. The most important aspect that was captured was the moral of the story – that being angry and miserable leads to a unsatisfying life of loneliness and that an act of kindness can fill the world with joy.
Now take all...
Posted in: Disc Reviews by David Annandale on April 9th, 2004
Synopsis
Liam Neeson is Oskar Schindler, ladies man with an eye for the main chance. He makes afortune in German-occupied Warsaw, staffing his factory with the cut-rate labour provided bythe Jews. As the Nazi persecution of the Jews becomes more and more murderous, Schindler’sconscience is awakened, and he eventually becomes intent not on making money through cheaplabour, but in saving the lives of his employees.
Shot in black and white, with the disturbing exception of a li...
Posted in: Disc Reviews by Archive Authors on February 26th, 2004
For years different TV shows and movies have speculated not as too whether there is life on other planets but, what are they doing on earth. Some shows like the X-files play out that the powers that be have sold us down the river to ensure their survival with a hostile alien race, or like in ID-4 and the Alien series are here to kill everyone and use the planet for their own will.
Director Steven Spielberg has looked at aliens and their involvement with the human race in a number of his films and with the...
Posted in: Disc Reviews by Archive Authors on February 22nd, 2004
The third and hopefully final entry in the American Pie series, American Wedding keeps with the sweet charms and gross out comedy of the first two movies, but can’t live up to the humor of the original or its sequel. Average Joe Jim, (Jason Biggs) and former band geek Michelle, (Alyson Hannigan) are now engaged to be wed and must decide whether raucous Stifler (Seann William Scott) should be invited to the wedding. Shenanigans ensue involving a night out at a gay club, a bachelor party, pleasing the in-laws, and pubi...
Posted in: Disc Reviews by Archive Authors on February 14th, 2004
If Sofia Coppola hasn’t redeemed herself from the whole The Godfather, Part III debacle by now, then it simply can’t be done. Lost in Translation is a beautiful film, the likes of which are rarely seen on this side of the Atlantic. (Of course, to be fair, the film was filmed entirely on location in Tokyo.)
Shot on a shoestring budget, Coppola has definitely made a mountain out of a molehill with this film, taking her small story of two ships that cross in the night, and making that night as br...
Posted in: Disc Reviews by Gino Sassani on November 25th, 2003
Law and Order was never really driven by the actors and their roles. The “ripped from the headlines” stories, along with a decision to avoid the relationship clutter of most cop shows, was the defining edge. Note that not one actor or character from the original series’ first season remains. Criminal Intent is vastly different. Dick Wolf readily admits that the third Law and Order series was intended as a modern day Sherlock Holmes. Vincent D’Onofrio was enticed away from a successful film career by the opportunity to create a unique character.
Posted in: Disc Reviews by Gino Sassani on November 13th, 2003
Dick Wolf reinvented the cop drama with the original Law and Order. That flagship program is the longest running drama currently in primetime. There does not seem to be an end in sight. This second version has a bit harder edge; dealing with sex crimes, it was important that the new show didn’t degrade into a “pervert” of the week scenario. The writing is top notch. For me, the addition of Richard Belzer as Homicide’s John Munsch was a stroke of genius. Belzer’s deadpan characterization is a perfect fit for such a sensitive subject.
Posted in: Disc Reviews by Gino Sassani on October 25th, 2003
Most sci-fi fans have a very warm place in their heart for Starbuck, Apollo, and the rest of the crew of Battlestar Galactica. At over $1 million per episode, it became the most expensive show in network history. Star Wars master Jedi f/x man John Dykstra utilized many of the techniques he developed for the Lucas enterprise. George Lucas claimed they were so close he was forced into a failed effort to sue the show for copyright infringement. Sci-Fi channel is about to relaunch this revered franchise, but the results appear so far underwhelming.
Posted in: Disc Reviews by Archive Authors on October 23rd, 2003
It has taken years to finally get a block-buster Hulk film produced, and the outcome has received mixed reviews. Grossing $132 million in the domestic box-office is usually nothing to sneeze at, but considering it cost $150 million to make the Hulk, it must still be looked at as disappointing. Many would argue that the animation was unrealistic, other would argue that it was amazing… each to their own. I, myself, found the film quite disappointing. I found the animation far too overdone, and the story to be lack...
Posted in: Disc Reviews by Archive Authors on October 16th, 2003
“Say hello to my little friend!”
This is just one of the many cultural references that have come out of Brian DePalma’s 1983 epic film, Scarface. Al Pacino plays Tony Montana, a Cuban refugee that arrives in the United States with nothing, and leaves with everything. It’s a story about the American Dream, about excess, and about ambition. A fantastic supporting cast (including Michelle Pfeiffer, F. Murray Abraham and Mary Elizabeth Mastrantonio), and a script by Oliver Stone makes Scarface one of the...
