Posted in: Disc Reviews by Gino Sassani on December 1st, 2009
I went to my player, the one that’s on top. I turned on the TV I bought at the shop. Then I opened my Blu-ray, took it right from its case, and then there on the tray I put it in place. I pushed one or two buttons to bring it up fast. Soon an FBI warning, then my feature at last. I sat the whole time crouched alone in my chair, watching fanciful images that came to me there. I was certain at once that I’d seen this before, but something was different; it was brighter, I’m sure. The Grinch was the same, he hadn’t changed, not a bit. But the image was clearer now, I had to admit. So, I puzzled and puzzled alone in my seat. Why these colors much finer for such a repeat? Then at last I was certain, yes it had to be so. This must be high definition, what a wonderful show. I know when it ended I felt somewhat sad, but these discs last forever, and so I was glad. So, if you’re a fan of the Grinch and his kin, you must hurry now quickly and watch it again. I promise it will be like nothing you’ve known. It’s for kids of all ages, both little and grown.
Boris Karloff was famous for monsters and ghouls, who’d have thought he’d be perfect for books read in schools? He tells quite a story, a marvelous voice. To play the Grinch and reader he was the most perfect choice. The songs are all there, you know them by heart. Nothing is missing, not one little part. Everyone’s back, Cindy Lou Who and Max. But the Grinch is the star. The facts are the facts. You can sing along joyfully. You know every word. You know every scene even before it occurred. Chuck Jones was the talent behind all the art, as he carefully directed each wonderful part. It was made in 1966. It’s been shown every year, from Tampa to London, Paris, Rome, and Tangier. Kids laugh and they snicker. Some kids even wince; for 44 years now we’ve been watching The Grinch.
Posted in: Disc Reviews by Gino Sassani on December 1st, 2009
The House Of Mouse first appeared on television in January of 2001. It took advantage of pretty much every Disney character from nearly every Disney property. Mickey was the host of a nightclub called The House Of Mouse, I guess a riff on The House Of Blues. The standard bearing characters ran the club. In the audience was where you’ll find all of those lovable characters from films like The Lion King, Aladdin, Snow White And The Seven Dwarfs, The Little Mermaid, Peter Pan, Winnie The Pooh, and so many more. The shows were both performances by the characters and the showing of Disney shorts. The series was very much like the Warner 70’s show The Bugs Bunny And Road Runner Show. There too you had an audience and staff of Warner’s entire Loony Tunes library. There was also a rivalry there between Bugs and Daffy Duck. The same kind of relationship exists here between Mickey and Donald. The series only lasted a couple of years and was soon gone from the airwaves.
Mickey’s Magical Christmas: Snowed In At The House Of Mouse aired November of 2001. The characters are all snowed in on Christmas Eve and can’t get home to celebrate the holiday. Mickey decides they should all throw a Christmas bash at the club. For the most part they’re all trying to cheer up Donald, who has a case of the humbugs. In between these antics a few shorts are shown. The most notable are a Disney version of The Nutcracker with ultra modern music and a telling of Dickens’ famous A Christmas Carol. Many of the vast cast get at least a couple of lines.
Posted in: Disc Reviews by Gino Sassani on November 30th, 2009
“On the 15th of May, in the jungle of Nool, in the heat of the day, in the cool of the pool. He was splashing enjoying the jungle’s great joys, when Horton, the Elephant, heard a small noise. Then he heard it again, just a very faint yelp, as if some tiny person were calling for help…”
If you’re like me, you remember the Dr. Seuss specials from the 1960’s. At this time of the year, The Grinch comes first to mind. In that wonderful span of cartoon specials was the story of the elephant Horton, who hears voices coming from a speck he carries around on a flower. The story revolves around Horton’s attempts to protect the very tiny town of Whoville which exists on that speck. None of his friends believe him, just as none of the Whoville scientist’s friends believe that he has spoken to a giant elephant in the sky. Before long the story plays out, and we all remember the moral that a person’s a person, no matter how small. That Chuck Jones effort is a dear memory for most of us from that generation.
Posted in: Disc Reviews by Michael Durr on November 27th, 2009
Superman: The Animated Series was made in the same fashion as Batman: The Animated Series. The tone was a little more serious and a lot more action. It was first produced in 1996 and made 54 episodes through the year 2000. The show received high praise for raising the bar but at the same time keeping what was important to the mythos of Superman. In fact, it even received a nomination for an Emmy. Besides Smallville, this probably stands out as the best television adaption of the one known as Superman, the Last Son of Krypton and hero to the planet Earth (and beyond).
Most of us know the story of Superman, but perhaps it is best that we run it over a little bit adapted to the actual animated series. Krypton is approaching devastation but only one scientist believes it to be true, Jor-El. He feeds his information to a computer named Brainiac who is in charge of the planet and all of its major operations. The computer analyzes the information and says the planet is safe. Jor-El knows the computer is lying and can't convince the others of the danger.
Posted in: Disc Reviews by William O'Donnell on November 23rd, 2009
This is the story of an unfortunate underachiever who is left with his niece after his even less fortunate sister abandons them. Unhappy with social services and the places they are forced to live, they take what little money they have to fund an aimless trip across the country until arriving at the home of his abusive father.
This film relies on the performances since the story is so utterly bleak at times that all the audience has to cling to sometimes is the recognition of the stars within it. Filling up the smaller roles are the likes of Woody Harrelson, playing the goofy friend, Dennis Hopper, who is devouring the scenery as the aforementioned abusive father, and Charlize Theron, who is greatly missed during most of the film for she delivers probably the most solid and engrossing performance as the troubled mother. Theron controls the first fifteen minutes then becomes nothing more than a reference for the better part of the proceeding film.
Posted in: Disc Reviews by David Annandale on November 20th, 2009
The title pretty much speaks for itself. Here are four episodes of the sequel that surpassed its inspiration in television longevity. They are as follows: “Relics” (which sees Scotty revived in this brave new world, and finding himself redundant), “The Inner Light” (an amnesiac Picard lives out an entire lifetime on a strange planet), “Cause and Effect” (the Enterprise and crew wind up stuck in a time loop, and must struggle to escape their repeated collisions with another ship) and “Tapestry” (where Picard winds up in the afterlife, which is certainly more than Kirk could say). It's a bit trickier yanking episodes of ST:TNG out of their season contexts than with the original show, given the former's greater emphasis on continuity, but these stories here are all good standalone adventures.
An odd thing is happening here. Because the original show has been so thoroughly remastered, ST:TNG is now the one that looks dated. The CGI is prone to aliasing and a lack of definition, and the image is rather soft. The colours are decent, but though I know there aren't many opportunities to get a tan in space, the flesh tones are sometimes a bit too far on the pale side of things. All of this said, the transfer is still perfectly watchable. The aspect ratio is the original 1.33:1 -- the show is still old enough that widescreen wasn't the standard yet.
Posted in: Disc Reviews by David Annandale on November 20th, 2009
Here is a rather strange fish. Imagine a series of very economical Blair Witch-style mockumentaries, featuring a different creature each week (giant lizards, giant snakes, werewolves, you name it). The “found footage” is interrupted every few minutes by actual footage of real animals related to the supposed monster while factoids parade on the screen. Most peculiar. Individual episodes have a certain ripe-cheese entertainment value, but you'll want to watch them in widely separated screenings, as the mockumentary approach feels repetitious and tiresome quite quickly. Viewers expecting to get their monster fix in will also likely be disappointed by the brief and unconvincing FX.
Hard to give a rating on this, since the footage is supposed to look raw (this is supposedly taped by the unfortunates who conveniently leave the camera running even as they are about to be swallowed up by the fearsome whatsit). The simulation is fairly effective, with all sorts of convincing grain and camera shake. The less frantic scenes are prone to a certain degree of aliasing, though that too is hard to blame on the transfer.
Posted in: Disc Reviews by David Annandale on November 17th, 2009
For those Star Trek fans who can't afford the complete season box sets, here's an economical alternative: a single-disc collection of four popular episodes from various seasons. Present here are “Where No Man Has Gone Before” (a propulsion expert's change to the Enterprise's engines propels the crew to the edge of the universe), “Space Seed” (the episode, it need hardly be said, that brought us Khan), “A Piece of the Action” (wherein our gang gets to dress up like 20s gangsters) and “Journey to Babel” (a diplomatic mission turns into a disaster when, among other things, Kirk is stabbed and Spock's father has a heart attack). Strong episodes from a strong series.
The show looks terrific. In fact – purists take note – it looks better than it should. Yes, these are the same remastered prints as the last set of complete season releases, complete with enhanced special effects. So the show not only looks better than it did when first broadcast, it is sharper and has better FX than its Next Generation counterpart. The viewing pleasure is high, then, just not historically accurate.
Posted in: Disc Reviews by David Annandale on November 16th, 2009
So here we are for the third season of the farcical political adventures of NYC Deputy Mayor Mike Flaherty (Michael J. Fox) and his crew. We follow them work to keep the buffoonish mayor (Barry Bostwick) in power and out of trouble, while finding plenty of time to get themselves into all sorts of predicaments. This is one of those shows that, back when it aired, struck me as clever, but not as clever as it could be, and that impression remains. The cast is a crack team of wits, and they bounce off each other with great energy and snap. There are numerous situations and plenty of lines that are funny indeed. And yet, there is a certain laziness to the humour, too. This is a comedy set in a the world of politicos and spin doctors, for crying out loud. The terrain is rich, so why do so many episodes revolve around time-worn sitcom scenarios (office hijinks, romantic pratfalls, punctured pride) that could show up in any context, and make little use of the show's particular world. There's a certain smugness to the sexual humour as well, like that of a seventh-grader who has just discovered the joys of talking dirty. Still, the show is fun, simply too easily satisfied with itself.
Posted in: Disc Reviews by David Annandale on November 16th, 2009
This is the fifth of seven seasons, so we are well into the series. Its groundbreaking nature (an unmarried, professional woman as a central character) has obviously long since ceased to be a novelty, and the show is, by this point in its existence, what one might call a fixture. This is merely by way of observation, and not a criticism, because the writing remains as strong as ever, and the show has stood up well to the test of time. Not every joke is a winner, of course, and there are plenty of situations whose outcomes are visible a mile off. So name the sitcom for which this isn't true. But it was the characters more than anything else that won audiences over, and the terrific chemistry of eccentricity and camaraderie is very much in evidence here. A good example of that camaraderie is in “The Outsider,” where a consultant is brought in to boost the ratings, and disrupts the easy functioning of the newsroom by imposing all sorts of unpopular changes. The wrap-up, which emphasizes humanity over ratings, is typical of the show's philosophy and spirit.
Though there is nothing wrong, as such, with the picture on display here, let's just say that this isn't a set to haul out in order to show off the capabilities of your big-screen TV. The picture quality is that of the original broadcast, essentially. So there's some flicker, some grain, and the image is a bit soft. The colours are decent, if tending a bit towards an overall tinge of brown.
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