1.33:1 Fullscreen

As any respectable history professor will tell you, if you want to learn about our past you should watch Hollywood historical fiction. That explains why MGM’s College Essentials: History 101 features Platoon – Special Edition, Windtalkers and Dances With Wolves. All three are clearly excellent examples of thoroughly accurate representations of historical conflicts, right?

Alright, so maybe educational impact isn’t the intention here. This is just MGM’s way of unloading some sub-par discs on unsuspecting buyers. What’s wrong with getting three movies for the price of one, you ask? Nothing. Unless one disc is out-dated and the other two should be incinerated by a giant laser.

The film that arguably more than any other put director Alfonso Cuarón and actor Gael García Bernal on the map, Y Tu Mamá También is a smart, funny, extremely erotic tale of two young friends travelling across Mexico in the company of an older, sexually experienced woman. It’s a great film. But this isn’t the DVD you should watch to appreciate it. In this day and age of a veritable deluge of discs boasting unrated versions of their theatrical release, what, pray tell, is the point of an R rated DVD butchering of a unrated theatrical release? Fully six minutes are missing. The 100 that remain are, of course, excellent, but what is here is not the director’s vision. There is terrible irony in box boasting a blurb that exults in how “unafraid of sexuality” the movie is, when the DVD is clearly terrified. As punishment, I’m cutting the film’s star rating in half, not to reflect on Cuarón’s work, but on what has been done to it. The unrated version is out there, released at the same time as this. Track it down instead.

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At long last, we've received the two greatest films of the 80's on DVD. Finally. Ok, maybe not the greatest films - they're ok at best - but this is the first time they've been released on DVD. Wait, that's not true either. Desperately Seeking Susan, Madonna's sixth best movie, hit the streets on DVD in 2000. And Something Wild, one of the answers to "what was Johnathan Demme doing before Silence of the Lambs?" has been available since 2001.

So what's special about this Totally Awesome 80s Double Feature? Shelf space. You can fit two films in one spot, thanks to MGM's efficient packaging.

Planning a high-profile charity football game that they must nonetheless be sure of winning, the powers that be of Yale attempt to invite the University of Texas, but instead accidentally invite Texas State University, a small college whose town population is a mere 700. Newly arrived coach Jack Haley and his formidable wife Patsy Kelly face the challenge of somehow whipping the football team into something that won’t be utterly destroyed on the day of the big game. The key to possible victory is bumpkin-but-natural-prodigy Stuart Erwin, but he’s a package deal, and comes along with little sister Judy Garland, here making her debut.

In some respects, the film is most interesting in retrospect, featuring as it does future Tin Man Haley in a film with the soon-to-be Dorothy. Also of note is Betty Grable as one of the students assisting Haley and Kelly. This was also a very early release by the newly formed 20th Century Fox studios. All of that history aside, this is still a perfectly pleasant musical, completely enthusiastic in its good cheer. There’s nothing earth-shattering about the comedy or the songs, but they make the 93 minutes pass by most pleasantly.

I like Paul Walker; I tend to enjoy his movies. However my experience with Paul Walker starts with JoyRide and ends with Running Scared. (we'll ignore the Fast and the Furious) So I was kinda excited at the chance to review Bobby Z, a straight to video release that also starred the clever Laurence Fishburne. Two fun actors in what looked like to be a fun action movie. The basic premise was that Tim Kearney (Paul Walker's character) is plucked from a prison by Tad Gruzsa (Laurence Fishburne's character) and his assistant because he looks exactly like the infamous Bobby Z, a drug runner who is supposedly dead. So, Kearney takes on the persona of Bobby Z and is used in a trade for a federal agent that was captured. Of course the deal goes horribly wrong and Kearney finds himself in the Mexican desert. Here he has to stay in the Bobby Z persona as he finds out that Bobby Z had a kid among many other plot points. This drives forward to a conclusion with some predictable twists where Kearney does everything he can to stay alive.

The movie runs ninety four minutes , for the first 40-50 minutes of the movie I was really enjoying myself. The plot started off so strong and the actors (particularly Walker & Fishburne) showed off their wares. The action was intense but not overdone. Then something happened in the last half of the movie. It became dull and incredibly clichéd. Every single cliché about either an action movie or a drama that used the idea of somebody impersonating somebody else is used. It's borderline scary how much just seems borrowed. Tough hard-nose prison guy suddenly develops heart of gold; check. The character he's impersonating has a kid; check. There is a girl who is still in love with the original character but remarks how much he's changed; check. I would go on; but in the event you can't guess the ending I'll stop there. There is even a scene near the end that borrows from Bugs Bunny shorts (think duck season, wabbit season). Not to mention the ending seems a little too cookie cutter and proceeds to just say okay everybody lives happily ever after; the end. When given the situation in a more realistic setting there would be some serious questions to be answered here.

Sometimes when you sit down to review a dvd, you are treated to a fantasy. However, sometimes that fantasy isn't all it seems and leaves you with a blank expression and curious feelings of being unfulfilled (kinda like that marriage I had). Anyhow, I took the dubious task of reviewing Lesbian Sex & Sexuality, a television show that is on the here! network who also bring you such fine shows such as Dante's Cove. (okay; so I gave Season 2 a 2 out of 5, who's counting?) The show is very simple and has a very provocative premise. That premise is to take a mostly uncensored (I'll explain later) look at the secret and rarely explained world of lesbian sex. All kinds of subjects would be explored from fantasies to erotic dancers to the ever popular porn films. No stone and no position would be left untouched. No girl either. Men, well...anyhow the show is broken down into six half-hour episodes across two discs.

The initial problem that most people realize is that this show very much has a documentary premise. Sure there is skin and plenty of it but any male or female who is looking for a good time should probably consult their partner or an escort service (I don't know anything). However, the show succeeds on many levels; the main one being to inform the viewer on all of levels of lesbian sex. An example episode might take you along with Cinnamon, Molasses and Sugar (Tarragon ended up finding a gig in Brookshire) as they take you on a tour of the world of Go-Go Dancing. While another episode might take you behind the scenes of SIR Video (who were initially famous for their Bend Over Boyfriend series of porno films (*drums fingers and sighs*)). There are aspects of lesbian sex that are very different from heterosexual sex or even gay male sex. This series helps to exploit that. Once you get past the first two episodes, the show seems to run out of gas. The rest of the shows are essentially uninteresting and while staying on subject; do little to further entice the viewer.

Lets face it, at one point or another we’ve all watched The Simpsons, and I’m sure at points we’ve all loved it. But I don’t think it’s a matter of debate that as the years went on the show seemed to have lost its touch, its uniqueness. With shows like Family Guy and American Dad pushing the envelope it’s hard to enjoy The Simpsons as much as we get older. But nonetheless there are millions of you who still love this show. For me its hard to pinpoint when The Simpsons took it’s turn for the worse, does Season 10 get classic status, or is it on the downside of the slope?

Simply put Season 10 gets thumbs up from me; these episodes still had the ability to make me laugh. Included are some classics like When You Dish upon a Star, Tree house of Horror IX, Lisa gets an “A”, Homer Simpson in: “Kidney Trouble”, and much more. These journeys take The Simpson family everywhere from Las Vegas, the Super Bowl, the open road, Tokyo, and all the way back to biblical times. The laughs don’t seem as cheap or predictable as the newly aired episodes do; these 23 episodes are uniquely enjoyable. So whether you’re buying every odd season of the show, or your buying them all in order, Season 10 isn’t one to pass up on. It sure is hard to believe that since this season aired nearly 200 more episodes have been drawn up. But this is back when the show had the ability to keep me captivated and surely not many more seasons beyond this will be able to get me to laugh.

Holy crap, Soul Food was a show?!?!? Wait, let me rephrase that to even more unbelievable standards. Holy crap, Soul Food the show lasted for a lot of seasons? I’ve never really seen too much of Soul Food in either small box or large screen viewing, but amazingly I’ve been transformed into the resident critic of all things “African”, as Seth Rogen said in Superbad. I don’t have a problem with it, I’m just waiting for my improved athletic skills and membership card, that’s all.

For those not familiar with Soul Food, the tale is pretty simple. Based on George Tillman’s 1997, the show centers around the sisters of a family. There’s Teri (Nicole Ari Parker, Boogie Nights), Tracy (Malinda Williams, Idlewild) and Maxine (Vanessa Williams, Melrose Place). They occasionally fight, but they are family and are shown with their strengths and weaknesses. This season was supposed to be particularly strong, coming off of a cliffhanger to end Season One.

The third volume of classic Charlie Chan mysteries is a great package of treats, and of course gives us, once again, Warner Oland, the definitive Charlie Chan.

The Black Camel (1931) only one of the films in this set actually to take place in Honolulu, Chan’s home turf. A beautiful movie star is murdered, and among the suspects is none other than Bela Lugosi as a clairvoyant with murky motives. He and Oland have many scenes together, which is no small part of the pleasures of this entry.

Written by Evan Braun

Most cartoons of the Saturday morning variety are written for kids and little else in mind, but every once in a while a show offers a little something extra. Pinky and the Brain is one such anomaly, providing plenty of great antics for kids, but even more for the grown-ups among us. It's full of parodies and Hollywood in-jokes that a 10-year-old could simply never appreciate. Strangely, as a 24-year-old, I felt very much within the target audience.