1.33:1 Fullscreen

Edward G. Robinson is the war crimes investigator on the relentless hunt for the fugitive Nazi who masterminded the Final Solution. He arranges for the one man who knows his face to escape imprisonment, and follows him to a small Connecticut town. There he loses his quarry, but evidence soon points to Orson Welles, who, under the identity of Charles Rankin, is now a college professor and new husband to Loretta Young. Welles stops at nothing, including murder, to protect his secret, but little by little Young is forced to realize who her husband really is.

Left alone when his family leaves town to visit relatives, professor Edward G. Robinson hangs out at his club with his two cronies, one of whom is DA Raymond Massey. He is fascinated by a striking portrait of a young woman, and one night, leaving the club late and alone, he runs into the portrait’s model (Joan Bennett). Though he knows better, he accompanies her back to her apartment. A jealous lover bursts in and attacks Robinson, who murders him in self-defense. Panicked by the situation, Bennett and Robinson cover up the event, but both the authorities and a blackmailer circle closer and closer.

Throw reason out with the trash, and sit down to a feel-good movie that tries just a little too hard to be quirky. That’s your best approach to The Astronaut Farmer, which pits Billy Bob Thornton against all odds to reach outer space by way of his farm-built rocket.

Everyone likes an inspirational story now and then, so I’m sure this film will find an appreciative audience. For me, there are better choices – say, October Sky, for example. Here, instead of a boy who loves rockets, we have Charlie Farmer (Billy Bob, Sling Blade), a former astronaut who never made it to space.

I still remember the first time I watched a Spawn animated episode. I was with my parents in my younger years on what I believe was the last vacation we ever took together. It was a hotel we were staying at which had HBO (I never had that channel growing up). I had read Spawn but didn't even know of the animated series. The fact it was late at night and on a premium movie channel meant it had to be good. I was simply blown away and remember telling my parents that we had to be back at the hotel to watch it again the next night. I remember that later I would procure used copies of the series.

I have to say right off the get go, these are two movies I’ve never heard of and I’m guessing it would have probably been better kept that way. Still I’m going into this review completely unbiased but rather just with the expectations of horrendously typical 80’s comedy. At least there are a few recognizable actors including Rob Lowe, John Cusack, and Virginia Madsen in Class and Kelly Preston, Lori Loughlin, and Fred Ward in Secret Admirer. At any rate lets see how these dubbed 80’s classics turn out.

Preston Foster is a bitter ex-cop who masterminds a gigantic robbery. Hiding behind a mask, he forces three cons to work with him, and makes sure they too wear masks, so only he knows everyone’s identity. The heist also involves framing an innocent flower delivery-man (Joe Rolfe), who unfortunately has done his own stint in jail, and so is put through the brutal wringer by the police. Freed but understandably ticked off, Payne sets off on the trail of the men who framed him. Tracking one to Tijuana, Payne adopts his identity and arrives at the resort where Foster and others have gathered. Foster’s master plan is complicated by the arrival of his daughter, who develops an interest in Payne.

Written by Evan Braun

I don't particularly like boxing, or wrestling for that matter. Martial arts don't usually turn my crank either, so it's a little inexplicable for me to be such a UFC fan. And yet, I am. Very much so.

This season introduces a lot of great new talent. Many of the competitors have crossed over from the show to the massively popular monthly pay-per-view events for which UFC has become famous. If you're a fan of MMA (Mixed Martial Arts), this set will offer you everything you could possibly ask for.

Written by Evan Braun

Space Ghost & Dino Boy is the kind of show that seems as though it would carry with it a great deal of nostalgia. Its characters are memorable and its animation is characteristic of an era of cartooning long since gone. Unfortunately, since I missed the show’s heyday by a good 20 years, it’s impossible for me to join in on these fond memories.

To avoid uneccessary confusion, I’ll say that I certainly enjoyed the set. That having been said, it wasn’t without its problems. The stories are short and uninspired, at least by modern standards. Just about every Space Ghost segment (and I can’t think of any exceptions) ends with a deus ex machina moment in which the title character pulls himself out of a bad situation with a new ability or bit of gadgetry we were previously unfamiliar with. That, however, seems to be merely a part of the formula.

Written by Evan Braun

Space Ghost & Dino Boy is the kind of show that seems as though it would carry with it a great deal of nostalgia. Its characters are memorable and its animation is characteristic of an era of cartooning long since gone. Unfortunately, since I missed the show’s heyday by a good 20 years, it’s impossible for me to join in on these fond memories.

To avoid uneccessary confusion, I’ll say that I certainly enjoyed the set. That having been said, it wasn’t without its problems. The stories are short and uninspired, at least by modern standards. Just about every Space Ghost segment (and I can’t think of any exceptions) ends with a deus ex machina moment in which the title character pulls himself out of a bad situation with a new ability or bit of gadgetry we were previously unfamiliar with. That, however, seems to be merely a part of the formula.

I did a couple of high school musicals growing up. South Pacific and Oklahoma. South Pacific I remembered much more fondly as sometimes I wanted to wash that man right outta my hair. Wait...umm...*taps fingers* *pause*. Oh, right, musicals. High School Musical was a low-budget Disney tv movie that would end up becoming one of Disney's best successes in recent memory. It was only natural that due to its musical nature and teen fanbase that it would expand into a national tour that would encompass 51 dates over 6 months.