Posted in: Disc Reviews by Archive Authors on May 27th, 2006
The Adult Swim series of shows from Cartoon Network are sometimes amazingly hilarious, sometimes overly bizarre, but always creative. While some of the shows, such as Robot Chicken are roll-on-the-floor funny, others are just too strange for me. Lucky for me, The Venture Bros. falls into the first category. While not a constant source of laughter, this show is always clever and contains a few big laughs in each episode.
The Venture brothers are the sons of a moderately-successful scientis.... His feelings about the keen (and possibly homosexual) gents are not exactly warm and fuzzy. While he doesn't want anything to happen to them (as evidenced by the fact that they have a bodyguard that feels like he is right out of a Sin City comic), this is really more of a “Dr. Evil / Scott Evil” relationship. The episodes also largely see the boys as an obstacle to the Dr.'s plots at becoming the world's greatest scientist, which makes me wonder why they have become the shows namesake.
Posted in: Disc Reviews by Archive Authors on May 25th, 2006
I've never met anybody who doesn't like Penn and Teller. I'm not saying that those people don't exist, I'm just saying that I have never met them. Penn is loquacious and amusing, Teller is the ultimate straight man, and their magic almost always catches the viewer off guard. Many times, the understood premise of the trick itself actually turns into something different by the time the performance is over.
Unfortunately, this disc has some problems that makes it one of their worst performances. The concept is a...great one... Penn and Teller do various tricks under (and with the aid of) water. Unfortunately, thisis aprogram hat was created first and foremost for a television broadcast. The reason this is an issue is that the DVD version of the show is pulled directly from the television cut, complete with “title bugs” in the bottom corner of the screen, “next up” teases and the like. In fact, the first ten minutes of this hour and twenty-eight minute program is solely comprised of showing the viewer what they will see in the program. There are so many of these recap and teaser segments that I'd say that actual entertainment content of this disc is just a bit more than half of the discs total running time. What a waste of an opportunity.
Posted in: Disc Reviews by Archive Authors on May 25th, 2006
I've never met anybody who doesn't like Penn and Teller. I'm not saying that those people don't exist, I'm just saying that I have never met them. Penn is loquacious and amusing, Teller is the ultimate straight man, and their magic almost always catches the viewer off guard. Many times, the understood premise of the trick itself actually turns into something different by the time the performance is over.
Unfortunately, this disc has some problems that makes it one of their worst performances. The concept is a...great one... Penn and Teller do various tricks under (and with the aid of) water. Unfortunately, thisis aprogram hat was created first and foremost for a television broadcast. The reason this is an issue is that the DVD version of the show is pulled directly from the television cut, complete with “title bugs” in the bottom corner of the screen, “next up” teases and the like. In fact, the first ten minutes of this hour and twenty-eight minute program is solely comprised of showing the viewer what they will see in the program. There are so many of these recap and teaser segments that I'd say that actual entertainment content of this disc is just a bit more than half of the discs total running time. What a waste of an opportunity.
Posted in: Disc Reviews by Archive Authors on May 24th, 2006
Dave Chappelle and I are the same. Well, he's a year younger than me. And he's black. But we're both from Washington DC, but I live in the suburbs, and usually never go into the downtown area unless someone dared me. But he's a lot funnier than me, and Comedy Central decided to give him a 12 episode commitment on their network after seeing him in such films as Half Baked, Screwed and Undercover Brother.
And quietly, Dave has put together a smart, funny show that every one instantly dismisses, and yet will watch as long as it airs. To watch a crackhead talk about drug awareness at a public school is quite possibly some of the funniest stuff on television in the last 3 or 4 years, and many of the new episodes on Comedy Central leave me in tears. Thankfully the network along with Paramount decided to put Season 1 out on DVD in a two-disc set, in all its uncensored glory. The 1st disc has eight episodes, while the 2nd has the remaining 4, plus a decent helping of bonus material that is sure to keep the laughs going long after you've turned off the TV.
Posted in: Disc Reviews by Archive Authors on May 24th, 2006
There really was (and still is) no justice in the world when a show like NewsRadio was perennially ignored so often during the mid and late '90s. I mean seriously, get a comic mind from Canada's The Kids in the Hall (Dave Foley), another from the States Saturday Night Live (Phil Hartman), and yet another from the dark comedy Ben Stiller Show (Andy Dick) and give them some sitcom material to work with, and the result can be nothing but laughs.
And that's what NewsRadio was about. But it didn't go for cheap laughs where the cast would either yell their lines or make exaggerated reaction shots for the folks in the crowd. There was layer upon layer of laughs. Aside from the stories, there were small character quirks that fans of the show will always remember. Lisa (Maura Tierney, ER) has a somewhat veiled propensity to get drunk and (surprise!) has a criminal background. And speaking of mysterious backgrounds, there's the station owner Jimmy James (Stephen Root, Office Space), a fairly goofy billionaire who is on an eternal "wife search" while sometimes hinting that yes, he may in fact be Deep Throat from the Watergate scandal.
Posted in: Disc Reviews by Gino Sassani on May 22nd, 2006
Mystery Science Theatre is an acquired taste. For me, I’ve really got to be in that certain mood to watch it. That’s the beauty of these DVD’s. You pop them in when you’re ready. The idea is pretty whacked. Depending on the season you’ve got, Joel or Mike is trapped in space on the “Satellite of Love”. Doomed to spend his life watching very bad films, our hero makes the best of a bad situation. He uses his resources to construct a couple of robot pals. Together they watch the films from the front row, constantly ranting throughout. If you’re like me, you’ve invited a few friends over to watch a schlock festival. The movies weren’t as important as the banter you created while watching. That’s exactly what you see here. The silhouettes of our host and his robots dominate the lower portion of the screen, where they provide alternative dialogue and sometimes witty commentary on the action. The two evil station owners/mad scientists send them a new bad film each week to observe their reactions to the bombs. The films are broken up by off the wall skits and fake commercials to alleviate the tedium. This DVD collection is better than some because it includes films from four different seasons to give you a good sample of the overall series.
The first of the four films panned by these crazy hosts is “Women Of The Prehistoric Planet”. This film features an introduction by Irene Tsu, who starred in the flop. Look for Quincy’s Robert Ito and Rockford’s Stuart Margolin as well as science fiction legend John Agar. This film is from the show’s first full season on Comedy Central. Don’t expect any prehistoric women here as the title implies. The film is a super schlocky class struggle moral. There are plenty of oddly dressed women on the ship that remind you of some of those early original Star Trek female costumes, only cheesier.
Posted in: Disc Reviews by Archive Authors on May 20th, 2006
Before we get into it, just a quick recommendation to check out "Making Movies" by Sidney Lumet, the director of Network, Dog Day Afternoon and 12 Angry Men. While it's a quick read at 220 pages, it talks about dealing with the actors, rehearsal, a day on the set, and other various forms of a production, and includes stories that happened on his sets also. It's an intriguing book, worth checking out at your local bookstore. A "Ryan's Book Club" pick, if you will.
Then there's Lost in La Mancha, Terry Gilliam's documented efforts to make a film called The Man Who Killed Don Quixote. Keith Fulton and Louis Pepe had worked with Gilliam previously to film a documentary for Gilliam's 12 Monkeys, entitled "The Hamster Factor and Other Tales of 12 Monkeys", and whose help was enlisted to film a behind the scenes documentary here. The movie was Gilliam's vision of Cervantes "Man of La Mancha", and something he'd tossed around since 1991. He even came close to starting a production in 1999 before financing fell through. However this time, he had solid financing, and a cast that included Johnny Depp (Fear and Loathing in Las Vegas) and French actors Jean Rochefort (playing Quixote) and Vanessa Paradis. The film notes the problems that previous directors had in shooting a film on Quixote, and features footage of a film shot by Orson Welles that saw a theatrical release, helping to bring life to the aptly named "Curse of Quixote." Gilliam's Hollywood reputation is discussed as well, including the struggles surrounding the making of Brazil and The Adventures of Baron Munchausen. Gilliam is quick to point out on Munchausen there was a producer who promised the stars and the moon, but simply didn't have the budget for what he wanted to do, and Gilliam's name was tarnished from the experience. Being a veteran of such battles almost gives Gilliam a foresight into how his productions will turn out, as 7 weeks before the production starts, he says that there's "a lot of potential for chaos." 3 weeks later, Rochefort arrives, with a newly learned English accent he is eager to show off. As the production is due to start, Rochefort has some "phantom" back pains, so he does not board the plane from Paris to Madrid (where the production is housed). During the weeklong delay, Deep and Paradis arrive and start with screen tests and other work. Rochefort does arrive, and the production starts. Here's where the curse kicks in.
Posted in: Disc Reviews by Gino Sassani on May 19th, 2006
In the first season review of Hill Street Blues I talked about the Steven Bochco family tree of producers and show runners that got their start on this show. This season does a lot to remind us that a great many actors made their mark with this program. Such future stars as Danny Glover, David Caruso, Brent Spiner, and Dennis Dugan all made their first heavy mark on Hill Street Blues. Dugan’s Captain Freedom episodes are some of the most remembered shows of the series run. This particular arc is a great example of how the show could be funny, emotional, and action packed, and still have more heart than any show on at that time. This season set pays good homage to that story arc with commentaries and a short featurette. None of the show’s quality slips in season 2. In fact, expect things to keep getting better.
Captain Furillo (Travanti) runs one of the toughest precincts in the inner city. The streets are inundated by gang violence. Furillo also often finds himself under fire by city politics, a bitter ex-wife, and even his own girl: ADA Davenport (Hamel). The squad includes veteran sergeant Esterhaus (Conrad), scrappy biter Belker (Weitz), redneck cop Renko (Haid), playboy detective LaRue (Martin), gung ho SWAT leader Hunter (Sikking), Detective Goldblume (Spano), Detective Washington (Blacque). A more diverse and entertaining cast has never been assembled anywhere.
Posted in: Disc Reviews by Archive Authors on May 16th, 2006
What's a boy to do when he is called into work and has to work a graveyard shift and is virtually disallowed to access the internet? Why, watch the first and second seasons of Wings of course, and thoroughly enjoy the wild antics of the folks in an airport on Nantucket Island. You have Joe (Tim Daly, Return to Sender), the uptight anal retentive serious one, along with his younger brother (and general goofball) Brian (Steven Weber, At First Sight). Together they own and operate Sandpiper Air, a sleepy small airline with one plane. They have a customer service attendant, the former stewardess Fay (Rebecca Schull, Analyze This). Their mutual friend is a woman named Helen (Crystal Bernard, Young Doctors in Love) who runs a small kitchen, and there's an airport handyman named Lowell (Thomas Haden Church, Sideways). Together, their lives (and the wacky people and occurrences that happen to them) compose the hi-larious situation comedy that was created by those who helped previously shape Cheers and who would later shape the long-running show Frasier.
The first thing that surprised me about the show when I was doing some research on it was that it ran for so long, going from 1990-1997. Seasons One and Two encompass this four disc set, with 7 episodes on each disc. The episodes focus on Joe and Brian's continuous flirtation with Helen, who resists because of a rule she has about not dating pilots, but that rule lasts about a season and a half. Some of the laughs are OK, but the problem with the show living in its era is that some of the jokes are topical references and really show the age of things.
Posted in: Disc Reviews by Archive Authors on May 16th, 2006
Perhaps the folks at MTV thought that Wildboyz was doing so well, that they figured that maybe they should fly the boys out to even more remote locations, but that they should include some old Jackass members also. And sure enough, in the second season of Wildboyz, both Wee Man and Johnny Knoxville show up for guest starring roles and accompany the boys as they travel to Indonesia, Africa, Brazil and Costa Rica, to name a few places.
I'm pretty sure I'm not spoiling it for those who haven't seen it, but there's very little surprise involved. You've got Party Boy, Chris Pontius, and Steve O, both travelling to exotic locations to encounter animals, the locals in those areas, and to get drunk off the indigenous moonshine.
