1.66:1 Widescreen

Like it or not, Everybody Loves Raymond has earned its spot alongside TV's most successful sitcoms, including The Cosby Show, Roseanne and Seinfeld. These shows not only ran a long time, but they also shared a common origin — all were based on the persona of the popular stand-up comics who starred in the series. This method may have produced hits in these cases, but it's no guarantee. To really beat the odds, there has to be something more.

In the case of Everybody Loves Raymond, the largely American audience saw themselves in the on-screen families. Fans have been sitting down each week, for more than 200 episodes, to a funnier, wackier version of their own families. As this ninth and final season hits DVD, it's time to ask, did the show end too soon, too late or right on time?

This HBO comedy series throws down a huge gauntlet, then flails its limbs around maniacally in a futile attempt to live up to the challenge. Bad Boys of Comedy is billed as an evolution of black comedy that builds on the revolution led by the likes of Redd Foxx, Richard Pryor and Eddie Murphy. P. Diddy, executive producer and host, promises young, edgy and unique comics, untapped virtuosos who will push the boundaries of humor and entertainment. What a crock.

Written by Evan Braun

I came to the second season of The Closer with an interesting piece of baggage: I hadn't seen the first season. And still haven't. Seeing as I'm a bit of a completionist, this was initially driving me nuts. That said, by the time I finally gave the show a chance, I felt like I'd been in it my whole life.

The show's premise is simple. Every police department hopes for one thing when working cases, and that's a confession. To get one, you need somebody you can elicit it from a suspect, usually in an interview, and close the case before it ever goes to a courtroom.

Written by Evan Braun

I am both the perfect person to be reviewing Babylon 5 and exactly the wrong person. Being an irrationally devoted fan of the series, it's difficult for me to be objective about it. And it is therefore with this unique perspective that I sat down to watch this newest B5 release.

I expected to absolutely enjoy it. In my mind, if it was really great, than it was good ... and if it was really mediocre, it would still be good on account of the fact that it had been so long since the last B5 movie. As it turns out, it was impossible for me to be as universally pleased as I'd anticipated.

Mads Mikkelsen, whom we last saw taking a rope to James Bond’s family jewels, is here up to a far more praiseworthy activity: helping run a school for orphans in an impoverished region of India. The school is struggling to survive, and when a Danish businessman expresses an interest in providing stable funding, but only if Mikkelsen comes to Denmark for a meeting, the latter is reluctantly persuaded to leave India for the encounter. At said meeting, the tycoon (Rolf Lassgard) casually (it seems) invites Mikkelsen to his daughter’s wedding. Mikkelsen accepts, and at that wedding receives quite a shock. Lassgard, it turns out, has a very personal secret agenda at work.

Synopsis

There isn’t a lot that connects these films, other than the fact that they are all budget-conscious SF and were released in 1958. All are joys for fans of the genre, however.

The Giant Behemoth was director Eugene Lourié’s second giant-dinosaur-on-the-loose film, after The Beast from 20,000 Fathoms (1953) and before Gorgo (1960). It is also the weakest of the three, but not without its charms. Signs of an intensely radioactive being are proliferating on the Eng...

Synopsis

Cord (Jeff Cooper) is a martial arts expert in a mythical land who competes for the right to go on a quest to confront a legendary master (Christopher Lee) who protects a mystical book. Cord cheats and is disqualified, but heads out on the quest all the same. Along the way he encounters various threats (all played by David Carradine) and a supernaturally talented blind man (also Carradine), not to mention oddities such as Eli Wallach sitting in a barrel of oil as part of long-term project to...

Synopsis

Produced under the auspices of the Imperial War Museum, Stuart Cooper’s unusual film tells the story of a young private (Brian Stirner) undergoing basic training and experiencing premonitions of his death in the days and weeks leading up to the D-Day invasion. This narrative is intercut with extensive archival war footage.

In the “Mining the Archive” featurette, the remark is made that the film is an excellent showcase for the museum’s collection. This is very true, and is both the...

Synopsis

Drug addiction is scary. It can take an otherwise decent person and turn them in a messy pool of hate, disgust and worthlessness. When the drug you are addicted to is heroin; amplify that by ten. Enter Paul (played by Harry Eden(Oliver Twist)), a ten year old trying to take care of his younger brother Lee (played by Vinnie Hunter) and his heroin addicted mother Mel (played by Molly Parker(Wicker Man, Deadwood)). The father of th...

Midnight Cowboy (Awards Series) is a previous DVD version re-released with a cardboard slipcover.

"I'm walking here! I'm walking here!" Smart money says you're familiar with that quote whether you've seen this film or not. Midnight Cowboy was a hit back in 1969, and it's been referenced plenty of times in pop culture since.

John Schlesinger's film, which took home Oscars for best picture, director and adapted screenplay, was also controversial back in '69, as it received an X-rating.