1.66:1 Widescreen

<>“This is Halloween…”

There has to be something wrong with anyone who doesn’t have at least a small soft spot in their hearts for Tim Burton’s A Nightmare Before Christmas. The film will assuredly earn its rightful place as a classic as more years roll by. The film just works on so many levels. Danny Elfman deserves as much credit as Burton here for the wickedly wonderful tunes and songs that accentuate the deviously detailed world of Halloweentown. He also provides the singing voice for Jack, reminding us a bit of his early pop roots with the modestly successful Oingo Boingo.

I don’t remember that much about Diva growing up; it was a film that I heard about as a kid, and a lot of people liked it, but that was the first time I can honestly say I was exposed to the arthouse film, and that it was something that I wanted to find out more about. Through the years, I’ve seen many a foreign or independent film, however the one that started all of it off for me I hadn’t seen, until now.

Meerkat Manor is back for a third season on DVD. You’re invited back into the South African desert with the famous Whiskers Clan. Animal Planet has themselves a relatively big hit here with Meerkat Manor. OK, so, it’s not exactly The Sopranos or The Shield, but it does have a modestly dedicated audience. Seems that folks just can’t get enough of these fur balls. They’ve set up blogs and websites dedicated to the antics of the celebrated Whiskers. If you, like them and are dying to see what these lil’ guys are up to next, wait no longer.

The voices aren’t the same. The animation has lost that classic charm. The story is completely contrived. What remains is a dim reflection of a few beloved characters from a bygone year of vintage Disney magic. This sequel of the classic Disney telling of Rudyard Kipling’s The Jungle Book looks more like a direct to video knockoff. I was actually quite amazed to note the film did have a box office run.

Serge Gainsbourg and Jane Birkin were the “it” couple in France during the late 60s and early 70s. This is the film that brought them together, their To Have and Have Not, if you will. Musician Gainsbourg (who, for the uninitiated, had a singing style that was a cross between Leonard Cohen and Tom Waits) plays a married director of successful TV commercials. He begins an affair with an 18-year-old (Birkin). Their relationship hits most of the predictable moments of such movie romances from that period.

12 Angry Men is one of those rare films that appears to defy all the Hollywood constants and yet become one of the best films of its kind ever made. The setting is entirely too claustrophobic. With the exception of two bookend scenes the entire film takes place in the tight quarters of a jury deliberation room. The story had only a couple of years earlier been the subject of a live television drama, so the story was far from a fresh idea. The director was a complete unknown who had not at that point directed a major picture.

World War II has just ended, and the recently discharged Robert De Niro hits New York on the prowl for sex. He runs up against WAC Liza Minnelli, and the more she resists his advances, the more determined he becomes. There is more: he is a saxophonist, and she (of course) is a singer). So begins a tempestuous relationship between two artists whose enormous talents and equally enormous personalities mean they can neither live with nor without each other.

When MI-5 first hit American shores, Alias was in full swing, and the comparisons were inevitable. After all, both were sy shows set in a post September 11 world, and both were slick, fun thrillers. Fast forward to 2006, however, and the landscape has changed dramatically. Alias is now off the air, having crashed in spectacular fashion, yet MI-5 is still going strong. In fact, the show just seems to keep getting better and better.

Very few of us know A Clockwork Orange as the 1962 novel by Anthony Burgess, instead we know it as the 1971 Stanley Kubrick film adaptation. Not only did Kubrick direct this cult classic, he also wrote the adapted screenplay and produced it. There’s no doubt that Kubrick put a lot into this movie, and by now we all know the results. A Clockwork Orange is a perfect example of Kubrick’s career, highly controversial. After the cult hit 2001: A Space Odyssey, it was crucial for Kubrick to keep the audience on the edge of their seats, and what better way to do that than adapt A Clockwork Orange. There are those who would call this movie trash, and of course there are those who absolutely love it, then of course there’s everyone in between. Well A Clockwork Orange isn’t new news to me, it’s release on HD DVD already looks to impress.

Mario Bianchi’s film is a 1982 remake of the recently reviewed Malabimba. The spirit of a newly deceased woman possesses her daughter, and proceeds to wreak havoc in the gothic castle that is the family’s domicile. Of course, given that the father is a murderous drug-addict, there isn’t that much for the possessed teen to do, as far as the plot itself is concerned. Curiously, this effort is less lurid than its predecessor (barring a couple of insanely OTT performances), with less nudity and taboo-busting, and also a rather less interesting deconstruction of respectable society. Plotting and motivation are haphazard at best. Still, it’s a not-unentertaining late-period Italian gothic, blessed with handsome sets.