1.66:1 Widescreen

“England. August in the year 1940. Again – A time for valor. A time of whispered events, now faded with the passing years.”

In 1971 what had not faded in the 7 years since its release was the enormous success of Walt Disney’s Mary Poppins. With its charming story and characters and the breakthrough special effects that the studio had developed, the film was a milestone for the entire film industry. I suppose it isn’t too surprising that the folks at Disney would want to try to recapture that success all over again.

“A dragon. A dragon. You bet we saw a dragon. So big and brave he came to save a village in distress. He kept the ship from crashing when he heard the SOS. He faced a group of villains and he fought them with success…”

When Walt Disney Studios released Mary Poppins, the entertainment world was turned on its ears. The integration of live action footage with animation had never been done with such success before. The studio that nearly singlehandedly perfected modern methods of animation was also the studio that learned how to combine it almost seamlessly with real breathing actors.

Dr. Stephen Arrowsmith is a haughty scientist who sees himself above such petty concerns as ethics. He has married his wife Muriel (Barbara Steele) for her money, and when he catches her in the arms of one of the servants (Rik Battaglia), he tortures and kills them both, cuts out their hearts, and uses their blood to create an elixir of youth for the maid/co-conspirator Solange (Helga Liné). He then marries the psychologically fragile Jenny (Steele again, now blonde), Muriel's heiress, planning to drive her insane and take control of the his dead wife's fortune. Sure enough, Jenny starts seeing things, but the ghosts she is seeing are real.

“Now this might be the room of any small boy, but it happens to belong to a boy named Christopher Robin, and like most small boys, Christopher Robin had toy animals to play with. And together they had many remarkable adventures in an enchanted place called The Hundred Acre Wood. But out of all of his animal friends, Christopher Robin’s very best friend was a bear called Winnie The Pooh.”

“Oh Bother”A.A. Milne was quite an eclectic writer. He wrote murder mysteries that even appeared on Alfred Hitchcock Presents. From that fertile mind would also come a place known as the Hundred Acre Wood.

Barbra Streisand’s 1983 Historical Epic/Fable/Musical/Vanity Project comes to DVD for the first time ever in this deluxe release. Exciting news for a large chunk of our population, though in this instance it’s a case of “good news/bad news” for rabid Barbra fans. With Yentl, Streisand is in full-on quadruple threat mode, as director, producer, co-writer, and Star (yes, the capital ‘s’ is necessary), and her Herculean labours in getting this film made are probably as well known as the film itself. Her obvious passion for the project and the fact that she had a hand in it at every level gives access to a wealth of incredibly detailed information in the special features, including “Materials from Barbra’s Archive”. However, there are some technical shortcomings in this volume that will lessen the experience, even for fans.

Made-for-TV crapper Depth Charge, a new action film starring Jason Gedrick and that B-movie slut brother of Julia Eric Roberts, hits DVD with a bare bones release you will welcome, if by chance, you happen to work for Upcoming Discs and want to get your next bad movie project over with as quickly as possible.

Daniel’s Daughter comes to DVD with star Laura Leighton back in the spotlight. Unfortunately, it’s a pretty dim spotlight. Fans of Melrose Place may be happy to see her, but that happiness will be short-lived when they also realize what a flat-lined EKG her film turns out to be.

“Once upon a time in New York City…”

Walt Disney might well have been the storyteller of more than one generation of kids. Is it any wonder that when we think of such characters as Winnie The Pooh or Peter Pan our minds conjure the images wrought by Disney animators and not necessarily the classic literature descriptions? That might not be the case with this Charles Dickens story, retold through Disney’s trademark animal point of view.

Mary Poppins was the subject of a series of books by P.L. Travers. Long before Harry Potter came on the scene, Mary was delighting children all over the world with her spectacular magical abilities. At the time Walt Disney was making a name for himself and his studio by bringing many of the children’s classics to the big screen. From fairy tales to Winnie The Pooh, the studio was providing the look and the soundtrack to the imaginative worlds already known and beloved by millions. It was a magnificent strategy, and it would pay off huge for the company.

A combination of controversial subject matter and the physical transformation of Jared Leto garnered this film considerable attention (positive and negative). Leto here morphs into an uncannily accurate physical recreation of Mark David Chapman. The film follows Chapman on his fateful trip to New York City. Over the course of three days, he hangs around outside John Lennon's home, becomes friendly with fellow fan Lindsay Lohan, and endlessly ruminates about how the events in his life are paralleling The Catcher in the Rye, and (rather less explicitly) why he's going to kill Lennon.