Posted in: Disc Reviews by Gino Sassani on September 30th, 2010
"God bless fantasy football. There are many things a man can do with his time. And this is better than most of those things."
I'm a big football fan. I watch the Vikings from my high-definition theater here in Tampa, Florida thanks to the wonderful invention of the Sunday Football Ticket. No, this is not an advertisement for DirecTV. In fact, don't get me started on the problems these guys cause me every year. The point is, the Sunday Ticket allows me to watch my favorite football team even if it's not the local losers. I think that was how it was intended to work. But lately fantasy football has literally taken over the sport.
Posted in: Disc Reviews by Gino Sassani on September 27th, 2010
"USS Enterprise, aka The Big E, a fighting city of steel. She is the most revered and decorated ship of World War II. On this 360-degree battlefield, where threats loom on the seas, in the skies, and in the ocean depths, The Enterprise's enemies could be anywhere. Now follow this sea-bound band of brothers through four years of hell. From Pearl Harbor to the doorstep of Japan, there's nowhere to run, when the war is all around you."
These are the voyages of the aircraft carrier, Enterprise. Her four-year mission: to explore strange new seas, seek out and destroy the enemy, to boldly go where no carrier has ever gone before.
Posted in: Disc Reviews by Gino Sassani on September 27th, 2010
I often have trouble believing that South Park has been around for as long as it has. It’s not just the passing of 14 years, but the sheer brilliance in the face of an increasingly politically correct society. It’s like watching old episodes of All In The Family. Who believes that Archie Bunker would have any chance of survival in the 21st century? It’s no wonder that Norman Lear has become involved in the series. It’s the last remaining vestige of a once great freedom to be ridiculous and offend. Eric Cartman’s a lot worse than Archie ever was.
Posted in: Disc Reviews by Archive Authors on September 26th, 2010
Written by Diane Tillis
Raging Phoenix is a film of particular tastes and appeal. As someone who has very little experience with martial arts films, I may be the wrong person to comment on the quality of the fighting sequences or how it compares to other martial arts films. I will leave those comments to the people who are devoted fans and love these films. I can comment on the quality of the DVD so that those who are looking for a great addition to their martial arts film collection will know what to expect.
Posted in: Disc Reviews by Archive Authors on September 26th, 2010
Written by Diane Tillis
Casino Jack and the United States of Money is a political documentary that takes a look into über lobbyist of the Republican Party, Jack Abramoff. The mind and voice behind this documentary is Alex Gibney, who also did documentaries Enron: the Smartest Guys in the Room (2005), Oscar-winning Taxi to the Dark Side (2008), and My Trip to Al-Qaeda (2010). Jack Abramoff is the center of attention in this documentary as Gibney gathers interviews and archival material to expose the D.C. lobbyist as corrupt and greedy.
Posted in: Disc Reviews by Michael Durr on September 23rd, 2010
This might be a newsflash to some, but I can’t dance. I can’t groove, shimmy or even lay down some dope moves. As such, a whole generation of movies is probably lost on me. In it, young hip kids move around and perform moves that would have made Fred Astaire jealous. It is a showcase of talent on the most basic level. One such movie appeared on my review plate named Stomp the Yard: Homecoming. Hopefully with some fresh moves, we can get an interesting story to boot.
Posted in: Disc Reviews by Gino Sassani on September 23rd, 2010
Ever wonder what the kids of South Park might be like if they ever made it to adulthood? While I’ve not seen that many episodes of the FX series It’s Always Sunny In Philadelphia, that was the first observation that came to mind. These are the South Park kids all grown up. They’re crude, raunchy, mean, and most importantly, they are as politically incorrect as ever. If you need an example, I can offer one right from this episode. The guys have a Christmas tradition that dates back to their childhood of throwing rocks at moving trains.
Posted in: Disc Reviews by Gino Sassani on September 23rd, 2010
“There’s always a story. You just have to find it.”
What happens when you’re a popular murder-mystery writer and someone starts to use your stories and ideas to kill people in the real world? At first you become the prime suspect, particularly if you’re found to be completely self-centered and annoyingly arrogant. That’s where a pretty good alibi might come in handy. Is playing poker with the Mayor and the Chief of Police good enough? So, you’re no longer a suspect. Now what do you do?
Posted in: Disc Reviews by Gino Sassani on September 23rd, 2010
The residents of Wisteria Lane have become household staples in the last four years. Even after watching the show, I’m still not sure I understand what it’s about, but I’ll try to give my take on it anyway. It would appear to this reviewer that the show owes at least part of its genesis to the HBO hit Sex And The City. There is the same narrative angle, this time by a deceased member of the group. Still, that narrative contains many of the same kinds of observations as the HBO show and appears to imitate it as often as not. The show also deals with the exploits, often sexual, of a group of women. This time they are married, but that doesn’t seem to stop the flings
Posted in: Disc Reviews by Archive Authors on September 23rd, 2010
Written by Diane Tillis
Broken Lizard is the comedy group composed of Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter and Erik Stolhanske. I recognized the group as the minds behind the films Super Troopers (2002) and Beerfest (2006). They decided to return to their comedic roots and go on tour in this DVD comedic show at the El Rey Theater in Los Angeles, California. The five men would take turns to perform a solo sketch. It allowed the audience to distinguish them as individuals.
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