1.78:1 Widescreen

As mentioned before, reviewing television series can be very rewarding since I don’t watch as much television as I used too. I’ve found series that I never knew existed until the discs showed up in my mailbox. One of these great series is named Legend of the Seeker. I was fortunate enough to review the first season and it got great marks. So, I was even more delighted to see the second season hit my hands as well. This might be the final season for the show but let’s hope they saved the best for last.

So boys and girls, do you remember what happened in the first season? Well the Seeker, Richard Cypher (played by Craig Horner) defeated the evil Darken Rahl (played by Craig Parker) and sent him to the underworld. There will be much rejoicing and celebrating now that the lands are free and maybe finally the people can live in peace. Or will they? *insert dramatic music here*.

The legacy of Walt Disney and the studio he created requires little explanation. The studio invented the idea of a feature-length cartoon and has been on the cutting edge of animation since the 1930’s. No other studio can claim ownership of as many animated classics as Disney. From Mickey Mouse to Pixar, the studio has churned out one masterpiece after another for over 60 years. What tends to get lost in this great body of feature-length classics is that the studio was also producing some very high-quality shorts over these years. Whether it’s Disney favorites like Mickey, Donald, Minnie, or Goofy or it’s strictly one-off characters gathered to tell a wonderfully animated story, Disney has a record that simply hasn’t been and likely will never be matched.

The Disney magic faded for a little while during the 1980's. There were still animated features, but they weren't the groundbreaking triumphs of the studio's golden age. All of that changed as we entered the 1990's. The Little Mermaid is considered the first of the new wave of Disney classics. It certainly signaled a change in the direction of animation at Disney. While the change may have begun there, I believe it was Beauty And The Beast that started a wave of productions that would peak with The Lion King. With Beauty And The Beast everything is cranked up a notch from the mediocre affairs the studio had been churning out for a time. Beauty And The Beast had the epic proportions, fluid animation, and bright colors that set the Disney Express back on track.

For somebody who does a lot of the cartoon reviews on this website, I often miss many new cartoons that crop up on Saturday mornings, Comedy Central, Nickelodeon, etc. One such animated show cropped up on my review slab. In the spirit of Halloween, (but not an official Nights of Terror post), it is my pleasure to take a look at Ugly Americans, the newest animation from Comedy Central.

Mark Lilly is a newcomer to Manhattan. He moves into his first apartment that he found on Craiglist, a nice two-bedroom with a roommate. One little problem, his roommate is a flesh-eating zombie named Randall Skeffington. Randall became a zombie in an attempt to win over a hot girl who was into zombies. The only issue is that the hot girl had moved on to warlocks by the time Randall had turned.

"General George S. Patton. His bold attacks are legendary. See the war the way he saw it and ride along with his hard-fighting troops as they battle their way through World War II. On this 360-degree battlefield, Patton's enemies could be anywhere and everywhere. There's nowhere to run, when the war is all around you."

Patton 360 does for the European theatre of World War II what Battle 360 did for the fight in the Pacific. Just as in that earlier program, we are brought into somewhat intimate contact with one of the most prolific and successful fighting corps in that part of the war. Patton was a larger-than-life general who often got into his own way more than the enemy ever did. He was nicknamed Old Blood & Guts based on a standard speech he delivered when addressing the troops. He was the most successful general in the European war. From Normandy he pushed across France and into Germany liberating towns along the way. The French citizens loved him and considered him a hero. His troops respected him and drew confidence from him, even if they did not necessarily love the man himself. He didn't suffer what he considered foolish behavior very well. He found himself suspended and out of the war for nearly a year when he slapped two battle-fatigued soldiers with whom he had lost patience. However, it would be impossible to discuss the Great War without spending some significant time on George S. Patton. This series does just that ... and with a certain flair.

It's a classic moment in holiday cinema history. Ralphie, Flick, and Swartz are gathered around a flagpole in the dead of winter. Flick is scoffing at the idea that your tongue will stick to a metal surface under these extreme cold conditions. So Swartz commits a small violation of etiquette when he goes right for the triple dog dare. There isn't any way out for our friend Flick. The results are predictable, but nonetheless hilarious. I wish I could say the same for the teen angst film Triple Dog. For me, there truly was no way out. You, my gentle reader, might yet save yourself.

Eve (Fast) is having a birthday sleepover. The guests include her best friend Chapin (Robertson), who is a bit of a loudmouthed troublemaker. She's carrying a pretty dark secret that is causing her to act out and behave in a self-destructive manner. There's also Liz (Taylor-Compton) who is the dark school outcast. She's nicknamed "rat girl" because she carries a pet rat in her backpack. She and Chapin really do not like each other. Liz wasn't really invited, but their mothers are friends and she's pushed into the sleepover party. Cecily (Parish) is the rich girl in the group. Her father owns a local store. She's also the proper class president and academian in the group. Sarah (Tennant) is a strait-laced Catholic girl who is the uptight do-gooder in the group. Finally there is Nina (McKillip), who is the typical dumb blonde girl in the group.

The other day, I was conveying to my better half that she should do an open review about a movie called Secretary that was fairly new to Blu-Ray. She ultimately decided against it because she felt she could not do a PG review for such a risqué movie. It is only fitting that a week or so later, I find Bad Lieutenant, a NC-17 movie in my own review pile and I was faced with the same task. Take an absolutely gritty, dark and disturbing movie and do what you can to make it a wholesome review. I always did like challenges.

Harvey Keitel plays a very bad cop. In fact, he's actually a Lieutenant of a local New York precinct (btw, he's never actually given a name, so we'll call him Lt.). He's had the crazy life that echoed the overzealous nature of the 80's. He has a family complete with a wife and children but the wholesome image stops right there. In his time out on the streets, he boozes, gambles, steals evidence, womanizes and does drugs including a whole lot of cocaine.

We all remember Ed O'Neill as Al Bundy from Married With Children. It's an iconic role that he'll never be able to shake no matter what he does for the rest of his life. After that series ended its 11-year run, he even attempted to get out of comedy and take more dramatic roles. I'm sure there was a deliberate intent to try to distance himself from Al. It's not that he likely didn't love playing the role. He just wanted to avoid getting forever typecast in the mold. Those efforts weren't all that successful. But now he's back where he belongs again in a pretty solid sit-com. He's not playing Al Bundy anymore, although you won't have to look very hard to find some of Bundy in Jay from Modern Family.

I have become somewhat frustrated over the television comedy genre for a lot of years. It seems that they all take the same path no matter what the show's actual concept might be. It's usually the same jokes, just in a different environment. I don't have children, but I expect that it must be near impossible to sit down and watch a comedy with your family any more. If I were a stranger visiting this planet for the first time, I would quickly come to the conclusion that sex is about the only thing that's funny here. Thank God that once in a while something fresh comes along and swims against the current tide of innuendo and toilet humor. Modern Family is the kind of show you can enjoy with the entire family. And guess what? It's pretty darn funny on top of it all.

"For centuries the prophecies of Nostradamus have been part of the historic record. While highly speculative and controversial, their author's legacy endures."

Most people who actually know me can say that I do love to sing. Much of my singing is relegated to a combination of karaoke and Xbox 360 games (Lips/Rock Band). But a long time ago, I wasn’t very comfortable with my singing. Had I been comfortable, I might have joined my school’s glee club. Fast forward a few years and we have a show about a high school glee club. Its funny how you can miss an experience you have never had.

William McKinley High School is in need of a new director of their glee club. The last one was a bit too handy and had to be dealt with. Luckily, there is a Spanish teacher named William Schuester (played by Matthew Morrison) who wishes to take over the position. Principal Figgins (played by Iqbal Theba) lets him know they have almost no budget but he still must place them in regionals for them to continue.

A young epileptic girl returns to her home in New York while on spring break. She stays with her mother and her best friend Al, whose room is now being rented out by his parents. While there she loses touch with her college boyfriend and reevaluates how she feels about her friend Al.

I wish I could say that opening paragraph was the launching point for the film's plot, when in fact it is a basically a summary of the entire film. This film is a very understated character study of our female lead and offers little by way of action or complex plot. Writer/Director Bradley Rust Gray's approach to this film is a sort-of casual, fly-on-the-wall approach to shooting the action (or lack thereof). Gray succeeds when using very long, uninterrupted shots, at very odd angles, as if the cameraman were spying on these these 20-somethings mumbling and fumbling through their awkward feelings and the lame parties they attend in order to capture their unadulterated actions. Whenever a typical shot-reverse-shot occurs (for those not up on film school lingo: an example is simply when the camera is watching one person speak, then cuts to a shot of the person they are speaking to and back again) it actually distracts from the moment for its artificiality removes us from the voyeuristic feel of the camera's positioning. The 'captured reality' approach to the presentation makes it so that I cannot tell if I should attribute the mishandling of situations (mainly some really lame and awkward dialogue) to the characters within the film, or to an awkward script. That is to say, I am able to buy into what is happening in such a way that I forget that there is a team of people working on this film that I cannot see and so I place all responsibility onto the characters.