1.78:1 Widescreen

Anyone who is looking for a direct sequel to the 2008 sleeper hit with Kiefer Sutherland or even a connection to the original Asian ghost film might tend to be disappointed in the direct-to-video Mirrors 2. This is absolutely one of those films where the name is used merely because of its franchise value, and the film's associations are mostly just a few familiar names. Add the same basic idea of a haunted mirror at the center of it all, and you pretty much have all of the connections this movie makes to either of the original projects. With that said, there is a bit more to like about Mirrors 2 than you might suspect on the surface.

This time it's Nick Stahl who plays a down-on-his-luck security guard at another branch of the Mayflower Department Store. He is Max, who has been dealing with a great deal of guilt of late. His fiancée was killed in an auto accident by a drunk driver. But Max was driving and wasn't paying attention to the road. He was playing a game of "find the ring" with his girlfriend when the tragedy occurred. As it turns out, Max's father (Katt) is the owner of the Mayflower Department Store, which is about to reopen its doors in New Orleans. The previous night watchman cut himself quite severely and quit his job, apparently going crazy during a night shift. Of course, we saw what really happened. It was an image in the main mirror that caused his injuries. The grand opening has been plagued with mishaps. Eleanor Reigns (Honore) has been missing for several weeks. Max discovers her spirit in the store mirror on his first night on the job. He also sees a vision of the store's executive buyer, Jenna (Romano) lose her head, literally. Later that night, he discovers that the woman really was decapitated by a shower door. He begins to see other prophetic images and decides something is seriously wrong here.

A Joss Whedon universe is always a strange and fantastical place to visit. It doesn’t matter if it’s populated by vampires and demons or space cowboys. If Whedon’s name appears anywhere on the credits, you know you’re going to be in for one hell of a ride. It’s been a little while since Whedon’s been back in the saddle. His most recent series, Firefly, was fraught with problems with the network. It was very badly handled, and the show died an undeserved swift death after just a few episodes. Whedon appeared somewhat bitter after all of that and disappeared from the television radar for a few years. They say you can’t keep a good man down, and now Whedon is back with his latest mythology-heavy series, Dollhouse.

For a lot of fans, it looked like Dollhouse was heading down the same black hole that Firefly flew into. There were numerous delays in getting started, not the least of which was the writers’ strike just days after the series was given the green light. Whedon had his cast and crew already in place, but it seemed they were all dressed up with no place to go. Once the strike ended, they quickly punched out the pilot episode from the series. Unfortunately, the new pilot had some issues. Whedon and the network hadn’t exactly been on the same page, and as quickly as it had been made, the pilot was scrapped. Fans were getting restless. It was just this kind of pilot debacle that started so many of Firefly’s problems. Fortunately, a second go went quite smoothly, and the show was off the ground. Ratings were not exactly the atmospheric numbers FOX was expecting from a Joss Whedon series. There was already talk by the middle of the first 12-episode run that the series was in danger. Then there was a problem with the number 12. Apparently FOX and Whedon had another one of their, by now, classic misunderstandings. The network was expecting not 12 but 13 episodes. The result was a pretty unconventional final episode that just might have saved the series as it turned out. Finally, the show finished production with no word on renewal. The show was considered on the bubble, with most predictions leaning toward its cancellation. It seems that the curse was going to make Dollhouse just another of its many victims. But then something unexpected happened, and the marginal show was renewed. But that was to be a short-lived reprieve. The series is gone now and these final 13 episodes are all that you'll have left to remember it.

Written by Diane Tillis

I will admit, the moment I saw the cover of the DVD I was already convinced this was going to be one of the worst films I have ever seen or a close second. The cover has a dark figure cloaked in a blue throw blanket and is holding a leaf blower as a weapon… a leaf blower?! Four Boxes turned out to be one of those independent thriller films that should have been left on the cutting room floor.

A&E and History have combined for some of the best educational as well as entertaining programs over the years. Many of those shows have taken close looks at the various civilizations and empires throughout world history. Most of these shows take a look at these civilizations from the inside outward. We're not talking the litany of facts and accomplishments that we've seen on hundreds of documentaries as well as our old high school textbooks. These programs look at the day-to-day life of these cultures and peoples. The accomplishments here are the ones that affected everyday life within these empires. These are the kinds of things we tend to take for granted in our modern lives. Things like sanitation, architecture, and basic metro services didn't just appear out of nowhere. These shows give us a rare look into the evolution of the things that have identified human evolution over the millennia. It's said that we are separated from animals by our ability to shape and change our environment. With this massive 14 disc set, you can explore the ways that we have shaped our planet in our quest for civilization.

The disc includes the following series and episodes:

Former pirate radio DJ Mike Raven plays Victor Clare (a case where the actor has a scarier name than the character he plays), reclusive artist who, one strongly suspects, has the unpleasant House-of-Wax-y propensity to pour molten metal on his models in order to bronze them. A group of characters with varying agendas gather at his Cornwall abode: his senile wife; his sexually ambivalent model; his weak, alcoholic son (Ronald Lacey, a long way from the menacing Nazi he would later play in Raiders of the Lost Ark) and impatient daughter-in-law; a neophyte art dealer and his girlfriend, Millie (Mary Maude). Victor becomes obsessed with Millie, determined make her his artistic muse. Meanwhile, the cast is being gruesomely bumped off one after the other.

Raven comes across very much as a poor man's Christopher Lee. He has the height (more or less), he has a deep voice, and he even looks not unlike Lee. But he has none of the master's screen presence, and isn't as frightening as he clearly should be. Most of the film is a rather dull plod, with characters wandering about, flirting or sniping at each other, and repeating conversations ad nauseum. The murders come along every so often to spice things up, but given Victor's obvious villainy, one might well wonder why the film is being so coy about the killings, and refusing to show us the killer.

“Mentalist: Someone who uses mental acuity, hypnosis, and/or suggestion. A master manipulator of thoughts and behavior.”

I remember fondly Simon Baker’s last television series, The Guardian. It wasn’t exactly a great or groundbreaking show, but it chugged on somewhat quietly for five seasons. It didn’t seem like anyone was really noticing this quality show. So as much as I like this new series, I think what pleases me most is that The Guardian has made it to DVD. I’m not sure it would have happened if The Mentalist hadn’t broken out as the number one new series last year. And as much as I’d love to tell you more about that earlier series, I’m going to get that chance next month, so stay tuned.

Bo Burnham is one of those very young up-and-coming comedians that will either turn you completely off or make you very happy that you made his acquaintance. I think I'm one of those rare folks who finds himself in the middle after watching this hour-long performance.

There is no question at all that Burnham processes incredible talent. He is one of the most clever comedians I've seen in ages. He has an understanding of the English language that we haven't seen since the likes of George Carlin. There is a sophisticated intelligence at work here that is, unfortunately, easy to miss, if you don't pay particular attention. Burnham is manic in his delivery. He changes subjects and speeds with a suddenness that is liable to leave you with whiplash. Before you can really think about what he's said, he's already three subjects down the road flipping you the finger for not keeping up. And while I appreciate comics who push the limits of political correctness, there are moments that Burnham pushes the taboos much farther than he should. His 9/11 joke fell flat for the live audience. He uses Hitler and the holocaust a bit too much. It's almost as if he's hoping you'll tire of the routine. And then there's his age. Some of the more risqué sexual stuff just seems wrong from a guy who looks like he's a freshman in high school. He does a routine about Charlie Brown being molested. Way too far, dude.

The album, Holy Diver was released on May 25th, 1983. It was Dio’s best work featuring two singles that would hit the American top 40. It would actually take a full year for the album to hit Gold and almost 6 years to reach Platinum status. However, Dio remains popular today and is still listened to around the world. With that said, it is my pleasure to bring you the last recorded concert of one Ronnie James Dio as he plays the Astoria Theatre in London, England.

October 22nd, 2005. It is the final stop of an 11 date British Tour and Dio has hit the Astoria Theatre in London along Charing Cross Road. However, despite the band playing there a multitude of times, this one was a little different. Earlier in the year, Rock Candy Records had re-released the epic Holy Diver and the band had to figure out a way to best promote the re-release. They came up with the idea of playing the entire album, front to back in order.

It is always a different experience to watch a show in reverse. But that is exactly what happened when I watched the final three episodes of Wolverine and the X-Men on DVD. At that time, I did know there was a complete series dvd and blu-ray package coming but I wasn’t sure if I would be fortunate enough to bring that review to the loyal readers. Well, loyal readers your animated super hero guru is here and I am happy to present to you: Wolverine and the X-Men, The Complete Series on Blu-Ray.

Kitty Pride (I refuse to call her Shadowcat), Nightcrawler and Colossus are working hard in the Danger Room, the training facility of the X-Men. They are trying to last the specified amount of time to win the exercise but in the end, they all lose. Who is controlling the simulation you may ask? Why it’s Wolverine of course. It is his farewell present to the students before he embarks on another trip to destinations unknown.

There hasn't been a show quite like Human Target on television. There are certainly action shows, and there have been many shows that have taken on the "private" bodyguard or dedicated do-gooder. But I haven't seen a series yet that managed to capture the kind of action that you only find in big-budget feature films on the smaller scale and more limited budget of television. That is, until I saw the 12 episodes of the first season of Human Target. I remember seeing a huge advertisement blitz around the time of the Super Bowl, but I've seen a ton of these dramatic previews that only seemed to lose the sizzle over the course of a season, or even a single episode.

Christopher Chance (Valley) has a mysterious past. We get the idea he was a paid assassin for some sinister organization. He, at some point, has had a change of heart. It's an incident that is only hinted at until the final episode of the season. He now works with former San Francisco detective Winston (McBride). They provide protection services for people who find themselves in danger or in need of being rescued. They function outside of the normal boundaries of the law. Winston has some pretty impressive connections that allow them to have access to sensitive information. These connections also come in handy during a pinch. Many of these people are folks that they had already protected at some point in the past. The team is often assisted by Guerrero (Haley). He is another former bad guy from Chance's old organization. Their old boss is trying to track down Chance. We don't completely understand the relationship Chance had with his boss, but we know that they were close and the Boss considered it a personal betrayal when he left the company. We know that the falling out involved a woman named Katherine, and she's a source of great guilt for Chance. Of course, much of this will be revealed in the last episode of the season.