Posted in: Disc Reviews by Gino Sassani on July 26th, 2010
USA Network has certainly found a little niche for themselves, milking their "characters wanted" run of television shows. It all started with Monk and has progressed through several successful reincarnations of the quirky character-driven shows. In some cases the quirky nature of the characters gets pretty out of control, and while I liked Monk a ton, his OCD was significantly over the top at times. This tends to draw too much attention and minimize whatever might be happening in the episode itself. That's not the case with White Collar. This series has a ton of potential to be the next big breakaway hit for the cable network. There's just enough style to the main character to make him incredibly interesting, but not so much that the exceptional stories don't get your full attention. I don't get to watch that many television shows these days. I'm too busy keeping you guys from making bad DVD or Blu-ray choices. It's a tough job, but somebody's got to do it. I'm not complaining, really. It just stands to reason that I will miss the occasionally solid new show to hit the airwaves. Such is the case for me and White Collar. Fortunately for both of us, I get the chance to catch up when the shows inevitably reach the home theater market. Fortunate for me because I do eventually get to see them. Fortunate for you because I can let you know when there's something you might have missed that you need to see. This is one of those times.
Neal Caffrey (Bomer) is an elite thief and con artist. He's an expert forger and is doing four years after finally getting caught by FBI agent Peter Burke (DeKay). With just three months remaining on his 4-year stint, Neal breaks out of prison. Now, what would make a guy escape when he's almost finished doing his time? The answer, of course, is a woman. In this case it's Kate (Daddario) who broke up with Neal on her last prison visit. But, Neal is convinced there is more to the story, so he takes a powder from prison, only to be caught again by Peter. Now Neal is facing another four years behind bars. Fortunately, however, Peter is trying to catch one of his most elusive criminals. He calls him The Dutchman because he's like a ghost. Neal offers his arch-rival a deal. Peter releases him into his own custody, and Neal will help him track down the Dutchman. If the case goes well, the deal can be made permanent for the rest of Neal's prison time. So, ala 48 Hours, the duo track down the crook. Neal ends up talking his way into a multi-million-dollar mansion suite for his new digs. While he helps Peter, he is secretly trying to track down Kate, who is mixed up with a mysterious stranger. Neal only knows him by a pinky ring he's seen in a photograph. The stranger wants something he believes Neal stole and has stashed away somewhere. Neal's investigation hits several snags, not the least of which is an ankle bracelet that only allows him to traverse a 2-mile radius of his home when he's not with Peter. To help out with some of the legwork, he has Mozzie (Garson), an old friend and fellow con artist.
Posted in: Disc Reviews by Gino Sassani on July 26th, 2010
"Would you give up 20 years to prove a stranger's innocence?"
That's the question that is asked and answered, at least for one person, in the docudrama The Wronged Man. The film is a made-for-television movie that appeared originally, and still does from time to time, on Lifetime.
Posted in: Disc Reviews by Gino Sassani on July 23rd, 2010
Let's see if you can follow any of this. Jesse Warren is a wannabe actor/director/gofer. He's taking acting classes like a million other Hollywood hopefuls. During his classes he begins to write the "way cool" story about a character named Neil Bannen. As luck would have it, he runs into another aspiring star in Mark Gantt. Gantt appears to be exactly like the character in Warren's fledgling script. So, he approaches his classmate and both agree that the story is "way cool". They know someone at a major studio with more development money than good sense, a guy likely parking cars at The Hollywood Bowl these days. The script gets greenlit, and before you know it the a couple of B list actors along with other film students gather for what is described as an internet series that will also be cobbled together to form a feature film, direct to video, of course. Cut to a hapless reviewer who, as luck would have it, is not an aspiring Hollywood actor. He's given an advance copy of that "way cool" film and sits down in his home theater to watch the movie. As the curtain falls, we find the reviewer sitting down to his computer terminal as he begins to type. He begins his review: "Let's see if you can follow any of this. Jesse Warren is a ..."
Sounds like it might be the plot of the new Sony direct to video release The Bannen Way. No such luck. That might have at least made an interesting comedy. Instead, the above isn't quite the plot of the film. It isn't exactly based on a true story. It IS a true story.
Posted in: Disc Reviews by David Annandale on July 21st, 2010
Raquel (Catalina Saavedra) has been the maid for the family run by matriarch Pilar (Claudia Celedón) for 23 years. Those years have taken their toll, and Raquel looks worn far beyond her 41 years. She is clearly unable to look after the household on her own, and Pilar tries to hire another maid to help out. Raquel takes this the wrong way, imagines she's being eased out, and treats each new maid as an invader who must be repulsed.
Saavedra is extraordinary in the title role, her exhausted, pained, but determined look invoking a sullen bulldog who is on the verge of going feral. But this is not the story of a maid's psychotic break, nor is it one where the family she works for is made up of monsters. Everyone in the film is very human, and the story is a very human comedy. The comedy is not of the slapstick nature (though there are some pretty physical moments), but rather grows out of the finely observed characters, and is shot though with genuine drama. A find, deeply sympathetic piece.
Posted in: Disc Reviews by Gino Sassani on July 20th, 2010
"Welcome back my friends to the show that never ends. We're so glad you could attend. Come inside. Come inside."
The rock gods must have been smiling when Keith Emerson, Greg Lake, and Carl Palmer journeyed from their perspective corners of the music world and combined to form the band Emerson, Lake & Palmer, or merely ELP to the fans. Keith Emerson had made quite a name for himself with his manic organ riffs while working in the band The Nice. Greg Lake was busy with the band King Crimson where he worked with long-time ELP collaborator Peter Sinfield. Carl Palmer was the youngest member of the group and had played for several bands before meeting up with his eventual ELP bandmates. Together they would help to define an entire genre of music. This new progressive rock era would be recognized not by hit singles and AM radio play. Instead this music would be enjoyed for its virtuosity and complexity. In all of the years the band enjoyed success, they've released less than a handful of what the industry defines as a single. Yet, anyone who has ever seriously picked up an instrument in the last 40 years knows exactly who they are.
Posted in: Disc Reviews by Michael Durr on July 19th, 2010
G.I. Joe the Movie was originally supposed to be a real box office movie. It was to be the first of three animated motion pictures put out by Hasbro Toys. The other two were based on Transformers and My Little Pony. However, production delays caused the other two to go first. When Transformers and My Little Pony did poorly (gee, never would have guessed that a talking magical pony failed to grab box office sales), it was decided that G.I. Joe would go the direct video route. Years later, it still proved to be arguably the best of the three.
It seems that Cobra Commander and Serpentor just can’t get along. They constantly bicker as to who is in charge of Cobra and would rather accuse each other of incompetence than figure out how to defeat G.I. Joe. It is at that moment that a woman breaks into the Terrordrome. Cobra Commander tries to rally the troops and goes off to find this stranger leaving Serpentor behind. However, the woman still makes it to the Cobra Leader.
Posted in: Disc Reviews by Gino Sassani on July 15th, 2010
Parasomnia is a broad term that covers a lot of sleep disorders. I even ran into the term in association with restless leg syndrome. But there is a severe disorder called Kleine-Levin Syndrome, also known as Sleeping Beauty Syndrome, where the sufferer spends a very large part of their lives asleep. In reality, it usually amounts to days at a time. In William Malone's new thriller Parasomnia, we meet Laura, who sleeps about 90% of the time, making her a true Sleeping Beauty. Malone's had a bit of an inconsistent history. He was responsible for the extremely disappointing remake of The House On Haunted Hill as well as the unfairly maligned feardotcom. His style is almost always over the top and often dominates anything that the story is trying to say. Much of that can also be said of Parasomnia, except here there is a wicked sardonic tale that manages to blend perfectly with the overactive style components. Is it possible that Malone has finally found a gene-splicing technique that has created the perfect stylish thriller? After spending some time with this DVD, I have to say that he has.
Laura (Wilson) is a teenaged girl who has spent most of that time asleep. She has no known family, so she spends all of that slumber time in a corner of a mental hospital. Her next-door neighbor happens to be one of the most notorious serial killers ever known. He has a strange hypnotic power that he has used to mesmerize others to do his diabolical deeds. His name is Byron Volpe (Kilpatrick), and the only way he can be safely contained is chained in a room with his face covered by a black hood. His cell looks like something out of a medieval torture chamber. Enter Danny (Purcell), a young artist who is at the hospital visiting his friend who is in rehab there. The two neighboring rooms make quite an emotional impact on the young man whose girlfriend has just left him. Volpe he finds morbidly fascinating and terrifying at the same time. Laura he is drawn to. He develops an overwhelming desire to protect her. When he discovers that an unethical researcher is about to take her away to use as a guinea pig, he swings into action and kidnaps, or rescues, depending on your point of view, the girl from her fate. It's not easy taking care of a girl who is only awakes for minutes at a time. She is pretty much a blank slate, since she's never been awake enough to experience everyday things like a car ride. To make things worse, Volpe appears to have a hold on her, able to dominate her dreams. It is here that she lives a terrifying life taunted and tormented by the killer. When his hold is able to control her few waking moments, the result puts both her and Danny on the radar of the police, particularly Detective Garrett, played by sci-fi genre favorite Jeffrey Combs. Danny decides that the only way to truly free Laura is to kill Volpe, but that won't be easy. Still, there must be a showdown.
Posted in: Disc Reviews by Gino Sassani on July 13th, 2010
I get the impression that things didn't quite work out for Joe Pesci the way he might have originally intended. There's a heart of a serious actor buried somewhere deep under the makeup of a clown. Who can forget the dead-eyed killer Tommy from Goodfellas? Most of us have that restaurant scene engraved in our heads where Tommy asked the immortal question "Do I amuse you?" Well ... Joe, actually, you do. And putting aside his initial role of Joey in Raging Bull and the aforementioned Tommy with its carbon-copied Casino character, Pesci has made the most noise by amusing us. Whether it was playing the title character in the hilarious My Cousin Vinny or the reluctant police snitch Leo Getz in the Lethal Weapon films, as much as he scared the crap out of us in Goodfellas, we've spent a lot more time laughing when Joe Pesci was up on the big screen. Jimmy Hollywood is certainly not the best of these funny roles, but it merits honorable mention.
Jimmy (Pesci) is one of the thousands of actor hopefuls that have come to Hollywood in search of stardom. It's all he thinks about. He even takes out an ad on a bus stop bench, expecting Hollywood big shots to be ringing his phone off the hook with starring roles. The truth is that Jimmy is more than a little naive. He's memorized the order of the stars on the Hollywood Walk Of Fame, and he can sit mesmerized by old Hollywood documentaries. Still, he's not recognized for whatever talent he believes he possesses. The truth is that Jimmy really pines for a Hollywood that doesn't even exist anymore. He's looking for that Golden Era with the likes of Cagney and Robinson. He's looking for streets that glitter like gold. Instead, he finds the streets are infested with criminals. His girlfriend Lorraine is robbed at gunpoint on her way home from the beauty parlor where she works. When his car is broken into and his stereo stolen, he decides to take drastic action. If the cops can't stop the criminals, then he will. Along with his best friend and cameraman William, who is somewhat mentally only half there, he stakes out the streets waiting for the serial stereo thief to try for another stereo. They record the crook in the act, tape a confession complete with the address of his fence and tie the guy up and leave him, the stereos, and the tape at the steps of the police department. William signs the label-maker note SOS, and before long the police believe a major vigilante group is at work in Hollywood.
Posted in: Disc Reviews by Gino Sassani on July 13th, 2010
"Earth: a unique planet. Restless and dynamic. Continents shift and clash. Volcanoes erupt. Glaciers grow and recede. Titanic forces that are constantly at work, leaving a trail of geological mysteries behind."
I saw a bumper sticker recently that read; "Geologists dig classic rock". I should have taken it as an omen that I would be spending some quality time with a few geologists over these last couple of weeks. It started with the excellent BBC mini-series How The Earth Changed History and culminated with the 13 episodes of the second season of How The Earth Was Made. It might be easy to confuse these titles in your video store. But, make no mistake about it. They are very different shows down to their core, pun intended.
Posted in: Disc Reviews by Michael Durr on July 12th, 2010
Marvel Superhero cartoons come and they go. For every Spider-Man cartoon, there is an X-Men cartoon, or Wolverine or perhaps even Iron Man gets one. Some of them last more than one season but more often than not they are replaced by shows telling the same stories but in a different style. Marvel Superhero Squad show attempts to break the mold by providing fresh stories with a rather interesting and unique animation style.
Super Hero City is a vast metropolis full of super-heroes and civilian life but chaos has taken hold. It seems that Doctor Doom and his Lethal Legion are looking for scattered Infinity fractals which hold great power. With each one collected, they are closing to building an Infinity Sword, a source of ultimate power. However, standing in their way is the Super Hero Squad and consists of six primary members.
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