Posted in: Disc Reviews by Gino Sassani on March 25th, 2009
This is not your Friendly Neighborhood Spider-Man. If you’re at all like me, you grew up on the 1960’s cartoon series and, of course, the Marvel comic. A lot has changed since those early days of the web slinger. There’s been a not too successful television live action attempt. The comics themselves have changed significantly. You can’t discount the enormously profitable Sam Raimi films, that have given new legs to an old superhero. It stands to reason that a new cartoon series was in order. Enter The Spectacular Spider-Man, the 10th series based on the Marvel character.
Posted in: Disc Reviews by Gino Sassani on March 25th, 2009
This is one of those direct to video sequels I never saw coming. It’s not like anyone was exactly breaking down the box office doors to see the first Happily N’Ever After film when it debuted in January of 2007. Universally panned by the critics and audiences alike, it disappeared rather quickly from the scene and was, or so we thought, destined to become a distant memory, a legend used from time to time to scare little children into behaving for their parents. “Clean up your room now, or I’ll force you to watch Happily N’Ever After again”. Most of us where never really sure it existed at all.
Posted in: Disc Reviews by William O'Donnell on March 25th, 2009
This set contains all of the episodes from the first season (or “series” as it is termed in the UK). The show follows a standard teen drama format of a group of high school friends, this time from Bristol. Each token stereotype is covered in the main characters (the quirky girl, the party animal, the dweeb, the cool guy & girl, the ethnic guy & girl, the gay guy) and each receives their own episode to focus on them, with a few ongoing romantic plots stringing all of their stories together. Each of said episodes ends with the focus character coming to some sort of new advancement or revelation in their lives (Example: the character with an eating disorder bites into a burger).
Posted in: Disc Reviews by David Annandale on March 21st, 2009
Melissa Leo is a hard-working café waitress in Tennessee who regularly sends what little extra cash she has to her adult son who, for reasons never explained, is a drug-addict in Johannesburg. A drug lord (Joey Dedio) kidnaps said son, and demands a ransom that, for Leo, is next to impossible. Nonetheless, a mother's love knows no obstacles, so she scrapes together the money to fly to South Africa. Once there, she connects with Tina (Lisa-Marie Schneider), her son's prostitute girlfriend, and is made to run the gauntlet by Dedio, who shows very little inclination to let his hostage go, no matter what demand is met.
Posted in: Disc Reviews by Gino Sassani on March 16th, 2009
There’s a lot to want to love about this film. You have the return of the super powered Malone children, and more importantly, the same actors to portray them. Director John Hough returned to direct the sequel. The film also includes Christopher Lee and Bette Davis as the villains. Like I said, a lot to want to like. Something went terribly wrong along the way. Neither Christopher Lee nor Bette Davis take their roles seriously at all. I don’t think I’ve seen either accomplished thespian show so little effort in a performance.
Posted in: Disc Reviews by Gino Sassani on March 16th, 2009
Walt Disney has always had as a main theme in its movies the idea of empowering children. It didn’t matter what circumstances the children might find themselves in, Disney always found a way to bring them out of their predicaments with an inner strength that they never really knew or believed that they had. It’s likely one of the reasons the studio has been so successful with children’s films over the decades. Escape To Witch Mountain is one such film. It’s certainly not the greatest from the Disney vaults, but you could do a lot worse.
Posted in: Disc Reviews by Michael Durr on March 16th, 2009
A “sexy” movie is more than a movie that just has two people performing the horizontal mambo with heavy breathing. There needs to be passion, there needs to be raw emotion and even sometimes there needs to be love. If there are words to be spoken between the two beings, they need to have strength and feeling.
Posted in: Disc Reviews by Gino Sassani on March 12th, 2009
Finally, this show has really gotten to me. I don’t know what it is about this 8th season, but I was far more interested in the show than I had ever been. Maybe I’ve spent so long with these characters that they started to come alive for me. Maybe I was resistant to a slightly different way of telling stories. Maybe it was that the stories became less about who was with who that I was finally able to enjoy the great courtroom drama and investigation elements of the series. Whatever it was, I am finally a fan.
Posted in: Disc Reviews by Gino Sassani on March 10th, 2009
It’s always a danger when you have the same person do too many roles in a film. There have been notable exceptions, but the rule proves true enough to be considered an axiom. In this case we have the duet of Hunter Hill and Perry Moore co-directing and co-writing the script. The problem is that neither of them had done either of those things before. Their inexperience takes its toll on a film that had a lot of potential. Sometimes the best thing you can do for a project is to let it go. Unfortunately these two couldn’t give up even a little of that control. In the end you have a movie with a very powerful cast that can’t seem to salvage anything given them by Hill and Moore.
Posted in: Disc Reviews by Archive Authors on March 7th, 2009
"There are more fat people in American than there are people." That's the dry wit of Tom Baker, Little Britain USA's narrator, introducing a sketch about "Fat Fighter" Marjorie Dawes. If the series stuck with that brand of humor, I'd have enjoyed it thoroughly. Instead, it goes places so crude I was continually startled by its outrageous comedy. I'm of the opinion that blue humor is a love-it-or-hate-it genre. If you enjoy the nasty stuff, Little Britain USA : the complete first season is definitely up your alley. Mine? Not so much.
