1.78:1 Widescreen

Based on actual events at the University of Iowa in 1991 (which I did not know when I began watching), this film follows a young Chinese student named Liu Xing (played by Liu Ye) as he is accepted into a prestigious Cosmology research team based out of a Utah University. While working for a respected Cosmologist named Jake Reiser (played by Aidan Quinn) he makes his own revelations and theories that challenge that of his employer and mentor. This creates an obvious conflict between them which places his dreams of a Nobel Prize, and even just graduating at state if he decides to continue with his own theories and not Reiser's.

In writing a review of this shameless Da Vinci Code cash-in project (the tag line on the cover even trumpets “Only one can shatter the code”!), it would be easy to fall back on easy comparisons to the Dan Brown books, or the Indiana Jones movies, or even Tomb Raider. That, however, would be predictable and, considering how obvious such comparisons are, has probably been done many times over by other reviewers. For this reason, I have decided that for this review, I will focus on the things I discovered by watching The Last Templar. After all, a three-hour epic mini-series brimming with historical perspective and exotic locales is bound to leave some sort of impression. So here goes:

Dexter continues his jump to the world of high definition as the second season finally makes its way to Blu-ray. The show is killer, if you’ll pardon the expression. In the first season, Dexter pointed out the contradiction of a crime scene in sunny Miami. The aftermath of brutality appears somewhat surreal in such a colorful and bright surroundings. On Blu-ray you really get to understand what he was talking about. It almost feels like the show shouldn’t look so clean, so crisp, so bright. But, of course, it should, and it does in this release.

There are many examples of excellent BBC series and miniseries. Some eventually get remade into American shows. State Of Play is one of those fantastic BBC drama thrillers that is now making its way to American audiences, not as a copycat series, but as a major box office film staring Russell Crowe. While I have not seen this theatrical release as of yet, I am intrigued with the story and will eventually find myself watching this movie version. Unfortunately for the likes of Crowe and director Kevin Macdonald, I have a hard time believing that a 2 hour film can pack in as much detail

At a point in time, women’s fighting was nothing more than usually a side show attraction. As the years went by, the concept of women fighting each other became more and more accepted. There is a women’s boxing league and there are serious women all over the wrestling circuit (and not just t&a shows). There are even rumblings of MMA females (that might be a bit too far though). So, a good plot line for movies would be to interject the female into a man’s fighting world and see how they do. Take underground boxing and the movie: Fight Night, this could be a great marriage.

The title of Spectacular Spider-Man was once used to refer to a second-rate line of comics about the web-crawler. The Amazing Spiderman always led the way in sales but the Spectacular production always had its line of fans too. As well as the critics. The critics were often on the books because they had a more casual tone and sometimes didn’t even go along with the original book in terms of plot development. The comic eventually died off and in 2008, the Kids WB decided to use the name for their new animated show. Two seasons and 26 episodes later, this show has done quite well. Volume Four is now released and includes episodes 10-13.

Writing or directing a fighting movie is kinda like booking a wrestling card. In theory, you need to create a strong but flawed babyface who is fighting for a cause or fallen friend. The antagonist or main heel is usually completely evil and has the face of being completely untouchable. But in order to build up this reputation, he must also go through some minor good guys to get over his image.

“Oh Bother”A.A. Milne was quite an eclectic writer. He wrote murder mysteries that even appeared on Alfred Hitchcock Presents. From that fertile mind would also come a place known as the 100 Acre Wood. In that select place some of literature’s finest characters had the greatest adventures any boy could imagine. And adventures are certainly no fun on your own.

With Robert Rodriguez releasing films where he directs, writes, scores, edits and produces some people humor themselves into believing that anyone can do the same.  With Diary of a Tired Black Man, Tim Alexander attempts to accomplish a similar feat.  Jimmy Jean-Louis headlines the small cast as James who recently divorced his wife Tonya (Paula Lema)of four years. Alexander directed an internet clip that dealt with this relationship and from that 3 minute clip he adapted it into a feature film.  The story evolves into a complex investigation of relationships from the black male perspective. 

Bradford May, oh Bradford May. I have a good history of watching movies directed by Mr. May from a couple of Darkman sequels to the more recent Ring of Death. His style is pure popcorn and an attitude of leave your brain cells by the door. It is only fitting that I was interested in seeing another flick with his name on it. This one was called Mask of the Ninja. Right away, it sounded like a classic Bradford May movie. However, after watching it, I realized that Bradford had broken some laws in his production. He had broken the sacred five rules of portraying a ninja.