Posted in: Disc Reviews by William O'Donnell on April 8th, 2009
This is the fourth film in the Poison Ivy series and its star power has descended from Drew Barrymore, to Alyssa Milano, to Jaime Presley, and has finally fallen on Degrassi: The Next Generation actress Miriam McDonald; which is sure to fulfill a handful of strange Canuck fantasies.
McDonald plays Daisy, the new girl on campus who is apparently a "tom-girl" because she wears jeans...and is from the country (I guess). It's a fish-out-of-water story to start where she is scoffed at by the cool girls for showing up in a taxi, and gets a meet-cute moment with the richest boy on campus. She turns out to be the biggest prospect in the whole Political Science Department, despite being a freshman, which makes her a target of the "Ivys."
Posted in: Disc Reviews by Gino Sassani on April 8th, 2009
“The Black Freighter, the Hell bound ship’s black sails against the yellow Indies sky. I know again the stench of powder and men’s brains and war…more blood”
Zack Snyder had a big problem. He was trying to make a film out of a graphic novel that many acclaim as the best graphic novel ever written. Many directors before him have declared the project unfilmable. Alan Moore, the writing part of the book’s creation team, was dead set against a film version of the book and refused to have his name associated with the film. A lawsuit had broken out between Warner and Fox over who exactly owned the rights to even make the movie. The fans were making their expectations known loud and clear: Mess this up and we’ll get you for it. Did I say Zack Snyder had a problem? On second thought he had several, and not the least was that he found himself staring into the abyss of an unreleasable four hour film. Cuts were going to have to be made, severe cuts. One of those cuts was the comic within a comic story of The Black Freighter.
Posted in: Disc Reviews by Michael Durr on April 6th, 2009
My paying job in life is spent as a computer system administrator (unfortunately it is not writing reviews and columns). Often, I have wondered why I’m in the cubicle jockey life and not tried to find some job where I could use my writing skills more effectively and get paid for it. There is also a lot of bs and chicanery in the corporate world that annoys me to no end. It is little wonder that I was interested in the movie Side Effects which deals with the pharmaceutical sales industry. I wasn’t interested in pharmaceuticals but I was interested to see how one deals with the corporate crap that does go on. It made for an interesting experience.
Karly Hert (played by Katherine Heigl) is a pharmaceutical sales rep. Basically she pushes pills to hospitals and doctors whether they need it or not. Karly has a hard time of it and her sales are not doing well. She meets a fellow sales rep, Zach (played by Lucian McAfee) who decides to quit after the first week. A relationship forms between Karly and Zach as he challenges her views on her work and her life. As a result, she decides to quit her vocation but not for six months. She keeps track of the days on a white board above her bed.
Posted in: Disc Reviews by Gino Sassani on April 3rd, 2009
It’s amazing what a difference a hit movie can make. Your less worthy films are drummed out of obscurity. Not only that, but your billing even on these other films is suddenly pushed to the top of the class. Almost overnight, everything you did before gets pushed toward the public’s eye, for good or bad. Kristen Stewart has enjoyed a deserved boost to her career with the success of the teen vampire film, Twilight. Now the independent film The Cake Eaters is being released in time to coincide with Twilight’s own DVD release. This is a film that most certainly would have found its way into release on its own, but I doubt that the timing is at all coincidental. On the film Stewart’s billing is actually somewhere near the bottom of the front credits. On the box art she has amazingly leapfrogged the others and takes the top spot. That doesn’t mean she doesn’t turn in a great performance here, and it doesn’t mean that The Cake Eaters is a horrible film. But it’s not a great film, and so any help it can get from one of its stars’ rising popularity isn’t going to hurt any.
It’s more or less the story of two families in small town America. Easy (Dern) leads one clan. He’s recently lost his wife and lives with his younger son, Beagle (Stanford). His older son, Guy (Bartok) has just returned from New York, where he was pursuing a music career. There is obviously some tension between the two brothers. In another family, we have Georgia (Stewart) who is suffering from a degenerative nervous disorder. It limits her mobility and slurs her speech. It also will eventually cause her heart to give out, so that she’s aware she is on borrowed time. Her mother, Violet (Balsam) is an art photographer and specializes in partially nude photographs of Georgia. Her live in, Judd (Martin) is the more protective of Georgia. When Georgia and Beagle meet at a swap meet or rummage sale, they are attracted to each other. Georgia decides she wants to have sex so that she can experience it before she dies. Both teens are rather awkward personalities, and they begin to develop a bond, counter to the social norms around them. The relationship reminds me a lot of the one in Natalie Wood’s Splendor In The Grass. The film unravels as secrets and relationships are revealed that bring all of the characters to a point of self examination.
Posted in: Disc Reviews by David Annandale on April 2nd, 2009
A heavily armed group descends on a small-town supermarket. They gun down a customer, and announce that they are robbing the place. More killings ensue, but it soon becomes clear that this is no ordinary robbery. A strange form of triage is taking place that determines who is shot and who is allowed to live. Before long, only a handful of employees and customers remain, and it becomes clear that the attackers are not thieves at all, but in fact humanity's last hope against an insidious alien invasion.
The title is utterly generic. It might as well be “Sci-Fi Horror Thriller.” And sure, the flick has its share of scenes of people creeping around nondescript interiors in the dark. But while one would be understandably tempted, at first glance, to dismiss Alien Raiders as yet another bit of filler for the Sci-Fi Channel (oops, sorry, that should be SyFy Channel) and the like, it is, on the contrary, a most engaging and reasonably suspenseful exercise. The monster effects are (wisely) kept in the shadows, making a virtue out of low-budget necessity, and the performances and writing are both sharp, making a very familiar scenario fresh again. The conclusion is telegraphed a little clumsily, but in the end, that's a minor problem. There's a real aura of desperation surround the characters, and one can't help but root form them.
Posted in: Disc Reviews by Archive Authors on April 1st, 2009
Last year, Chris Rock hit the road with new material for Kill the Messenger, his latest comedy tour. HBO captured three of the performances – in London, Johannesburg and New York – and edited them together into one big comedy special. Now on DVD in this three-disc set, Rock fans can see the HBO special and the full-length shows at each of the locations above. If you love his stuff, that might be great news. But after more than a decade at the top, does Rock still have it? Read on.
The way HBO assembled the original comedy special is pretty unique. Running around 80 minutes, Kill the Messenger cuts mostly seamlessly between Rock’s performances in three different cities. So he might set up a joke in London, deliver the punch-line in Johannesburg and follow up in New York. This might sound really disjointed on paper, but in practice it works well because Rock is so consistent with his delivery. In fact, the precision with which he executes his material is downright impressive.
Posted in: Disc Reviews by Michael Durr on March 30th, 2009
Risk taking has never been my specialty. I tend to keep things pretty conservative and never really tried anything out of the ordinary, at least nothing I would consider dangerous. However, I have been interested by many forms of extreme sports. There is skateboarding, motocross, and of course, snowboarding. This beautiful sport combines flawless riders and picturesque snowy landscapes. So how would I take to a movie that tries to make a comedy out of snowboarding? Hopefully well. But then I saw that it included Tom Green and one of the guys from Jackass. This is not off to a good start.
Max (played by Dave England) and Eddy (played by Jason Bothe) are in charge of Team Shred. Team Shred consists of Chris, Tracy & Juice (played by Carlo Marks, Amber Borycki, & Alain Chanoine respectively). Chris is the breakout star of the team while Tracy & Juice are up and coming. However, Max and Eddy only focus on their breakout star as they arrange parties, videos and other events for Chris and only include the other two as a mere afterthought.
Posted in: Disc Reviews by William O'Donnell on March 29th, 2009
"Chicano" is a term for a Mexican American (US born with Mexican ancestry).
El Chicano was and is a band that started in the late 60s as club players called The V.I.Ps (playing after hours at a Japanese restaurant in East Los Angeles) who became popular because of their jazzy approach to Latin rock. This musical approach was really defined by this band, as well as by Santana who started about the same time, and their songs became the anthems for the "Chicano Movement" around the late sixties and early seventies.
Posted in: Disc Reviews by David Annandale on March 28th, 2009
Zack (Seth Rogen) and Miri (Elizabeth Banks) have been friends since school, and are now terminally broke roommates. As their utilities are turned off one by one, and they face the prospect of eviction, Zack hits on the idea of shooting a porn flick to get out of debt. They gather together a motley collection of actors and crew, and, letting no setback stand in their way, start making their movie. But the real question is not whether they will succeed, but whether they will come to terms with their feeling for each other.
In his review of the film Roger Ebert writes, “'I don't know bleep about directing,' Smith once confided to me. 'But I'm a bleeping good writer.'” Smith is half-right. The direction here is very meat-and-potatoes, every shot serving little more than to get the actors decently framed. But I can't agree with his self-estimation as a writer. There are some funny lines here, but many of the laughs are due to Smith's stellar cast. Rogen does his usual shtick, but it's still funny, thanks to his appealing naive/cynic vibe and befuddled stoner delivery. Justin Long shows up for a single scene, and walks off with the movie. None of his lines are particularly stellar, but his cameo is hysterical, all of it due to voice and body language. The man could make the yellow pages side-splitting. This is not to say that Smith's script is that dry, but it veers between clumsy earnestness (I kept waiting for the punchline during the final emotional speeches, the clue that I wasn't really supposed to take this hackneyed dialogue seriously, and it never came) and a potty mouth approach that clearly finds naughty words to be funny in and of themselves. You know, like we all did in grade five. David Mamet this is not. But when all is said and done, there's the cast. Determined to save Smith from himself, they make the film a bizarrely endearing and sweet experience.
Posted in: Disc Reviews by Michael Durr on March 26th, 2009
The WTO or World Trade Organization came into being on the 1st of January in the year of 1995. It was the successor to GATT (General Agreement on Tariffs and Trade) and was designed to supervise and liberalize international trade. In their ministerial conference of 1999, they decided to have the conference on US soil. The site chosen was Seattle, Washington. The WTO had drawn criticism from protestors around the globe that proclaimed that the WTO was pursuing commercial interests ahead of human principles. In 1999, the WTO convened at the Washington State Convention and Trade Center. Protestors came by the thousands and soon despite their peaceful efforts, riots ensued. There was mass police involvement. It also gave way to some of the more horrific scenes of innocents and guilty arrested alike. Battle in Seattle is a docu-drama directed by Stuart Townsend that mixes a drama-thriller with the real events that surrounded the days that followed November 30th, 1999 in Seattle, Washington.
Jay, Lou and Django (played by Martin Henderson, Michelle Rodriguez, and André Benjamin) are three activists who are planning a mass protest at the 1999 conference of the World Trade Organization in Seattle, Washington. Meanwhile, a SWAT cop named Dale (played by Woody Harrelson) gears up for that same conference in order to keep the peace. His mind is not on the protestors, instead his mind is focused on his wife, Ella (played by Charlize Theron) who is five months pregnant.
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