1.78:1 Widescreen

Paranormal Activity 2 is both a prequel and a sequel to the first film, Paranormal Activity. Paranormal Activity followed Katie Featherston and her boyfriend Micah Sloat. For some unknown reason, a demon was terrorizing the couple. By the end of the film (October 8, 2006), Katie was possessed by the demon. She kills Micah and then mysteriously disappears. When Paranormal Activity first came out, I had no interest in seeing it. My friends talked about the film, and said it was ‘jumpy’ especially the scene when Katie is pulled out of bed. However, I always thought the film was about aliens, not demons! Flash-forward to late October 2010; I decided to watch a marathon of horror films to celebrate the Halloween holiday. Paranormal Activity was on the list of must-see films, partly because I wanted to be able to say that I had seen it! It was simple, realistic, but left me wanting more.

Two weeks later, Paranormal Activity 2 was released into theaters on Halloween. I am going to keep this review spoiler-free. I want you (our readers) to experience Paranormal Activity 2 spoiler-free, because if you know what is coming, the film will be less interesting. This horror film is not like the majority of others released on DVD in recent years. There are no trails of blood, decapitated heads on spikes, or people sewn together to make a human centipede. Paranormal Activity 2 relies on its shock value to get people into the theaters and to buy the DVD. Believe me when I say, Paranormal Activity 2 has more than enough shock value to satisfy anyone looking for an adrenaline rush.

I have to admit that I had not heard about Gabriel Iglesias before I got this Blu-ray concert film in the mail. From the first look at the cover you notice the obvious. Gabriel is a rather rotund comic. For him, it's not a liability at all. Honestly, he's turned it into a cash cow, of sorts. It's a huge, pun intended, part of his routine. In fact, to understand the titles of the release you have to be clued into one of his signature routines. He identifies six levels of obesity. They range from Big, Healthy, Husky, Fluffy, Damn, and the latest level Oh Hell No. As you might guess, Gabriel considers himself in the Fluffy category. Still, for all of his pounds he has quite a bit of energy, and he moves along the stage quite well for his weight. His body and child-like face make him disarming and more than a little bit charming on stage.

Gabriel has a pretty solid repertoire of routines. The show actually starts off slow as he appears to name-drop. He goes endlessly on and on about his encounters with the more famous Paul Rodriquez. Fortunately, the show gets a lot better as soon as he's used up every bit he can ride on that subject. While his bits often cover a lot of the familiar stand-up fodder, he tends to be cleaner than most comedians. He does resort to the occasional toilet joke but doesn't appear to be stuck there. His best material is when he's delivering short rapid-fire bits. When he slows down for a longer story, the funny factor drops considerably.

"The Giants who formed this world and now seem to live in it in chains are actually the cause of its life and the source of all activity. But the chains are the cunning of the weak and tame minds..."

Confused yet? That's how Bitter Feast opens, and while it does have a witty premise, the film continues to confound and confuse throughout. The opening poem is the backdrop for a game that turns violent between two brothers in a wooded area. I have to be honest. It made my brain literally hurt trying to figure out what director Joe Maggio was trying to say.

I always hated Moonstruck, but do not get me wrong, this is a positive review. See, it seemed like, back in my childhood, every time I wanted HBO or Showtime to play The Goonies, they were always in the middle of yet another airing of this Academy Award-winning romance. It was a boring movie about love with that lady Cher, who needed to stick to the radio, and stay off my movie screens. My, how a little age and maturity can alter perceptions. As a seven-year old boy, I just did not have the sensibility for this film. And while many would argue I have not grown up much in the years following, I gauge all such detractors wrong by the simple fact I now enjoy her shining moment thoroughly. I mean, there has to be some growth there. Right?

Moonstruck is a modern film, which uses the model of classical Italian comedies as its primary structure. In fact, some elements are directly lifted from the divine comedies of yore, but Norman Jewison, along with a top-notch script, and a terrific cast, lend a freshness not seen in the romantic by-products of today, which make the film more homage than rip-off. For one, the story centers on a 37-year old widow (Cher) not your common leading lady role whose superstitions dictate her happiness. She agrees to marry an older man, whom she admittedly does not love, just to bring some structure and stability to her life. Then she meets her fiance and his estranged younger brother, and a spark ignites that turns her world upside down in a good way. The eccentricities of her Italian-American family are mined to perfection with both warmth and humor. The film explores how cruel the closest people can be to one another without wrapping viewers up in any negativity. I can finally see what the critics were raving about – a good, solid film.

Musically, I've been told before that I'm not that broad. I primarily like my hard rock and it doesn’t matter whether it is a flashy piece from the 80's or a grungy alternative piece from the 90's. But there is something that a lot of the music I listen to has in common with each other. A great guitar track. From the brilliance of an Andy Timmons to the soothing energetic sound of a Tom Cochrane. It is only fitting that a blu-ray capturing the guitar god simply known as Jeff Beck graces my door step. Furthermore, he is having a party honoring the late Les Paul. This ought to be a treat.

There is a concert inside the Iridium Jazz Club in New York City tonight. Let’s see who is playing. Well, there is Darrel Higham on guitar and vocals. He’s been a lead guitar with rockabilly bands since the late 80’s. Then there is Darrel’s wife: Imelda May, a fairly established Irish singer who has sang with many greats and loved the world over. Then there is Al Gare on bass who has often played with the husband and wife combination.

Written by Diane Tillis

24 is a political-thriller television series that spans eight seasons. The show focuses on Jack Bauer, a prominent and controversial agent within the Counter Terrorist Unit in Los Angeles. Each 24-episode season covers 24 hours in the life of Jack Bauer using the real-time method of narration. The episodes are marked by the hour with onscreen digital clocks. For instance, episode one of Season 8 relates to 4:00 P.M. through 5:00 P.M. of that day. The show also uses the split-screen technique. The screen will display multiple images that coordinate with the different story lines that occur throughout the season. This technique is used when the opening credits are rolling, before-and-after cuts for commercial breaks, or before the concluding scene. At the conclusion of its eighth and final season, 24 became the longest-running espionage-themed television drama ever.

Written by Diane Tillis

24 is a political-thriller television series that spans eight seasons. The show focuses on Jack Bauer, a prominent and controversial agent within the Counter Terrorist Unit in Los Angeles. Each 24-episode season covers 24 hours in the life of Jack Bauer using the real-time method of narration. The episodes are marked by the hour with onscreen digital clocks. For instance, episode one of Season 8 relates to 4:00 P.M. through 5:00 P.M. of that day. The show also uses the split-screen technique. The screen will display multiple images that coordinate with the different story lines that occur throughout the season. This technique is used when the opening credits are rolling, before-and-after cuts for commercial breaks, or before the concluding scene. At the conclusion of its eighth and final season, 24 became the longest-running espionage-themed television drama ever.

The Graves:

When you first look at the title for this entry in After Dark’s 4th annual 8 Films To Die For, you probably have summoned up images of a dank and foreboding cemetery where unspeakable horrors rise from their resting places to torment the, albeit temporarily, living. This is definitely a little bit of a case of false advertising and the misleading use of a title. These Graves are sisters, Megan (Grant) and Abby (Murray), to be exact. They’re the kind of sisters who do everything together. You know the type. They almost speak in a secret language and appear to be soul mates. But Megan is a bit more outgoing and has gotten herself a job in New York, far away from the sisters’ home in Arizona. Abby is a bit more introverted and is having a hard time dealing with the inevitable loss of her sister. So the two decide to have one more blast together. It’s time for a road trip to visit the world’s largest thermometer. Oh boy. Any horror fan worth his remote knows that the girls are likely not going to make it to see the big thermometer, and they’d be correct. They get sidetracked in a small town called Unity where they are encouraged to visit the abandoned gold mine called Skull City Mine.

Paul Rudd is desperate for a promotion. Moving from the drudgery of the sixth floor to the executive seventh will, he feels, cement his financial status and convince his girlfriend (Stephanie Szostak) to marry him. Opportunity knocks, but also has a price: he must find an idiot to bring to boss Bruce Greenwood’s dinner party, where these unfortunates will be ridiculed. Rudd doesn’t like the idea, but then he (literally) runs into Steve Carrell, a man of such transcendent idiocy that Rudd can’t resist the siren call he represents. But before they can make it to the dinner, Carrell’s well-meaning stupidity threatens to completely derail Rudd’s life.

This is a remake of 1998’s The Dinner Game (Le diner des cons). Francis Veber’s farce clocked in at 80 minutes. Jay Roach’s bloated retread is half again as long, and only half as funny. The Paul Rudd character in the original, played by Thierry Lhermitte, was a superior, cruel SOB who deserved to have his life taken apart. Furthermore, the characters never actually make it to the dinner of the title. The remake, of course, finds it necessary to stick literally to its title, and gives us the dinner, thus inviting us to engage in precisely the form of cruel laughter it pretends to condemn. It also tries to make Rudd sympathetic, and having his character be a nice guy runs counter to the very premise of the film. End result: a film that tries much too hard to be funny, laboriously working every last predictable gag until those horses are fit for nothing more than the glue factory. There are some amusing moments, but this is, by and large, a gigantic, time-consuming waste of the talent involved.

My dislike of romantic comedies has been well documented on this site time and time again. At times, I even try to enlist the help of my loving wife who doesn’t really care for them either but is willing to lend a hand. Unfortunately, my next three reviews will all involve the curse of the romantic comedy. So let’s take a look inside and see if we can last through this trilogy of terror.

Lane Daniels (played by Hilary Duff) is a fashion journalist in New York City in search of a guy. Scared yet? I mean it is Hilary Duff. I heard she once bit the head of an eyeliner pencil off and swallowed it whole. Lane’s best friend, Joanna (played by Amanda Walsh) tries to help but the main problem is that Lane has this insane checklist.