Posted in: Disc Reviews by Archive Authors on January 10th, 2011
Countless documentaries and dramas chronicle the life of John Lennon. They make each film unique from all the others by taking different approaches, use different archival materials, or new first-hand interviews. LENNON NYC explores a time in Lennon’s life that is rarely exposed. It focuses on Lennon’s life in New York City from 1971 to his death in 1980.
In 1971, after the breakup of The Beatles, John Lennon and wife Yoko Ono moved to New York City. The nine years Lennon spent in the city was a time for him to focus on family. While he did create some of the most acclaimed songs and albums of his career, Lennon wanted to be a proper father to his young son, Sean. A strong icon in the count-culture movement, Lennon was very active in anti-war protests and other political causes.
Posted in: Disc Reviews by Gino Sassani on January 4th, 2011
I’ve seen some dysfunctional families on television over the years. Haven’t we all? It’s fun to laugh at someone else’s flaws. Along comes Showtime, and it’s rather hard to classify the series The United States Of Tara. This one takes dysfunction to a whole new level. Tara (Collette) suffers from multiple-personality disorder. Laughing yet? She has managed to control the problem by using medications and attending frequent therapy sessions. But the medication is sapping her creative ability. You see, Tara was once a gifted artist. She painted murals and was somewhat critically acclaimed. The meds put an end to all of that. With the blessings of her family, Tara goes off the meds, and the family grows by 7. Yes, there are 7 “alters” as she calls them inside of Tara’s body. Now they are all coming out to play.
The first thing you have to understand about this show is who the alters happen to be. We learn over time that they were constructed by Tara’s mind to protect her from a traumatic moment in her life. Tara can’t remember the event, but from time to time, the alters offer up little clues to what might have taken place. She is totally aware of the alters and their personalities. The family has developed some protection techniques of their own. Husband Max (Corbett) is not allowed to have sex with the alters. They’ve decided that would be cheating. How about just f***ed up? The kids are to treat the alters as they are, not as Mom. I’ll introduce you to the “real” people later. Here are Tara’s alters:
Posted in: Disc Reviews by Gino Sassani on January 3rd, 2011
"Luke Skywalker has returned to his home planet of Tatooine in order... But, you know this story..."
Know this story, you do. It's the opening of the third, or actually the 6th in sequence, but it is the 3rd one made, unless you count... Never mind. This is the prologue to Return Of The Jedi. Not so long ago in this Galaxy, Family Guy took a shot across the bow of those Imperial Cruisers with its extremely funny and on the spot spoof of the first Star Wars film, or actually the 4th chapter.... Star Wars: A New Hope. It was only a matter of time before Seth MacFarlane would steer his own ship back into George Lucas's universe a third time. With equal parts faithful adaptation and off-the-wall detours, he's done it again, delivering another very funny tour into the dark side.
Posted in: Disc Reviews by David Annandale on January 3rd, 2011
Paul Rudd is desperate for a promotion. Moving from the drudgery of the sixth floor to the executive seventh will, he feels, cement his financial status and convince his girlfriend (Stephanie Szostak) to marry him. Opportunity knocks, but also has a price: he must find an idiot to bring to boss Bruce Greenwood's dinner party, where these unfortunates will be ridiculed. Rudd doesn't like the idea, but then he (literally) runs into Steve Carrell, a man of such transcendent idiocy that Rudd can't resist the siren call he represents. But before they can make it to the dinner, Carrell's well-meaning stupidity threatens to completely derail Rudd's life.
This is a remake of 1998's The Dinner Game (Le diner des cons). Francis Veber's farce clocked in at 80 minutes. Jay Roach's bloated retread is half again as long, and only half as funny. The Paul Rudd character in the original, played by Thierry Lhermitte, was a superior, cruel SOB who deserved to have his life taken apart. Furthermore, the characters never actually make it to the dinner of the title. The remake, of course, finds it necessary to stick literally to its title, and gives us the dinner, thus inviting us to engage in precisely the form of cruel laughter it pretends to condemn. It also tries to make Rudd sympathetic, and having his character be a nice guy runs counter to the very premise of the film. End result: a film that tries much too hard to be funny, laboriously working every last predictable gag until those horses are fit for nothing more than the glue factory. There are some amusing moments, but this is, by and large, a gigantic, time-consuming waste of the talent involved.
Posted in: Disc Reviews by Archive Authors on December 30th, 2010
Written by Dave Younger
This is a prison drama, where the most feared criminal in Combs State Prison is born-to- be-bad Miles “Cain” Skinner (Ving Rhames). His nemesis Redfoot (Robert LaSardo) has just been caught doing his last drug deal and is transferred there. Which tough guy will prevail? Cain is so dangerous he’s in solitary confinement, so that makes it harder to take him out. But he is allowed out one hour a day. He’s handcuffed – sometimes – and security is increased, so it seems like Redfoot has an advantage. But those handcuffs could be nasty weapons…
Posted in: Disc Reviews by Archive Authors on December 27th, 2010
Written by Dave Younger
David (Sam Page) and Georgie (Natassia Malthe) are engaged. They go overseas, to Spain, to get the blessing of David’s father, Robert (Michael Maxwell). Georgie is abducted from a nightclub and becomes a sex slave for a twisted psycho known as the White Arab (David Gant, but because this is an ultra-cheap straight-to-DVD Hostel knockoff, his name is misspelled as Grant on the cover). Georgie’s fiancée discovers a guy whose sister was also kidnapped, and they make plans for a rescue. But there are lots of crazies, drug dealers, and corrupt officials they have to deal with first.
Posted in: Disc Reviews by Gino Sassani on December 27th, 2010
“As an exterminator I'm called upon to curb the destruction by beasts both great and small, be it eliminating a deadly menace or safeguarding a lake from ruin. But sometimes one wrong turn on the job can become a question of life or death."
Billy Bretherton is the owner of Vex Con Pest Control in Shreveport, Louisiana. It's a family run business. Mom is the office manager and takes all of the service calls and then dispatches the technicians to their various jobs. Dad is the office mascot. He's had a heart attack along with a few other medical scares, so he's not really very hands-on. You might say his main job is to worry and complain. Mary is Billy's wife. She quits halfway through the first season, appearing only a couple of brief moments in the second season. Still, she's a part of the opening credits. Ricky is Billy's brother and often his partner on many of his two-man jobs. It's interesting that we're constantly told that Ricky is deathly allergic to wasp stings. One sting and it's an airlift ride to the ER, Billy is always reminding us. But when a wasp call comes in, who do you think Billy takes along to help? Of course, it's Ricky. Mom always reminds us of the allergy and admonishes Billy to be sure his brother doesn't get stung. It's things like this that make this the most frustrating A&E series I've ever watched.
Posted in: Disc Reviews by David Annandale on December 24th, 2010
Omar (Omar Metwally)desperately needs to write the biography of author Jules Gund if he wants to hang on to his academic post. In order to do this, he will have to secure the cooperation of the reclusive author's surviving family: his wife (Laura Linney), his mistress (Charlotte Gainsbourg) and his brother (Anthony Hopkins). Pressured by his girlfriend to make something of himself, Omar heads off to Uruguay and essentially invites himself into the Gund residence, an isolated mansion in a state of genteel decay. Hopkins and Gansbourg are quick to agree to the project, but Linney resists, and Omar is gradually entangled in the family's complicated web of relationships, while drifting into an affair with Gainsbourg.
I haven't read Peter Cameron's novel which which the film is based, so I can't say whether this story's vision of academic life is the same as the book's, but I will say that what we have here is rather bizarre. Yes, there is some truth to the old “publish or perish” saw, but Omar's desperate career straights are ludicrous. So the film starts off with a shaky premise, and is further saddled with a distinctly callow protagonist. Though he is clearly supposed to be a rather weak figure, he is so difficult to care for that the film has a void at its centre. As for Linney, Hopkins and Gainsbourg, these are people who could make a recital of the phone book interesting, and their time on the screen is compelling, even if the film itself isn't quite.
Posted in: Disc Reviews by Gino Sassani on December 23rd, 2010
Michael McDonald has been around for a very long time. In fact, with his white hair and beard McDonald makes a perfect little musical Santa. The man began his career as a backup singer for Steely Dan but made his real fame when he became part of The Doobie Brothers in the 1970's. But by 1982 it was already all over for the super-group. After about 5 years of wall-to-wall hits the group disbanded, and McDonald went out on his own. His first solo album was an almost instant hit. Unfortunately for McDonald and his many fans, he wasn't the most prolific artist and took 9 years to follow up that album. By then times had changed, and he never has quite captured the fame that started with The Doobie Brothers and continued through his early solo career.
While McDonald's solo career hasn't exactly been soaring in the last 20 years, he has found ways to stay in touch with the loyal fan base. Christmas has been kind to the rocker. He has released a couple of Christmas albums with some level of success. He also continues to do Christmas concerts, a tradition that began in his Doobie Brothers days.
Posted in: Disc Reviews by Archive Authors on December 22nd, 2010
One man. One alien. One choice.
That’s the tag line for Hunter Prey, the latest project from Sandy Collora, idol to fanboys everywhere thanks to his 2003 short film, Batman: Dead End, believed by many to be the best fan film ever made. Well, after a long wait, he has finally made his first full-length feature film, and though it’s clearly hovering around the bottom rung of the budget ladder, there is much to admire here.
![Lennon NYC [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/lennon-nyc-blu-ray-large.jpg)
![Family Guy: It's A Trap! [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/family-guy-its-a-trap-blu-ray-large.jpg)
![Michael McDonald- This Christmas Live In Chicago [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/michael-mcdonald-this-christmas-li-large.jpg)
