Posted in: Disc Reviews by Gino Sassani on August 19th, 2009
You know, I was watching this episode of the popular Showtime series Dexter the other night. There was this murder victim who had taken off work early to go and see a romantic comedy with his girlfriend. He ended up getting his head bashed in and dead. Is it saying something about my own bias that the first thing that came to my mind was that it was a lucky thing he got his skull caved in before he had to go to the romantic comedy? Romantic comedies. Chick flicks. Date movies. Whatever it is that you want to call them, ladies, they are the stuff of nightmares for your significant others.
Posted in: Disc Reviews by Gino Sassani on August 13th, 2009
The cast and crew of I Love You, Man constantly refer to the film as a “bromance”. I’m not exactly sure what they mean by that, but I was actually pretty pleased with the clever turn on the typically droll romantic comedy. Maybe someone’s finally come up with a romantic comedy that actually can appeal to men. Whatever you call it, I Love You, Man is a bit of a refreshing take on today’s innuendo comedy. Writer/director John Hamburg has turned a pretty inane idea into a rather funny little comedy that just might be the compromise between a chick flick and something we won’t have to squirm in our seats just to make our dates happy.
Posted in: Disc Reviews by David Annandale on August 13th, 2009
An insubordinate officer (Bo Svenson), an African-American who Has Been Pushed Too Far (Fred Williamson), a thief, a gambler, and a coward are among the prisoners loaded up onto an Allied convoy in 1944. When the trucks come under attack from the Germans, the prisoners escape, and decide to make their way to Switzerland. But their journey is a complicated one, with another firefight around every corner, culminating in a particularly violent case of mistaken identity, which results in their volunteering to tackle a suicidal train-jacking.
Posted in: Disc Reviews by David Annandale on August 13th, 2009
Unable to face life as a lawyer, having been pushed into law school by his father (Tom Hanks), Troy Gable (Colin Hanks, looking uncannily like his father) aspires to become a writer. In order to put food on the table, he becomes the road manager for Buck Howard (John Malkovich), a former big-name mentalist who now works half-empty theatres in towns Troy didn't even know existed. By turns charming and tyrannical, Buck keeps hoping for the big comeback and return to his Tonight Show glory days, and drags Troy along for a bumpy ride down the back roads of show business.
Posted in: Disc Reviews by Gino Sassani on August 12th, 2009
“Four turtles. Four brothers genetically reborn in the sewers of New York. Named after the great Renaissance masters and trained as ninjas. They battled many creatures and foes before defeating their arch enemy, The Shredder. But, now a greater evil is poised to destroy their brotherhood. An evil born 3000 years ago.”
What started as a low budget comic has grown into quite a sensation. The Turtles are everywhere. There are cartoons, books, comics, movies, and thousands of toys. They’ve been translated into just about every language in the world. The 1980’s and 1990’s were alive with Turtle power. With yet another film now in the works, the Turtles are about to make a comeback.
Posted in: Disc Reviews by Gino Sassani on August 12th, 2009
“At the end of the Ice Age the machine came. It came from outside. It came from space. It came with one purpose, to change man into mutant.”
Mutant Chronicles was based on an old style role playing game. This was the kind where someone actually had to get out some paper and keep track of the game. Real old school. So now the property has been turned basically into a video game. Yeah, I know this is a movie review, but I just spend about an hour and a half feeling like I just watched somebody else play a video game, and not a very good one at that.
Posted in: Disc Reviews by Gino Sassani on August 11th, 2009
Billy Bob Thornton got himself a well deserved Oscar for the film Sling Blade. If you’ve ever seen the film, or anything else by the man, there’s no surprise that he took home one of the coveted statues. What is a bit surprising is that he took the Oscar home for the screenplay for Sling Blade and not for the masterful performance. Now don’t get me wrong. The screenplay is a brilliant one. He certainly deserved that award, but there hasn’t been a performance as riveting as his portrayal of Karl Childers in a decade or more. It was this performance that made Thornton the household name he became.
Posted in: Disc Reviews by Gino Sassani on August 11th, 2009
Why does every Adam Sandler character seem to be Happy Gilmore? I don’t know if there’s an actor out there, comedian or otherwise, who has made so many movies essentially playing the same character. If it seems at times like I really hate Sandler, believe it or not, I don’t. The guy has a charm and natural ability that can, when he works at it, come off as a very entertaining couple of hours at the movies. Unfortunately, he’s not willing to work at it, and so continues to bombard us with new versions of the same character and story.
Posted in: Disc Reviews by David Annandale on August 7th, 2009
Cult Epics continues its love affair with director Tinto Brass, and here once again delves into one of his early works. For my money, for all that his later erotica is handsomely shot and produced, what I'm seeing of his 1960s output (so far Deadly Sweet and this) is far more interesting. If 1967's Deadly Sweet was demented, it at least followed a semi-recognizable mystery plot. The Howl (1969), on the other hand, defies description. It is basically a surreal picaresque, as a young woman (Tina Aumont) flees her wedding with a stranger (Luigi Proietti) who gives her a come-hither look. Already, this sounds far more sensible than the film really is. The couple race from one lunatic encounter to the next: a resort hotel apparently designed by Sade; a naked, cannibalistic philosopher and his family, and on we go.
Posted in: Disc Reviews by David Annandale on August 6th, 2009
Daisato (director/co-writer Hitosi Matumoto) is having his daily life filmed by a TV crew. This life is pretty depressing. He doesn't make much money, his wife has left him, and his neighbours hate him. His job isn't exactly low-stress, either: he is Big Man Japan, a hereditary job that involves defending Japan against monster attacks. So whenever he gets the call, he has to run to the nearest power plant, get himself zapped until he grows into a 50-foot giant, and do battle with various bizarre creatures (one looks like a plucked chicken with a huge eyeball/penis appendage). But though he does his best, his ratings are down, his show is broadcast in the dead hours of the morning, his agent appears to be taking advantage of him, and there's a new monster in town that mops the floor with him on their first encounter.
![How to Lose a Guy in 10 Days [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/how-to-lose-a-guy-in-10-days-blu-r-large.jpg)
![I Love You, Man [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/i-love-you-man-blu-ray-large.jpg)
![Inglorious Bastards [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/inglorious-bastards-blu-ray-large.jpg)
![Teenage Mutant Ninja Turtles Film Collection (Teenage Mutant Ninja Turtles / Secret of the Ooze / Turtles in Time / TMNT) [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/teenage-mutant-ninja-turtles-film-c-large.jpg)
![Sling Blade [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/sling-blade-blu-ray-large.jpg)
![The Waterboy [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-waterboy-blu-ray-large.jpg)
