Posted in: Disc Reviews by Gino Sassani on March 2nd, 2009
The French Connection had one of the best film endings a show of this kind could ask for. There was absolutely no need for a sequel. Obviously the success of the first film laid the groundwork for another adventure. In reality the case was rather left open, so there was certainly room to follow up the action. The problem is that none of the elements from the first film remain in the second beyond Gene Hackman’s portrayal of Popeye Doyle and the return of Fernando Rey as the villain Charnier. Friedkin would not return to direct, and even though he was replaced by an even greater director in John Frankenheimer, not much of the original crew remained.
Posted in: No Huddle Reviews by Archive Authors on February 27th, 2009
Posted by Ken Spivey
Filmmaker Godfrey Cheshire returned to his ancestral home, Midway Plantation, in 2003. When he arrived he found his cousin, Charlie Silver, about to move the southern mansion to make way for a shopping complex. “Moving Midway” is the story of Midway's past, present journey, and future home.
Posted in: Disc Reviews by Gino Sassani on February 25th, 2009
In 1913 Marie Belloc Lowendes wrote the novel that this film was based upon. She claimed to have once met a woman at a dinner party who claimed to have had Jack The Ripper as a lodger at her boarding house. Lowendes never tried to verify the claim, or learned anything else about the incident, but it did cause her to do some research on the infamous killer. The result combined with that simple encounter’s claim became a best selling novel. It would be adapted to film not once but several times, including a film by Alfred Hitchcock.
Posted in: Disc Reviews by Gino Sassani on February 25th, 2009
“They’re not leaving till they get dessert.”
Director John Gulager might be the son of famed cult B movie star Clu Gulager, but that’s not how he broke into the business. He was a Project Greenlight winner. Project Greenlight is a competition for up and coming directors. They compete in a reality show style setting for the opportunity to direct a major release film. Now, I didn’t say it was a big budget film, but it does get backed and released by a major studio.
Posted in: Disc Reviews by Gino Sassani on February 25th, 2009
“Sex addicts. These people are the reason that emergency rooms have special tools to remove the champagne bottle, the fluorescent bulb, and the hamster. For the freaks in here, sex is a compulsion like gambling, drugs, or shoplifting…”
That describes Victor Mancini (Rockwell), the focus of the rather absurd little black comedy based on the novel by Chuck Palahniuk and adapted for the screen by Clark Gregg, who also directs and acts in the movie.
Posted in: Disc Reviews by Gino Sassani on February 25th, 2009
There is an old saying that in the land of the blind, the one-eyed man is king. Don’t tell that to Julianne Moore’s character. In this quasi science fiction morality tale, her character learns that it’s not what you can’t see that will hurt you, rather what you can see. This is a very dark film that takes an incredibly cynical look at humanity. She’s the only seeing person in an isolated group of mysteriously blind people. The film is obviously told from her perspective, as anyone else’s would be impossible to present, at least on film.
Posted in: Disc Reviews by Gino Sassani on February 19th, 2009
Remember when Eddie Murphy was funny? You know, before the fat suites and fart jokes. I guess many of you hadn’t even been born yet. Ronald Reagan was still president of these United States. CD’s were the latest thing. VHS was just catching on. The Rams were still in L.A., and it was the Cardinals that were playing in St. Louis. No one had ever heard about DVD, MP3, or Wi-fi. It was 1988 and Eddie Murphy was staring in Coming To America.
Posted in: Disc Reviews by Gino Sassani on February 19th, 2009
Leslie Nielsen was once a serious actor. He starred in one of the most important science fiction films ever made, Forbidden Planet. He was a staple on the 1950’s television dramas. His unique features and voice made him a busy character actor all the way until the 1980’s. That’s when the cornball kings Jim Abrahams, David Zucker, and Jerry Zucker cast him as the “don’t call me Shirley” Dr. Rumack in Airplane. From that moment on Nielsen went from being a serious actor to becoming the face of an entire comedy genre of corny films.
Posted in: Disc Reviews by Gino Sassani on February 19th, 2009
The series might be called “I Love The 80’s” and the film Still Smokin’ was indeed released in 1983, but when I think of Cheech & Chong I am brought back to the 1970’s. It was then that the pair had their first success with an iconic brand of “stoner” comedy. Their LP’s sold millions across the country. You didn’t have to be a stoner to appreciate the jokes. I was about as straight as they come, but I really loved listening to Cheech & Chong. The material was about more than just getting high. It was timely, at least it was then. It mirrored the culture that we could see from our own windows and like all inspired comedy, it was relevant.
Posted in: Disc Reviews by Gino Sassani on February 18th, 2009
Everything you loved from the first film is back again. Dreamworks took the high road and brought all of the voice cast back. That means the wonderful chemistry these characters developed in the first film gets to continue. We don’t have to waste time setting up new bonds. We can get right to the adventure. Dreamworks also retained pretty much the entire animation team and added even more talent. The quality of this animation actually improves upon that of the original. Water, in particular, is startling on this film. It is as photo real as I’ve seen it in any animation feature to date.
![French Connection 2 [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/french-connection-2-blu-ray-large.jpg)
