Posted in: Disc Reviews by Gino Sassani on July 4th, 2003
Synopsis
Posted in: Disc Reviews by Archive Authors on July 1st, 2003
Fear and Loathing in Las Vegas can be and has been described in many ways, but one of the things that this movie isn't is a Cheech and Chong road movie about a couple of whacky buddies on a drug binge in the city of sin. There’s no going to strip clubs, no hilarious misunderstandings that make one of them have to dress in drag and be involved in a stage show, in fact, there isn’t even any gambling. This movie is more accurately described as a scalding epitaph to the counterculture of the sixties, a re...ognition that the “Peace and Love” generation’s collective ideas about changing the world had largely failed. Fear and Loathing is a disdainful look in the rear view mirror at a generation's potential unfulfilled, lying on the side of the road embarrassed and worthless, like a 52 year old groupie trying to fit in with the youngsters, doing balloon hits at a Dead concert. In a more critical sense, I can describe it in a single word: overrated.
The movie has cultivated an impressively large cult following its release in the summer of 1998, and after three viewings, I can’t really put my finger on why. By design, it doesn’t follow any real solid narrative structure. We know we’re watching a couple of totally altered guys try to stumble their way through a weekend in Vegas, but their adventures basically include getting really high on something, freaking out somewhere, then returning to their trashed room to recover. Sure, some things actually happen; Azocar meets and has sex with a minor, Duke goes to the motorcycle race, meets some strange people, quits his assignment, there’s an ironic DA convention in town. None of these events are here to prop up a story structure; they’re true events, so they just sort of happen and move on. It’s never long before he’s just getting whacked out again and the story returns to its strange “stagnant wandering” roots. Usually, I’m pretty good at connecting with the European-style, open-ended, non-traditionally structured films, but this one just left me flat.
Posted in: Disc Reviews by David Annandale on June 30th, 2003
Brad Johnson plays Jake Grafton, one of the top A-6 Intruder pilots, stationed on an aircraft carrier off the coast of Vietnam in 1972. He is frustrated by the useless missions he is constantly sent on, fruitlessly bombing trees. His frustration turns to rage when his bombardier is killed during one of these missions. He is subsequently paired up with borderline rogue bombardier Willem Dafoe, and before long these two cowboys decide to perform their own unilateral mission into the heart of Hanoi, whatever their commanding officer (Danny Glover) might think. Based on a novel by Stephen Coonts (who deserves better), and produced by Mace Neufeld, Flight of the Intruder has the same handsome production values that grace Neufeld’s Tom Clancy movies. There are some nice flying sequences, but the plot meanders far too much, and the climax is so silly it comes dangerously close to the Hot Shots films, wiping out any trace of tension.
Audio
Posted in: Disc Reviews by David Annandale on June 27th, 2003
In the dying days of World War II, a German submarine torpedoes a British ship off the coast of Venezuela, and machine-guns all the crew. Sole survivor is Murphy (Peter O’Toole), who istaken in by coastal villagers. Driven by thoughts of revenge that have less and less to do with the wider war, Murphy sets as his one goal in life the destruction of the German sub, by whatever improvised means possible (including repairing a reconnaissance plane and learning to fly it himself). The action sequences are quite impressive, though the flying scenes are rather overlong.The characters of Murphy and those played by Philippe Noiret and Sian Phillips are potentially interesting, but never given a chance to develop beyond that potential. Still, there’s enough quirky yet bang-up action (U-boat VS barge??!!) to make this pretty solid entertainment, if not much more.
Audio
Posted in: Disc Reviews by Gino Sassani on June 23rd, 2003
Converting Tom Wolfe’s classic book The Right Stuff was undoubtedly a difficult task. The original 7 Mercury astronauts were epic figures in American history. Perhaps the last of Earth’s true explorers, astronauts are the stuff that every kid’s fantasies are made of. It seems nearly impossible to capture such incredible bravery and charisma in the scope of even a 3 hour movie. Philip Kaufman somehow achieved the impossible. It starts with one of the most dynamic casts since The Godfather. Names like Jeff Goldblume, Dennis Quaid and Ed Harris were all relative unknowns at the time. Kaufman also paid great attention to detail. The crafts and locations brought the audience directly in contact with a world long gone from reality. Chuck Yeager’s technical input provided a solid foundation to the spectacular set designers and location scouts. Many members of this cast have since gone on to become acclaimed actors, a true testament to the casting job done on this film. You simply cannot be an American and not see this film at least once. It should be required viewing in every junior high school in America.
Synopsis
Posted in: Disc Reviews by David Annandale on June 19th, 2003
Dracula II drops all the characters from Dracula 2000, fudges the ending of that film, but retains the central idea of Dracula in fact being Judas Iscariot, cursed with eternal life. This time around, his sunlight-burned body is recovered by a group of grad students and their crippled professor with the hope of finding a miracle cure from the regenerative qualities of vampire blood. Meanwhile, a vampire-hunting priest named Uffizi (Jason Scott Lee, no more improbable as Italian than he was as Irish in Tale of the Mummy) is on the trail of Dracula (with minor help from Roy Scheider, putting in a few seconds of screen time). Within the limited budget, the story has admirable ambitions, and it skips along at a good pace. Character motivation is a bit hazy at times, however. As well, you’re much better off renting this and Dracula III at the same time,because the story here is very incomplete, leaving viewers hanging in much the same way (all proportions retained) as The Two Towers and The Matrix Reloaded.
Audio
Posted in: Disc Reviews by Archive Authors on June 9th, 2003
Synopsis
The follow-up to Jackie Chan’s Project A, Dragon Mao returns to Hong Kong after defeating Pirate Lo on the high seas. Dragon is assigned to lead the local police force and finds that police corruption is running wild. Framed for a jewelry robbery he must fight for his freedom and his life against a group of spies, pirates and revolutionaries.
Posted in: Disc Reviews by Gino Sassani on May 31st, 2003
If ever there was a film that was badly misunderstood it is Star Trek: Nemesis. The most common complaint I’ve heard is it was too much like an episode. Excuse me, but isn’t it supposed to be? Nemesis has everything a good Star Trek film should have. The character chemistry, space battles, a morality tale, and terrific f/x. If the film suffers at all it is from poor editing, as the collection of deleted scenes clearly shows (more on that in the special features section). As many politicians are fond of saying, “mistakes were made,” but this is a far better film than the critics or fans have given it credit for being. It deserves a second look and this 2 disc release is the perfect opportunity to revisit Star Trek: Nemesis.
Synopsis
Posted in: Disc Reviews by Archive Authors on May 28th, 2003
This, the third DVD release of T2, reiterates the genius behind this film. With this disc, we are given the same extended edition and theatrical version as found on the Ultimate Edition release, but the new High Definition transfer found on this Extreme Edition makes this 10+ year old film look brand new.
This disc is set to play the 16-minute extended version of the film. If you prefer the theatrical version, on the main menu, go to Sensory Control, and hit the right arrow on your remote 5 times. After ...ou have done this, you will notice “The future is not set” appear on the right, and the theatrical version is now accessible.
Posted in: Disc Reviews by Gino Sassani on May 25th, 2003
Synopsis
